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This groundbreaking study of a little-explored branch of American literature both chronicles and reinterprets the variety of patterns found within Hawaii’s pastoral and heroic literary traditions, and is unprecedented in its scope and theme. As a literary history, it covers two centuries of Hawaii’s culture since the arrival of Captain James Cookin 1778. Its approach is multicultural, representing the spectrum of native Hawaiian, colonial, tourist, and polyethnic local literatures. Explicit historical, social, political, and linguistic context of Hawaii, as well as literary theory, inform Stephen Sumida’s analyses and explications of texts, which in turn reinterpret the nonfictional contexts themselves. These “texts” include poems, song lyrics, novels and short fiction, drama and oral traditions that epitomize cultural milieus and sensibilities. Hawaii’s rich literary tradition begins with ancient Polynesian chant and encompasses the compelling novels of O.A. Bushnell, Shelley Ota, Kazuo Miyamoto, Milton Marayama, and John Dominis Holt; the stories of Patsy Saiki and Darrell Lum; the dramas of Aldyth Morris; the poetry of Cathy Song, Erick Chock, Jody Manabe, Wing Tek Lum, and others of the contemporary “Bamboo Ridge” group; Hawaiian songs and poetry, or mele; and works written by visitors from outside the islands, such as the journals of Captain Cook and the prose fiction of Herman Melville, James Fenimore Cooper, Mark Twain, and James Michener. Sumida discusses the renewed enthusiasm for native Hawaiian culture and the controversies over Hawaii’s vernacular pidgins and creoles. His achievement in developing a functional and accessible critical and intellectual framework for analyzing this diverse material is remarkable, and his engaging and perceptive analysis of these works invites the reader to explore further in the literature itself and to reconsider the present and future direction of Hawaii’s writers.
"A new collection of poetry by Chris Nealon"--
From whales to plankton, scope out the marvels of deep sea creatures.
Highlighting thirty-five spectacular recently completed houses overlooking sea, lake, river, and ocean, selected for beauty and variety across the globe, Houses by the Shore features homes that demonstrate the extraordinarily diverse ways that today's leading architects and interior designers build and design homes on the water and new approaches homeowners are taking to life on the shore. Frequently elegant and uncluttered, these houses serve as models of smart and often exquisite design with lots of ideas for homeowners who don't necessarily live in a waterfront home, but who wish to have something of that appeal and sensitivity in their own space. A range of projects encompassing myriad geographic and cultural inspirations show some of the world's most inviting residences, built in stone and glass, in wood and steel and concrete. The houses vary in size and style, though all within the realm of the modern, from open plan homes that include terraces and rooms that flow from indoors to out, to spaces flooded with light and views. Each house is photographed comprehensively with detailed interior and exterior pictures and plans, and placed into context through the lens of widely respected editor Oscar Riera Ojeda and descriptive texts written by design critic Byron Hawes, to give readers a privileged look at the best of shore-side residential architecture. With its beautiful modernist homes set beside the golden sands of the gulf coast of Mexico or upon the romantic islands of Greece, from Finland to South Africa to New Zealand, Houses by the Shore is a paean to rooms with a view.
Since before recorded history, people have congregated near water. But as growing populations around the globe continue to flow toward the coasts on an unprecedented scale and climate change raises water levels, our relationship to the sea has begun to take on new and potentially catastrophic dimensions. The latest generation of coastal dwellers lives largely in ignorance of the history of those who came before them, the natural environment, and the need to live sustainably on the world’s shores. Humanity has forgotten how to live with the oceans. In The Human Shore, a magisterial account of 100,000 years of seaside civilization, John R. Gillis recovers the coastal experience from its origins among the people who dwelled along the African shore to the bustle and glitz of today’s megacities and beach resorts. He takes readers from discussion of the possible coastal location of the Garden of Eden to the ancient communities that have existed along beaches, bays, and bayous since the beginning of human society to the crucial role played by coasts during the age of discovery and empire. An account of the mass movement of whole populations to the coasts in the last half-century brings the story of coastal life into the present. Along the way, Gillis addresses humankind’s changing relationship to the sea from an environmental perspective, laying out the history of the making and remaking of coastal landscapes—the creation of ports, the draining of wetlands, the introduction and extinction of marine animals, and the invention of the beach—while giving us a global understanding of our relationship to the water. Learned and deeply personal, The Human Shore is more than a history: it is the story of a space that has been central to the attitudes, plans, and existence of those who live and dream at land’s end.
