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“Magical, witty and stunning, João Melo’s stories bring to mind the work of Borges and Ishiguro and some ineffable otherness that is his alone. Discovering his work could be the highlight of a literary career”. Elizabeth McKenzie Catamaran Literary Reader and Chicago Quarterly Review’s editor “Melo’s stories make the banal and everyday dramas of the folk of Luanda extraordinary, and the extraordinary occurrences mundane. Suffused with irony and wit, the messages of these stories contain serious, sometimes tragic underlying truths with which we can all identify. What the Brazilian Machado de Assis did for Rio de Janeiro in the late nineteenth century, João Melo does for his native Luanda in the early twenty-first”. David Brookshaw Emeritus Professor in Luso-Brazilian Studies University of Bristol “Western readers who still assume that African societies haven’t reached modernity would be advised to follow Angolan writer João Melo as he forges his distinctive African postmodernism. These droll, cosmopolitan, self-aware stories, whose narrators are never innocent of the ills of the society they inhabit, shuffle local and universal cultural references in the certain confidence that they are interchangeable”. Stephen Henighan University of Guelph, Ontario Author of The World of After João Melo, born in 1955 in Luanda, Angola, is an author, journalist, and communication consultant. He is a founder of the Angolan Writers Association, and of the Angolan Academy of Literature and Social Sciences. He was professor, advertiser, member of the parliament (1992-2017) and minister (2017-2019). Currently, he lives exclusively from writing, and splits his time between Luanda, Lisbon and Washington, D.C. His works include poetry, novels, articles and essays and have been published in Angola, Portugal, Brazil, Italy, Cuba, Spain and US. A number of his writings had also been translated into French, German, Arabic, and Chinese. Some of his stories and poems translated into English appeared in Words Without Borders, Catamaran Literary Reader, Chicago Quarterly Review, Ellery Queen Mystery Magazine, Olongo Africa, The Shallows Tales Review, Lolwe, A Gathering Together, Iskanchi, Gávea-Brown and Brittle Paper. He was awarded the 2009 Angola Arts and Culture National Prize in literature category.
This "utterly spectacular" book weighs the impact modern medical technology has had on the author's life against the social and environmental costs inevitably incurred by the mining that makes such innovation possible (Rachel Louise Snyder, author of No Visible Bruises). What if a lifesaving medical device causes loss of life along its supply chain? That's the question Katherine E. Standefer finds herself asking one night after being suddenly shocked by her implanted cardiac defibrillator. In this gripping, intimate memoir about health, illness, and the invisible reverberating effects of our medical system, Standefer recounts the astonishing true story of the rare diagnosis that upended her rugged life in the mountains of Wyoming and sent her tumbling into a fraught maze of cardiology units, dramatic surgeries, and slow, painful recoveries. As her life increasingly comes to revolve around the internal defibrillator freshly wired into her heart, she becomes consumed with questions about the supply chain that allows such an ostensibly miraculous device to exist. So she sets out to trace its materials back to their roots. From the sterile labs of a medical device manufacturer in southern California to the tantalum and tin mines seized by armed groups in the Democratic Republic of the Congo to a nickel and cobalt mine carved out of endemic Madagascar jungle, Lightning Flowers takes us on a global reckoning with the social and environmental costs of a technology that promises to be lifesaving but is, in fact, much more complicated. Deeply personal and sharply reported, Lightning Flowers takes a hard look at technological mythos, healthcare, and our cultural relationship to medical technology, raising important questions about our obligations to one another, and the cost of saving one life.
This is one volume in the four-volume collection of the complete fantasy stories of George MacDonald, the great nineteenth-century innovator of modern fantasy, whose works influenced C.S. Lewis, J.R.R. Tolkien, and Charles Williams.
The stories included in this collection are classics of children's literature and have been cherished by generations of Portuguese children. This is the first time these stories have been translated into English. The author is one of Portugal's greatest poets and, like her poetry, these stories are filled with her delight and pleasure in nature, gardens and the sea, as well as her keen sense of the magical. Among other things, we encounter dwarves, diminutive little girls who live on the sea bed, plants that come alive at night, a tree that lives on long after it has been felled, and a pilgrim who discovers much more than the Holy Land. Her themes are, above all, loyalty and friendship.
