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'Ancient Worlds, Modern Beads' brings the themes of ancient Rome, Greece and Egypt completely up to date for the modern beadweaver, combining the styles of genuine artefacts and the essence of ancient art with tiny seed beads. Ten designs from each region showcase the colours, patterns, and styles easily recognised in the precious artefacts displayed in the world's museums. Each project is directly inspired by these classical cultures - from mythology and daily life, to the materials used by ancient artisans.
From the president of the National Jewelry Institute comes the largest collection of the oldest jeweled objects ever assembled. With sparkling photography and history throughout, the book will be supported by a major exhibit of the collection. These gorgeous artifacts—the oldest jeweled armor, weapons, jewelry, household objects, and more, with informative captions and stunning photography on every page—originated in Mesopotamia, Persia, Levant, the Byzantine Empire, and the Islamic world, from 4000 B.C.E. through 700 C.E. Artifacts appearing in the book are being lent to the exhibit by almost every major permanent collection of ancient objects in the world: jeweled treasures from the Louvre, the Berlin Museum, the Islamic collection at the Metropolitan, the Princeton Museum, and the Israeli Museum are shown together for the first time. Also included are interviews with major scholars and curators from around the world, speaking on ancient civilizations and the remaining artifacts that reveal their truly stunning cultures.
In this book, Justin Jennings argues that globalization is not just a phenomenon limited to modern times. Instead he contends that the globalization of today is just the latest in a series of globalizing movements in human history. Using the Uruk, Mississippian, and Wari civilizations as case studies, Jennings examines how the growth of the world's first great cities radically transformed their respective areas. The cities required unprecedented exchange networks, creating long-distance flows of ideas, people, and goods. These flows created cascades of interregional interaction that eroded local behavioral norms and social structures. New, hybrid cultures emerged within these globalized regions. Although these networks did not span the whole globe, people in these areas developed globalized cultures as they interacted with one another. Jennings explores how understanding globalization as a recurring event can help in the understanding of both the past and the present.
There is no other book on the market that presents broadcollar projects for beaders-a traditional form. Julia S. Pretl, author of Little Bead Boxes and Bead Knitted Bags, has created a collection of beaded neckpieces, inspired by broadcollars, the dramatic jewelry worn by the ancient Egyptians and a well-known form among beadworkers. She has adapted the traditional form-a broad, beaded necklace-to create ten original designs for the modern beadworker, with skill levels ranging from beginner to more advanced. With step-by-step illustrations and easy-to-follow patterns, Julia leads the reader through the techniques for creating the stitched "ladder? -the basic unit that is combined and joined in various ways to create each of the unique designs. She also teaches readers how to build a custom-sized template, choose a color palette, and create decorative fringe, layers, pendants, and netting to add the finishing touch. The introductory chapters present the basic beading and assembly techniques, illustrated with clear, digitally rendered, and color-coded drawings. Four-color photographs of each of the 10 designs and 10 detail photos illustrate each project.
Learn to make your own custom fitted Ancient Egyptian inspired jewelry! It's easy enough for beginners, with easy to understand drawings, photos, and guidance through the whole process. Instructions are included to make your own necklace, belt, bracelets, anklets, and earrings. You'll walk away with the knowledge to make both small and large necklaces as shown on the cover. By changing up the beads, the sky is the limit with these patterns!
Catalog of an exhibition held at the Institute for the Study of the Ancient World at New York University, New York, February 12-June 7, 2015.
The Hellenistic period—the nearly three centuries between the death of Alexander the Great, in 323 B.C., and the suicide of the Egyptian queen Kleopatra VII (the famous "Cleopatra"), in 30 B.C.—is one of the most complex and exciting epochs of ancient Greek art. The unprecedented geographic sweep of Alexander's conquests changed the face of the ancient world forever, forging diverse cultural connections and exposing Greek artists to a host of new influences and artistic styles. This beautifully illustrated volume examines the rich diversity of art forms that arose through the patronage of the royal courts of the Hellenistic kingdoms, placing special emphasis on Pergamon, capital of the Attalid dynasty, which ruled over large parts of Asia Minor. With its long history of German-led excavations, Pergamon provides a superb paradigm of a Hellenistic capital, appointed with important civic institutions—a great library, theater, gymnasium, temples, and healing center—that we recognize today as central features of modern urban life. The military triumphs of Alexander and his successors led to the expansion of Greek culture out from the traditional Greek heartland to the Indus River Valley in the east and as far west as the Strait of Gibraltar. These newly established Hellenistic kingdoms concentrated wealth and power, resulting in an unparalleled burst of creativity in all the arts, from architecture and sculpture to seal engraving and glass production. Pergamon and the Hellenistic Kingdoms of the Ancient World brings together the insights of a team of internationally renowned scholars, who reveal how the art of Classical Greece was transformed during this period, melding with predominantly Eastern cultural traditions to yield new standards and conventions in taste and style.
In the Sermon on the Mount, Jesus of Nazareth makes reference to one of the oldest beliefs in the ancient world—the malignity of an Evil Eye. The Holy Scriptures in their original languages contain no less than twenty-four references to the Evil Eye, although this is obscured by most modern Bible translations. John H. Elliott’s Beware the Evil Eye describes this belief and associated practices, its history, its voluminous appearances in ancient cultures, and the extensive research devoted to it over the centuries in order to unravel this enigma for readers who have never heard of the Evil Eye and its presence in the Bible. The four volumes cover the ancient world from Sumer to the Middle Ages.