Download Free Andres Serrano Book in PDF and EPUB Free Download. You can read online Andres Serrano and write the review.

Andres Serrano (born 1950) has photographed the homeless, Ku Klux Klansmen, corpses and feces, but he is most famous--or infamous, in some circles--for his "Piss Christ" (1987), showing a crucifix submerged in the artist's urine. Serrano returns again and again to scandalous or uncomfortable themes like religion, death, sex and violence, and his work prompts debate or even violent reaction, making vandalism and censorship inexorably part of the story of Serrano's art as well. Published to accompany a major exhibition at the Royal Museum of Fine Arts of Belgium, Andres Serrano: Uncensored Photographs presents the many faces of Serrano and his work, tracing the trajectory of his career in more than 100 photographs.
" ... an American photographer and artist who has become famous through his photos of corpses and his use of feces and bodily fluids in his work ..."--Wikipedia.
The controversial art world of Andres Serrano.
Andres Serrano is one of the most celebrated representatives of international contemporary photography and art. This title presents a look at his images of a new look Israel.
“Seductive… full of infectious vigor… these stories demand, above all, to be listened to.” —New York Times Book Review From Ana Castillo, the widely praised author of So Far from God and The Guardians, comes this collection of stories on the experience of love in all its myriad configurations. Infectiously moody and murderously comic, Castillo chronicles the rapturous beginnings, melancholy middles, and bittersweet endings of modern romance between men and women, men and men, and women and women.
The essayist and cultural commentator Ilan Stavans and the analytic philosopher Jorge J. E. Gracia share long-standing interests in the intersection of art and ideas. Here they take thirteen pieces of Latino art, each reproduced in color, as occasions for thematic discussions. Whether the work at the center of a particular conversation is a triptych created by the brothers Einar and Jamex de la Torre, Andres Serrano's controversial Piss Christ, a mural by the graffiti artist BEAR_TCK, or Above All Things, a photograph by María Magdalena Campos-Pons, Stavans and Gracia's exchanges inevitably open out to literature, history, ethics, politics, religion, and visual culture more broadly. Autobiographical details pepper Stavans and Gracia's conversations, as one or the other tells what he finds meaningful in a given work. Sparkling with insight, their exchanges allow the reader to eavesdrop on two celebrated intellectuals—worldly, erudite, and unafraid to disagree—as they reflect on the pleasures of seeing.
Recognizing that art at the end of the twentieth century changes too quickly and is too multifaceted and unfamiliar to be automatically understood, Art on the Edge and Over: Searching for Art's Meaning in Contemporary Society explains the intractably avant-garde art of the 1970s, 80s and 90s by searching for art's meaning within the context of popular culture and the common trends that have led to such new forms of expression. This one-of-a-kind resource is composed of 35 easy-to-read, chapter-long essays that each cover a particular deviation from conventional art practices (such as smell as an aesthetic ingredient, shopping as a creative process or blood, pollen, discarded dolls and toxic earth as a medium of expression.) Within each chapter, the theme discussed is illuminated by and elucidates the work of one particular artist (such as Laurie Simmons, Wolfgang Laib, On Kawara, Marina Abramovic, Gilbert and George, David Hammons, Felix Gonzalez-Torres, David Salle, Janine Antoni, Rosemarie Trockel, Andres Serrano, Carolee Schneemann, Barbara Kruger, Vito Acconci, and Mike Kelley). An easy-to-follow guide to the unconventional art of our contemporaries, Art on the Edge and Over is a vital resource for all those interested in art history, studio art, aesthetics, and contemporary society.