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When David stumbles upon a tragic young woman in a sordid Limehouse pub, he has no idea she'd recognize him as the last vampyre alive, nor that she'd be the one to pull out his story. Yet as he recalls his life from the sweltering vineyards of Ancient Rome to the cold horrors of Medieval Romania - as well as his tumultuous past with the mad and mysterious Lucius - he realizes she is much more than what she seems. Gothic horror and mythological fantasy blend seamlessly together in this thrilling adventure, breathing new life into vampire lore as it reveals its true origins. The Ancient Ones is a tale of myth, mayhem, and magic ... with a dash of romance that bites.
When Kate travels to Blade, Oregon, for a quiet week at Aunt Melanie's cottage, her plans are dashed by the discovery of a grove of giant redwood trees in nearby Lost Crater. For thousands of years, no humans have entered the fog-filled crater--except possibly the Halami people, who lived in the region centuries ago before vanishing without a trace. Long a source of deep mystery, the crater is now a source of conflict, pitting those who see it as the dying mill town's last hope against those who see it as a rare sanctuary that should be protected. Caught up in this struggle, Kate follows an old Halami trail into the crater, and suddenly is thrown back in time five hundred years. Accompanied by the trickster Kandeldandel, the loyal Laioni, and the young logger Jody, she meets strange and enigmatic creatures, none more frightening than the volcanic Gashra, bent on destroying everything he cannot control. To defeat him, Kate must find the answer to an ancient riddle--and the courage to make the most difficult choice of her life. In this extraordinary quest, combining high adventure and heroic drama, a girl discovers that all living things are connected in ways she never expected, and that true friendship can reach across cultures, and even across centuries.
From Kirk Mitchell comes a riveting suspense thriller in the tradition of Tony Hillerman and Joseph Wambaugh, featuring Bureau of Indian Affairs Criminal Investigator Emmett Quanah Parker and FBI Special Agent Anna Turnipseed, two Native American cops searching for justice between their heritage and the law. Though there are signs of foul play, Emmett Quanah Parker and Anna Turnipseed aren’t looking for a killer — the remains dug out of a riverbank by an illegal fossil hunter are 14,000 years old. Parker and Turnipseed have been sent to central Oregon as official witnesses to the examination of the relics. But the bones quickly provoke a controversy that threatens to erupt into violence: the skeleton is not Native American but distinctly Caucasian, shattering long-held tenets of who first inhabited this continent. Emmett, with his Comanche and white ancestry, and Anna, a reservation-born Modoc with Asian blood, share a sensitivity to both parties’ concerns — and a forbidden attraction that’s causing them professional and personal problems. As people connected to the case begin to lose their lives, Emmett and Anna are paralyzed by their own demons. And if they stop watching each other’s back, even for a moment, the killer may target them too.
Two titles from Barbara Bash's highly acclaimed "Tree Tales" series are available for the first time in paperback! In a brilliant combination of lyrical prose and glowing watercolors, each book documents the lifecycle of the world's great trees and reveals its importance to the many life forms that flourish beneath and within its welcoming branches. In Ancient Ones,, Bash captures the ongoing drama not only of the Douglas fir but of the old-growth forest itself. The book "beautifully affirms the concept of a cycle of life," wrote Publishers Weekly in a starred review. "A wondrous walk trhough an old-growth forest," said School Library Journal, in another starred review. "Reading Ancient Ones is the next best thing to being there." AUTHOR: Barbara Bash, author-illustrator of six award-winning titles for Sierra Club Books for Children, has worked for many years as a calligrapher, illustrator, and teacher of book arts and botanical drawing. She lives in upstate New York.
Picking up right where The Ancient Ones left off, David has just discovered the diabolical brother he left for dead in 15th century Romania has returned. Making matters even stranger, the news is delivered by his old friend, Danulf, the half-vampyre/half-lycanthrope he had also presumed dead. As Dan divulges his story to David and his newly reanimated lover, Morrigan, it becomes clear that the ancient pagan gods history hoped to forget are back. Another adventure through time, from the Carpathian Mountains to Pre-Revolutionary France, the story unfolds to reveal there is a much bigger problem than the return of the vainglorious Lucius. Even with the addition of a liminal witch named Cahira, the gods find themselves facing a threat that can erase their existence for good. Wrought with adventure, romance, tragedy, and heartache, the second book in The Ancient Ones Trilogy dives deeper into a tale as old as time itself...one that bites.
