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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Andrea Alciati And His Books Of Emblems: A Biographical And Bibliographical Study Henry Green TrUbner & co., 1872 Emblem books; Emblems
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Recognition of the great importance in Renaissance culture of the versatile and complex form of the emblem is increasingly widespread. This series aims to satisfy the needs of those who require access to texts in an edition as close to the original as possible.
This study reexamines the invention of the emblem book and discusses the novel textual and pictorial means that applied to the task of transmitting knowledge. It offers a fresh analysis of Alciato’s Emblematum liber, focusing on his poetics of the emblem, and on how he actually construed emblems. It demonstrates that the “father of emblematics” had vernacular forebears, most importantly Johann von Schwarzenberg who composed two illustrated emblem books between 1510 and 1520. The study sheds light on the early development of the Latin emblem book 1531–1610, with special emphasis on the invention of the emblematic commentary, on natural history, and on advanced methods of conveying emblematic knowledge, from Junius to Vaenius.
The Emblemata of Andreas Alciatus was published in 1551 in Lyon and was soon translated into at least four languages. These volumes allow a researcher to consult all versions at once and compare them with considerable ease. In Part 1 each of the emblems is reproduced in facsimilie, the motto and epigram transcribed and translated, the pictorial emblem analysed into its key motifs, and the relevant sources listed. Part 2 is organized in parallel fashion and deals with the translations of Marnef, Hunger, Held, Marquale, and Cadomosto. Part 1 also contains thorough introductory sections, including a biography of Alciatus as it relates to his Emblemata, a useful bibliography, extensive cumulative indexes to the key motifs and mottoes, and lists all mottoes by language of origin and of the translations By making the emblem books accessible to modern scholars in this fashion, the Index will enhance the study not only of literature, but also of the history of art, culture, religion, and symbol.