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And A Dog called Fig is a study of how animals help writers deal with the challenges of the creative process, interspersing the authors own experience with stories of other famous writers and their dogs
And a Dog Called Fig is the story of one writer’s life with dogs (including a frisky new puppy), how they are uniquely ideal companions for building a creative life, and some delightful tales about dogs and their famous writers Into my writer's isolation will come a dog, to sit beside my chair or to lie on the couch while I work, to force me outside for a walk, and suddenly, although still lonely, this writer will have a companion. An artist’s solitude is a sacred space, one to be guarded from the chaos of the world, where the sparks of inspiration can be kindled into fires of creation. But within this quiet also lie loneliness, self-doubt, the danger of collapsing too far inward. An artist needs a familiar, a companion with emotional intelligence, innate curiosity, an enthusiasm for the world beyond, but also the capacity to rest contentedly for many hours. What an artist needs, Helen Humphreys would say, is a dog. And a Dog Called Fig is a memoir of the writing life told through the dogs Humphreys has lived with and loved over a lifetime, including Fig, her new Vizsla puppy. Interspersed are stories of other writers and their own irreplaceable companions: Virginia Woolf and Grizzle, Gertrude Stein and Basket, Thomas Hardy and Wessex—who walked the dining table at dinner parties, taking whatever he liked—and many more. A love song to the dogs who come into our lives and all that they bring—sorrow, mayhem, reflection, joy—this is a book about steadfast friendship and loss, creativity and craft, and the restorative powers of nature. Every work of art is different; so too is every dog, with distinctive needs and lessons. And if we let them guide us, they will show us many worlds we would otherwise miss. Includes Black-and-White Photographs
A lonely boy in a prairie town befriends a local outsider in 1947 and then witnesses a shocking murder. Based on a true story. Canwood, Saskatchewan, 1947. Leonard Flint, a lonely boy in a small farming town befriends the local outsider, a man known as Rabbit Foot Bill. Bill doesn’t talk much, but he allows Leonard to accompany him as he sets rabbit snares and to visit his small, secluded dwelling. Being with Bill is everything to young Leonard—an escape from school, bullies and a hard father. So his shock is absolute when he witnesses Bill commit a sudden violent act and loses him to prison. Fifteen years on, as a newly graduated doctor of psychiatry, Leonard arrives at the Weyburn Mental Hospital, both excited and intimidated by the massive institution known for its experimental LSD trials. To Leonard’s great surprise, at the Weyburn he is reunited with Bill and soon becomes fixated on discovering what happened on that fateful day in 1947. Based on a true story, this page-turning novel from a master stylist examines the frailty and resilience of the human mind.
After being given two magical figs that make his dreams come true, Monsieur Bibot sees his plans for future wealth upset by his long-suffering dog.
NATIONAL BESTSELLER • A modern classic—both poignant and funny—about a boy with autism who sets out to solve the murder of a neighbor's dog and discovers unexpected truths about himself and the world. “Disorienting and reorienting the reader to devastating effect.... Suspenseful and harrowing.” —The New York Times Book Review Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. And he detests the color yellow. This improbable story of Christopher's quest to investigate the suspicious death of a neighborhood dog makes for one of the most captivating, unusual, and widely heralded novels in recent years.
“An informative, well-written book on the evolution of all canids, including the wild types (wolves, coyotes, jackals, and dingoes)…Recommended.”—Choice Of the world’s dogs, fewer than two hundred million are pets, living with humans who provide food, shelter, squeaky toys, and fashionable sweaters. But roaming the planet are four times as many dogs who are their own masters—neighborhood dogs, dump dogs, mountain dogs. They are dogs, not companions, and these dogs, like pigeons or squirrels, are highly adapted scavengers who have evolved to fit particular niches in the vicinity of humans. This book present an eye-opening analysis of the evolution and adaptations of these unleashed dogs and what they can reveal about the species as a whole. Exploring the natural history of these animals, canine behavior experts Raymond and Lorna Coppingers explain how the village dogs of Vietnam, India, Africa, and Mexico are strikingly similar. These feral dogs, argue the Coppingers, are in fact the truly archetypal dogs, nearly uniform in size and shape and incredibly self-sufficient. Drawing on nearly five decades of research, they show how dogs actually domesticated themselves in order to become such efficient scavengers of human refuse. The Coppingers also examine the behavioral characteristics that enable dogs to live successfully and to reproduce, unconstrained by humans, in environments that we ordinarily do not think of as dog friendly. A fascinating exploration of what it actually means, genetically and behaviorally, to be a dog, What Is a Dog? is likely to change the way beagle or bulldog owners reflect on their four-legged friends.
Describes a model for understanding canine behavior based on the premise that dog and owner form a group mind and that when a dog behaves in a certain manner it is reacting to the emotions the owner is feeling.
“A perspective on love and loss [that] will haunt you for days.”—Entertainment Weekly Alice's boyfriend abandons her dog, which joins a feral pack. Every evening, Alice and five others gather at the forest's edge, trying to call their dogs back. Most have similar tales of jealousy or vengeance enacted upon them through their dogs: Jamie is rebelling against his stepfather; Lily, who has suffered brain damage, is considered irresponsible. Becoming more deeply involved, Alice moves out to a cabin on land owned by Malcolm, one of the group, whose motives in having her there are suspicious. As she falls in love with the wildlife biologist whose wolf has gained lead of the pack, she feels the tug between love's wild power and her desire to domesticate it. After a tragic accident, all members of the group must rethink their lives and find their places in an untamed world. Wild Dogs strips away the conventions of love and passion to reveal deeper, richer truths.
Newly widowed Charlotte Figg purchases a double-wide trailer sight unseen and moves to the Paradise Trailer Park with her dog Lucky. Unfortunately, neither the trailer nor Paradise are what Charlotte expected. Her trailer is a ramshackle old place in need of major repair, and the people of Paradise are harboring more secrets than Bayer has aspirin. Charlotte’s new friend Rose Tattoo learns that Charlotte played softball and convinces her to rally the women of Paradise into a team. Reluctant at first, Charlotte warms to the notion and is soon coaching the Paradise Angels. Meanwhile, Charlotte discovers that the manager of Paradise, Fergus Wrinkel, abuses his wife Suzy. Charlotte sets out to find a way to save Suzy from Fergus and in the process comes to a difficult realization about her own painful marriage.
A clever and steamy queer romantic comedy about taking chances and accepting love—with all its complications—from the author of Astrid Parker Doesn't Fail. Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her. When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all. Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to...