A mother and her two daughters spend a summer grappling with heartbreak, young love, and the weight of secrets in this “deeply felt family saga” (Entertainment Weekly) hailed as “one of the best beach reads of all time” (Today). Brian and Margot Dunne live year-round in Seaside, just steps away from the bustling boardwalk, with their daughters Liz and Evy. The Dunnes run a real estate company, making their living by quickly turning over rental houses for tourists. But the family’s future becomes precarious when Brian develops a brain tumor, transforming into an erratic version of himself. Amidst the chaos and new caretaking responsibilities, Liz still seeks out summer adventure and flirting with a guy she should know better than to pursue. Her younger sister Evy works in a candy shop, falls in love with her friend Olivia, and secretly adopts the persona of a middle-aged mom in an online support group, where she discovers her own mother’s vulnerable confessions. Meanwhile, Margot faces an impossible choice driven by grief, impulse, and the ways that small-town life has shaped her. Falling apart is not an option, but she can always pack up and leave the beach behind. “An emotional family drama...with endearing characters and deep insights” (Glamour), The Shore is a heartbreaking yet ultimately uplifting novel infused with humor about finding sisterhood, friendship, and love in a time of crisis. This big-hearted novel examines the grit and hustle of running a small business in a tourist town, the ways we connect with strangers when our families can’t give us everything we need, and the comfort found in embracing the pleasures of youth while coping with unimaginable loss.
With humans moving easily from water to land, the archaeology of the shore should likewise be seamless. This principle of the “seamlessness” of human interaction with the maritime environment undergirds author Ben Ford’s sweeping survey. In The Shore Is a Bridge: The Maritime Cultural Landscape of Lake Ontario, Ford explores human interaction with the waters of the lake, spanning the international border, from 5,000 years ago to the early twentieth century. He interprets written and archaeological sources using a maritime cultural landscape approach to investigate how the perception of place influences the interaction between humans and the physical environment. Ford focuses on the lake shore, which served as a link between the maritime and terrestrial worlds of the people who lived around it. Lake Ontario was the first of the Great Lakes to be developed by Europeans, and it was part of the home ranges of the Haudenosaunee (Iroquois), the Huron-Wendat, and the Mississauga, as well as other Native American groups known only from their archaeological remains. Consequently, Lake Ontario was at the heart of early Great Lakes maritime culture. Using terrestrial and submerged archaeological methods, history, and ethnography, the author meticulously weaves together previously disparate data to construct a cohesive and holistic understanding of this important region from ancient to modern times. The Shore Is a Bridge presents a new way to interpret the maritime archaeological record and maritime culture by synthesizing archaeological data, historical documents, and oral histories into an all-inclusive view of the lakeshore.
The Nature of Photographs is an essential primer of how to look at and understand photographs, by one of the world's most influential photographers, Stephen Shore. In this book, Shore explores ways of understanding photographs from all periods and all types - from iconic images to found photographs, from negatives to digital files. This books serves as an indispensable tool for students, teachers and everyone who wants to take better pictures or learn to look at them in a more informed way.
For generations, people have felt deeply connected to the New Jersey Shore. With 332 full-color photographs, intimate essays about each season by noted Shore writers and a prologue, this evocative new coffee-table book immerses the reader in this coast. From ocean to bay, from sand dunes to salt marsh, from boardwalks to amusements and arcades, fifty-four contributors to this pictorial hardcover capture the heart and soul of the shore. It is an appreciation and a tribute; an extraordinary connection to place that is both personal--and shared. Featuring work from more than four dozen talented photographers, this "handsome volume," (as described by "Publishers Weekly) celebrates the Jersey Shore in large format and is printed on 224-pages of rich, heavyweight matte stock. The quintessential Jersey Shore from Sandy Hook to Cape May is revealed. "Four Seasons at the Shore is a touchstone that anyone who has ever visited or lived here will want--no matter where they live now, or how long it has been since they've had Jersey Shore sand between their toes.