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An American Jesuit combines spiritual writing, travel narrative, history, and humor to describe his time working with refugees in the slums of Nairobi, Kenya.
After the years of turmoil and tragedy, life at La Bonne Vie Plantation settled into placid contentment (or a semblance of such) ... until Nicolas (Nicky) Fontenot, prodigal son of Angelique and her brother François, returns after years in a Texas prison, and Antoine Babineaux II returns to claim his father’s name. At the heart of the story, and the hearts of Antoine and Nicolas, is beautiful, incorrigible Desirée Fontenot, the image of her mother Angelique. Ghosts of the past rise up and the lurid whispers and innuendos come to life once again. Then Uncle Virgil Leveque, the catalyst of the earlier tragedy, returns home after thirty years in an insane asylum, and unwittingly becomes the agent provocateur that sends the story hurtling toward its conclusion and closure at last. But is there truly closure?
"The poems, . . . some of the poetic drama (particularly Sweeney Agonistes), and relevant sections of prose criticism, are discussed in detail and placed in relation to the development of Eliot's oeuvre, and more briefly to his life and a wider context of philosophical and religious enquiry" --Introduction.
And their home is nothing like she'd expected, like nothing the Freds had prepared them for."--Back cover
The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?
About the Book Book 4 in a series of six write-ups of all the old bibles and new masses at some of the Christians's known bible and masses such as Catholic and Coptic, Baptist Protestants at one reference. About the Author Sobhy Fahmy Amin Iskander enjoys building churches and partaking in church activities. He is an avid fan of all things sports.
Why has the rosary remained such a popular Catholic devotional prayer? In this upbeat and easy-to-read book, Catholic author Mitch Finley explains that the simplicity and depth of the rosary make it a prayer for all seasons.
One of the most intriguing and engaging voices in contemporary Christianity is that of the Irish poet, Pádraig Ó Tuama and this is his first, long-awaited poetry collection. Hailing from the Ikon community in Belfast and working closely with its founder, the bestselling writer Pete Rollins, Pádraig’s poetry interweaves parable, poetry, art, activism and philosophy into an original and striking expression of faith. Pádraig’s poems are accessible, memorable profound and challenging. They emerge powerfully from a context of struggle and conflict and yet are filled with hope.