"Une Vie" is a novel written by the French author Guy de Maupassant. It was first published in 1883 and is one of Maupassant's most well-known works. The English translation of the title is "A Life." The novel follows the life of Jeanne de Lamare, a young woman from a noble family in Normandy, from her youth to old age. It explores the challenges, joys, and disappointments she experiences throughout her life, providing a detailed portrayal of French society during the 19th century. In addition to "Une Vie," Guy de Maupassant wrote numerous short stories that showcase his mastery of the form. His stories often depict the complexities of human nature, relationships, and the influence of social and economic factors on individuals. The collection "Une Vie and Other Stories" likely includes a selection of Maupassant's short stories in addition to the titular novel "Une Vie." His short stories are celebrated for their keen observations of human behavior and the vivid depiction of life in 19th-century France.
The Fuss About Queens and Other Stories, a brilliant collection of short stories by Darius Cooper, delves into disparate universes, including the charming world of the Parsis in Mumbai, caught in a cultural and historical time warp, with the fire temple, the tower of silence, dusty tomes of Dostoevsky, and the British monarch’s portrait in a drawing room, set up with period furniture a truly stunning mosaic. Talking Points: Includes some of the finest short stories by the authorEach story provides a glimpse into the humanistic outlook of the writerEncompasses a variety of socially relevant themes that are close to the writer’s heart
That James Joyce’s “The Dead” forms an extraordinary conclusion to his collection Dubliners, there can be no doubt. But as many have pointed out, “The Dead” may equally well be read as a novella—arguably, one of the finest novellas ever written. “The Dead,” a “story of public life,” as Joyce categorized it, was written more than a year after Joyce had finished the other stories in the collection, and was meant to redress what he felt was their “unnecessary harsh[ness].” Set on the feast of the epiphany, it is a haunting tale of connection and of alienation, reflecting, in the words of Stanislaus Joyce (James’s brother and confidant), “the nostalgic love of a rejected exile.” The present volume highlights “The Dead” for readers who wish to focus on that great work in a concise volume—and for university courses in which it is not possible to cover all of Dubliners. But it also gives a strong sense of how that story is part of a larger whole. Stories from each of the other sections of Dubliners have been included, and a wide range of background materials is included as well, providing a vivid sense of the literary and historical context out of which the work emerged.
A collection of sixteen short stories by Virginia Driving Hawk Sneve.
The Beauty of the Dead (Jonathan Cape, 1940) featuring fifteen stories, was released to critical acclaim. Pamela Hansford Johnson wrote in John O'London's Weekly that "all have that delicate luminosity by which visions are seen more clearly than in the bright sunlight." 'Old' is a snapshot of an elderly man – no longer appreciated or respected by his children and extended family – during a Sunday tea. He finds a companion in his seven-year-old grand-niece, making animal shapes out of biscuits and eventually falling into a "mesmeric peace" as she brushes his hair. There is a glimpse of Bates's childhood experiences in 'Quartette', written through the eyes of a music director. The story accounts the attraction between two of the singers which the director worries is breaking up the group, yet on their last song he can feel "the passionate quality of their singing transcending the small hot room and the small bewildered minds". Bates had much personal knowledge of choirs and singing through his father, who was a choir director. 'The Bridge' is narrated by a twenty-two-year-old woman while she and her older sister vie for the attention of the same man. The Spectator praised it as "a masterly short story...courageously conceived... thick with symbolism, it is a triumphant display of control." For the first time, this collection features the comic bonus story 'Obadiah'. After a tough, poverty-stricken childhood, Obadiah's scheme to make his fortune begins with a pig. He wanted neither children nor romance, but a partner in business, so when he meets a widow with similar values, he wins her over in what becomes a comic sketch of a bickering couple – a rare and brilliant piece of caricature in Bates's canon. Published in the New Clarion (1933), and not republished since.
Samuel Dashiell Hammett was an American author of hard-boiled detective novels and short stories. He was also a screenwriter and political activist. Among the enduring characters he created are Sam Spade (The Maltese Falcon), Nick and Nora Charles (The Thin Man), and the Continental Op (Red Harvest and The Dain Curse). Also wrote as Peter Collinson, Daghull Hammett, Samuel Dashiell, Mary Jane Hammett. “Time” magazine included Hammett's 1929 novel Red Harvest on its list of the 100 best English-language novels published between 1923 and 2005. His novels and stories also had a significant influence on films, including the genres of private-eye/detective fiction, mystery thrillers, and film-noir. Most popular books: The Maltese Falcon The Thin Man Complete Novels Red Harvest Nightmare Town. Content: 1. Hammett, Dashiell: The Adventures of Sam Spade and other stories 2. Dashiell Hammett: The Dain Curse 3. Dashiell Hammett: The Glass Key 4. Hammett, Dashiell: His Brother's Keeper 5. Dashiell Hammett: The Maltese Falcon 6. Dashiell Hammett: Red Harvest 7. Hammett, Dashiell: They Can Only Hang You Once 8. Dashiell Hammett: The Thin Man