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Brothers Mark and Peter Anderson have been building things together since their boyhood days in Tacoma, Washington. Their work as architects, carpenters, builders, and general contractors encompasses the design and construction of residential, commercial, and public art projects. Anderson Anderson is noted for its highly customized work and its prefabricated systems for large-scale production. Informed by their experiences as carpenters and influenced by place and landscape—mud, clouds, and rain, in the case of the Pacific Northwest—the work of Mark and Peter Anderson highlights experimentation and adventure. Anderson Anderson: Architecture and Construction delves into the process of construction as a source of creative imagination and discovery—from the hands-on material process of making things, to the lessons learned from large-scale projects, to the development of new construction technologies. This book explores the simple beauty of their finished products as much as the process of getting there—the unglossed stories of young architects working, learning, traveling, and having fun. The book features over 25 projects in the Pacific Northwest, Hawaii, Alaska, Texas, and Japan.
Since its founding in 1977, Cutler Anderson Architects has evolved to understand that the ultimate objective of any architectural design is to reveal what is true about all of the circumstances of a project. From place to program, from materials to shape, all components need to be understood and designed into a harmonious whole that reveals each component's nature. This genuinely rigorous task has been both the focus and the intellectual stimulant of our practice and, it is hoped, will continue to be our passion in the future. This single-minded attitude has led to successful and award winning projects on three continents. The firm's staff of fourteen is currently engaged in both residential and commercial projects throughout ten states, plus Poland and the Czech Republic. Our ultimate goal on every project is to produce projects that are not only beautiful but also emotionally enlightening.
Prefabricated construction is a hot topic in architecture these days, and for good reason. Prospective homebuilders around the world are gravitating to prefab as an environ-mentally responsible and cost-effective way to achieve that holiest of grails: an affordable, well-designed house. If you're hoping to jump onto this bandwagon or are just interested in what prefab building really entails, Prefab Prototypes is required reading. While other prefab books on the market show what can be done, dangling pretty pictures of affordable homes before your starry eyes, Prefab Prototypes takes you to the next stepit shows you how. Architects Mark Anderson and Peter Anderson have been working with prefab buildings for more than fifteen years. With Prefab Prototypes, they break prefab down into six systems, from most flexible to most complicatedpanelized wood framing, sandwich paneling, steel framing, timber framing, concrete systems, and modular systems. Each chapter delves into the benefits and drawbacks of its respective method, and features detailed plans, sections, and photographs of projects they've completed that use each of these systems. The resulting book is both a lush depiction of their prefab output as well as an in-depth analysis that will prepare you for taking the plunge into prefab building. If you're familiar with the prefab trend and want to graduate to the next level, Prefab Prototypes is your guide.
- Go behind the sciences of one of the world's most prestigious architectural firms for an insider's view of projects that span the globe- Perfect for the architect and lover of great architectural design- Beautifully designed with dozens of inspirational color photographs
For Arthur Andersson and Chris Wise, the fundamental elements that give buildings meaning are found in nature.Imbuing day-to-day activities with poetry and awe, their designs address both pragmatic needs and the psychological yearning for refuge and contemplation, centering and escape, joy and comfort. Their work is best experienced through the senses. Tactility, expressed through an eloquence of craft, the use of textured materials, and the logical design of structural systems, gives their buildings a rightness within the landscape. In their hands, daylight becomes a building material. Small wall apertures, three-sided dormers, clerestories, and other details grab, bend, and thread sunlight from one end of their houses to the other. Full of light and atmosphere, the houses are the physical embodiment of the great Charles Moore's influential tenet that architecture is about enhancing a sense of place. Natural Houses presents seven of the Austin, Texas-based firm's exquisitely crafted projects. Precise and cool, with forms often derived from the American vernacular of barns and cottages, these are painstakingly crafted houses made from regionally appropriate and aesthetically timeless materials. Natural Houses presents a range of sites and residences—from a small cabin in the woods to a multibuilding camp. Sited on a cliff, the House Above Lake Austin uses terraces to descend its steeply hilly site. The building's simple materials celebrate thesite and climate not by drawing attention to themselves, but by blending in. The stone foundation is similarly tied to the natural stone of the mountain. Smooth plaster walls above the stone foundation appear to have been chiseled from the rock itself. In a deceptively simple boathouse the walls fold down to become impromptu diving platforms. Exceptional photography captures the light and atmosphere of each project setting and illustrates how the firm rigorously expresses the design concept through detailing and construction. An introduction by Rick Sundberg of Olson Sundberg Kundig Allen Architects and essays by Jen Renzi and Frederick Steiner chart the firm's evolution and influences.
Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.
The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general.
Focusing primarily on Rome and other cities of central Italy, James C. Anderson, jr., describes the training, career path, and social status of both architects and builders. He explains how the construction industry was organized—from marble and timber suppliers to bricklayers and carpenters. He examines the political, legal, and economic factors that determined what would be built, and where. And he shows how the various types of public and private Roman buildings relate to the urban space as a whole. Drawing on ancient literary sources as well as on contemporary scholarship, Roman Architecture and Society examines the origins of the architectural achievements, construction techniques, and discoveries that have had an incalculable influence on the postclassical Western world. This detailed and concise account will appeal not only to students and scholars of Roman history, but to all with an interest in ancient architecture and urban society.
Doctor Haydock, the resident GP of St. Mary Mead, hopes to cheer up Miss Marple as she recovers from the flu with a little story. The tale revolves around the return of the prodigal son of Major Laxton, the devilishly handsome Harry Laxton. Harry, after leading a life of childish indiscretions and falling head over heels for the village tobacconist’s daughter, has made good and returned to lay claim to his tumbling childhood home and introduce the village to his beautiful new wife. But, the villagers are prone to gossip about young Harry’s past, and one person in particular cannot forgive him for tearing down the old house. Will Miss Marple’s acumen be up to the task of solving the story?
Through discussion and case studies, this work allows readers to develop a personal approach to architectural design, based on their own values, skills, and aesthetics.