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The life of Vesalius, the foremost pioneer of modern anatomy, has never before been told in full. the present definitive biography, published in 1964 to mark the four-hundredth ear since Vesalius's death, fills a serious gap in medical history. It is, in fact, the first biography of the great anatomist since Moritz Roth's work of 1892. Much new information has come to light in the intervening seventy years which enables O'Malley to reassess Vesalius in relation to his eminent contemporaries and to re-evaluate his contributions to anatomy and to medical science in general. O'Malley gives a detailed account of Vesalius's studies of anatomy in Paris, Padua, Pisa, and Bologna, and is thus able to show the comparative advancement of medical knowledge throughout Europe during the sixteenth century. In addition, the book contains a wealth of historical material of broad interest, including an account of the attempt of Vesalius and Ambroise Pare to save the life of Henry II of France as he lay dying form a lance wound in the eye. Also included is a critical account of the various stories concerning Vesalius's persecution by the Inquisition and his subsequent pilgrimage to Jerusalem. As much as possible of Vesalius's major achievement, De humani corporis fabrica (1543), his epochal treatise on the structure of the human body, is presented in his own words, translated from the Latin text by Dr. O'Malley. Wherever feasible, in fact, an effort has been made by the author to tell the story through the precise words of Vesalius or those of his contemporaries. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.
An investigation of the role which the English book trade played in an important transitional period in early modern medicine.
Winner of the Third Neu-Whitrow Prize (2021) granted by the Commission on Bibliography and Documentation of IUHPS-DHST Additional background information This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.
Brain Renaissance: From Vesalius to Modern Neuroscience is published on the 500th anniversary of the birth and the 450th anniversary of the death of Vesalius. The authors translated those Latin chapters of the Fabrica dedicated to the brain, a milestone in the history of neuroscience. Many chapters are accompanied by a commentary tracking the discoveries that paved the way to our modern understanding of the brain - from the pineal gland that regulates sleep, the fornix and mammillary bodies for memory, the colliculi for auditory and visual perception, and the cerebellum for motor control, to the corpus callosum for interhemispheric cross-talk, the neural correlates of senses, and the methods for dissections. The chapters constitute a primer for those interested in the brain and history of neuroscience. The translation, written with modern anatomical terminology in mind, provides direct access to Vesalius' original work on the brain. Those interested in reading the words of the Renaissance master will find the book an invaluable addition to their Vesalian collection. Brain Renaissance pays a tribute to the work of the pioneers of neuroscience and to the lives of those with brain disorders, through whose suffering most discoveries are made. It's an unforgettable journey inspired by the work of the great anatomist, whose words still resonate today.
With over 350 illustrations, this impressive volume traces the rich history of ideas about the functioning of the brain from its roots in the ancient cultures of Egypt, Greece, and Rome through the centuries into relatively modern times. In contrast to biographically oriented accounts, this book is unique in its emphasis on the functions of the brain and how they came to be associated with specific brain regions and systems. Among the topics explored are vision, hearing, pain, motor control, sleep, memory, speech, and various other facets of intellect. The emphasis throughout is on presenting material in a very readable way, while describing with scholarly acumen the historical evolution of the field in all its amazing wealth and detail. From the opening introductory chapters to the concluding look at treatments and therapies, this monumental work will captivate readers from cover to cover. It will be valued as both an historical reference and as an exciting tale of scientificdiscovery. It is bound to attract a wide readership among students and professionals in the neural sciences as well as general readers interested in the history of science and medicine.
From bears on the Renaissance stage to the equine pageantry of the nineteenth-century hunt, animals have been used in human-orchestrated entertainments throughout history. The essays in this volume present an array of case studies that inspire new ways of interpreting animal performance and the role of animal agency in the performing relationship. In exploring the human-animal relationship from the early modern period to the nineteenth century, Performing Animals questions what it means for an animal to “perform,” examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animal’s presence. The contributors discuss the role of animals in venues as varied as medieval plays, natural histories, dissections, and banquets, and they raise provocative questions about animals’ agency. In so doing, they demonstrate the innovative potential of thinking beyond the boundaries of the present in order to dismantle the barriers that have traditionally divided human from animal. From fleas to warhorses to animals that “perform” even after death, this delightfully varied volume brings together examples of animals made to “act” in ways that challenge obvious notions of performance. The result is an eye-opening exploration of human-animal relationships and identity that will appeal greatly to scholars and students of animal studies, performance studies, and posthuman studies. In addition to the editors, the contributors are Todd Andrew Borlik, Pia F. Cuneo, Kim Marra, Richard Nash, Sarah E. Parker, Rob Wakeman, Kari Weil, and Jessica Wolfe.