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During the 1930s, Gide briefly became a communist, or more precisely, a fellow traveller (he never formally joined the Communist Party). As a distinguished writer sympathising with the cause of communism, he was invited to tour the Soviet Union as a guest of the Soviet Union of writers. The tour disillusioned him and he subsequently became quite critical of Soviet Communism. This criticism of Communism caused him to lose socialist friends, especially when he made a clean break with it in this book Return From The USSR first published in the 1930's.
André Paul Guillaume Gide (22 November 1869 - 19 February 1951) was a French author and winner of the Nobel Prize in Literature (in 1947). His work "Retour de l' U.R.S.S." (1936) is a simple, yet important testimony to life inside a totalitarian society and the ensuing disillusionment felt by those who believed in the socialist utopia. Gide's informal style allows the reader to travel inside Stalin's Soviet Union and understand the disillusionment that Gide and others felt at seeing hopes dash upon the rocks of reality. It is a must read for anyone interested in learning about totalitarianism from inside a system.
Sheridan presents a literary biography of one of the most important writers of the 20th century--an intimate portrait of the reluctantly public man, whose work was deeply and inextricably entangled with his life. 35 halftones.
In 1907 Andre Gide began work on a series of Socratic dialogues on the subject of homosexuality and its place in society. These were published piecemeal, without the author's name, in private editions of twelve copies (1911) and twenty-one copies (1920) before a signed, commercial edition finally appeared in France in 1924. In his preface to the first American edition--published in 1950, the year before his death--Gide says: "Corydon remains in my opinion the most important of my books."
DIVThis debut work lays bare the early brilliance and philosophical conflicts of André Gide, a towering figure in French literature/divDIV /divDIVAndré Gide, one of the masters of French literature, captures the essence of the philosophical Romantic in this profoundly personal first novel, completed when he was just twenty years old. Drawing heavily on his religious upbringing and private journals, The Notebooks of André Walter—with its “white” and “black” halves—tells the story of a young man pining for his forbidden love, cousin Emmanuelle. But his evocative memories and devoted yearnings, carefully crafted through quotations and diary excerpts, lead only to madness and death./divDIV /divDIVAnnotated with footnotes from translator and scholar Wade Baskin, this story within a story offers a unique portrait of the artist as a young man, as it reveals the key themes of self-analysis and moral conscience that Gide explores in his mature works./div
"Beginning with a single entry For The year 1889, when he was twenty, and continuing intermittently but indefatigably through his life, theJournals of Andr Gideconstitute an enlightening, moving, and endlessly fascinating chronicle of creative energy and conviction. Astutely and thoroughly annotated by Justin O'Brien in consultation with Gide himself, this translation is the definitive edition of Gide's complete journals.The complete journals, representing sixty years of a varied life, testify to a disciplined intelligence in a constantly maturing thought. These pages contain aesthetic appreciations, philosophic reflections, sustained literary criticism, notes For The composition of his works, details of his personal life and spiritual conflicts, accounts of his extensive travels, and comments on the political and social events of the day, from the Dreyfus case To The German occupation. Gide records his progress as a writer and a reader as well as his contacts and conversations with the bright lights of contemporary Europe, from Paul Valry, Paul Claudel, Lon Blum, and Auguste Rodin to Marcel Proust, Stephen Mallarm, Oscar Wilde, and Nadia Boulanger. Devoid of affectation, alternately overtaken by depression and animated by a sense of urgency and hunger for literature and beauty, Gide read voraciously, corresponded voluminously, and thought profoundly, always questioning and doubting in search of the unadulterated truth. ""The only drama that really interests me and that I should always be willing to depict anew,"" he wrote, ""is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, To his integration. Most often the obstacle is within him. And all the rest is merely accidental.""Volume 4 reveals a creative mind that remains vigorous and unique as Gide enters his seventies. He records the fall of France And The German occupation during World War II, The landing of the Americans And The fall of Tunis, As well as a memorable meeting with General de Gaulle. His literary commentary touches on such writers as Virgil, Goethe, Racine, Dashiell Hammett, and John Steinbeck."
DIVAn inspiring discourse on the power of music from one of the twentieth century’s most important figures, André Gide/divDIV /divDIVAndré Gide, one of the great intellectuals of the twentieth century and a devoted pianist, invites readers to reevaluate Frédéric Chopin as a composer “betrayed . . . deeply, intimately, totally violated” by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin’s “promenade of discoveries,” Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide’s own poetic expression for the music he so loved./divDIV /divDIVThis edition includes rare pages and fragments from Gide’s journals, which relate to Chopin and music./div
"Beginning with a single entry for the year 1889, when he was twenty, and continuing intermittently but indefatigably through his life, theJournals of Andr Gideconstitute an enlightening, moving, and endlessly fascinating chronicle of creative energy and conviction. Astutely and thoroughly annotated by Justin O'Brien in consultation with Gide himself, this translation is the definitive edition of Gide's complete journals.The complete journals, representing sixty years of a varied life, testify to a disciplined intelligence in a constantly maturing thought. These pages contain aesthetic appreciations, philosophic reflections, sustained literary criticism, notes for the composition of his works, details of his personal life and spiritual conflicts, accounts of his extensive travels, and comments on the political and social events of the day, from the Dreyfus case to the German occupation. Gide records his progress as a writer and a reader as well as his contacts and conversations with the bright lights of contemporary Europe, from Paul Valry, Paul Claudel, Lon Blum, and Auguste Rodin to Marcel Proust, Stephen Mallarm, Oscar Wilde, and Nadia Boulanger. Devoid of affectation, alternately overtaken by depression and animated by a sense of urgency and hunger for literature and beauty, Gide read voraciously, corresponded voluminously, and thought profoundly, always questioning and doubting in search of the unadulterated truth. ""The only drama that really interests me and that I should always be willing to depict anew,"" he wrote, ""is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, to his integration. Most often the obstacle is within him. And all the rest is merely accidental."""