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An investigative account of the medical, sexual, and scientific questions surrounding the spread of AIDS across the country.
The definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr.
Looks at the twenty-year history of the Grateful Dead, discusses the evolution of their music, and includes profiles of each band member
A lively and lyrical picture book jaunt from actor and author John Lithgow! Oh, children! Remember! Whatever you may do, Never play music right next to the zoo. They’ll burst from their cages, each beast and each bird, Desperate to play all the music they’ve heard. A concert gets out of hand when the animals at the neighboring zoo storm the stage and play the instruments themselves in this hilarious picture book based on one of John Lithgow’s best-loved tunes.
As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.
As defined by Wikipedia, beach music—also known as Carolina beach musi and, to a lesser extent, beach pop—is a regional genre that developed from various musical styles of the forties, fifties, and sixties. These styles ranged frombig-band swing instrumentals to the more raucous sounds of blues/ jump blues, jazz, doo-wop, boogie, rhythm and blues, reggae, rockabilly, and old-time roc k and roll. Beach music is closely associated with the style of the swing dance known as the shag or the Carolina shag, which is also the official state dance of both North Carolina and South Carolina. Recordings with a 4/4 blues shuffle rhythmic structure and moderate-to-fast tempo are the most popular music for the shag, and the vast majority of the music in this genre fit that description.
On 14th April 1912 the Titanic struck an iceberg on her maiden voyage and sank. Fifteen hundred passengers and crew lost their lives. As the order to abandon ship was given, the orchestra took their instruments on deck and continued to play. They were still playing when the ship went down. The violinist, 21 year-old Jock Hume, knew that his fiancée, Mary, was expecting their first child, the author's mother. One hundred years later, Christopher Ward reveals a dramatic story of love, loss and betrayal, and the catastrophic impact of Jock's death on two very different Scottish families. He paints a vivid portrait of an age in which class determined the way you lived - and died. An outstanding piece of historical detective work, AND THE BAND PLAYED ON is also a moving account of how the author's quest to learn more about his grandfather revealed the shocking truth about a family he thought he knew, a truth that had been hidden for nearly a hundred years.
Here comes Froggy's marching band, led by the one and only Frogilina. Froggy and his pals are sure they can win the big prize in the Apple Blossom Parade, even though they haven't been playing together very long. They just need to remember the rules: Don't look left. Don't look right. And DON'T STOP FOR ANYTHING! But when Froggy's around ,things never go quite as planned...
The author reconstructs the story of his grandfather, Jock Hume, the Titanic's violinist, and his grandmother, Mary Costin, including their last days together onboard and how these events shaped their family's life as well as those of other survivors.