On February 5, 1954, an Air Force C-47 broke apart over the Susitna Valley of South Central Alaska and fell onto Kesugi Ridge. Six miraculously escaped, survived bone-chilling cold, and were rescued through the efforts of pilots Cliff Hudson and Don Sheldon. Unacquainted with one another before the accident, the Air Force men bonded in the hospital. Forty-two years later, the survivors and their families, the families of the victims, and rescuers came together for a reunion in Dayton, Ohio. It was a meeting that would change their lives. This is a true story, told by one of the survivors. Rupert Pratt's book celebrates life and friendship--themes set appropriately against the backdrop of Kesugi, "The Ancient One."
Evolution.
The Return of the Ancient Ones was awarded WINNER status for the Fantasy Category in the 2011 National Indie Excellence Awards. The 2011 International Book Awards have been announced and the Return of the Ancient Ones has been honored as a "Finalist" in the "Fiction:Fantasy/Sci-Fi" category. Extended Description: Second in the Chronicles of Illúmaril series, author Gary Caplan's the Return of the Ancient Ones is a distinct tale that illustrates how one's fiercest enemy can become one's most aggressive ally. As dramatic as it is playful and sublime, Caplan has a knack at weaving the enchanted world of fantasy into the tension of a good old-fashioned cloak and dagger thriller. His incredible instinct for action rests on a spellbinding prose, yet what distinguishes his work in this genre is his ability to consider an otherworld culture as it reaches its pinnacle, rather than upon its downfall. In thirty-one chapters with titles like "Tyl University and the Academy of Spellweaving Arts," "Back to the Order of the Platinum Griffon and Duty," and "End Game," readers are reintroduced to Illúmaril, a land that patiently awaits its heir apparent. Once hidden on Earth, Gideon Finelen, as a birthright, holds the legacy that he and his ancestors are the only ones who can use the Sword of Order. Gideon's advisors, Tauri Ragan and Lord Talmor, hold great hope in Gideon and his Companions of the Sword of Order, but it is their enemy's enemy that first instigates a bold move. And while the Darkspawn have no intention of giving up their power, the return of Thatos and his twelve evil sorceror generals from their ancient, watery graves disperses Darkspawn's allegiance to temporarily help the armies of the Free Peoples against Thatos, his mercenaries, and other chaos warriors. For Gideon, the quixotic irony in all of this is that Darkspawn leadership is just as fixed on revenge as it is with maintaining its stronghold over Illúmaril. As he pits foe against foe to claim Illúmaril, the Sword of Order has a chance to triumph over Chaos.
Phillips (director, Koala Preservation Association of the US) looks at the natural history, behavior, and social life of koalas, and recounts the rescue and recovery of injured koalas in the Koala Hospital in Port Macquarie, Australia. He discusses the role of the animal in native myths of creation and renewal, and efforts at preserving the animal's natural habitat. Contains color photos and drawings. Annotation copyright by Book News, Inc., Portland, OR
Just as the earth is moved by the universe, you, me, every human, every life form, and every thing is moved by the universe as well. This movement feeling, the sense of the universe s gravity field or what Einstein called space time, is not just felt by astronauts. All of us feel moved by gravity all the time. When you let gravity move you, when you are moved by space time, you are moved by the universe. When you are moved in this way, you are showing the dance of the ancient one, and are in contact with the space between us, with the subtle experience of being moved by what I shall explain is a system mind possibly the most powerful system mind available to us. Arnold Mindell, The Dance of the Ancient One, Spring 2013 In his latest book, Mindell expands on his earlier concept of the processmind as he develops the notion of space time dreaming or dance of the ancient one in his rigorous efforts toward the elucidation of a ToE (or theory of everything). Space time dreaming weaves together essential spiritual concepts from the Eastern mystical tradition of the Tao and Wu Wei of Chinese philosophy, along with modern Western field and space theories in quantum physics such as gravity, space time, unified field theories, indeterminacy and entanglement. He draws upon personal field ideas (i.e., the unconscious), interpersonal social field and role theory from psychology and sociology, then adds concepts of intersubjectivity and entanglement from transpersonal and integral psychology. On a group level, he incorporates interdependence from organizational system mind models and places it all in the context of ecology, of Gaia, and then the larger universe. One World concepts, such as the Unus Mundus from mystical and alchemical traditions that work at a more essential or non-dual level to unite seeming opposites, facilitate the coming together of all of these varied perspectives in his framing of the space time dreaming concept, experientially accessible as The Dance of the Ancient One. Each chapter contains either an exercise to do in pairs or a small group, or an inner work exercise, so that you can facilitate yourself and experience the space time dreaming states directly. Transcripts of discussions with his students are distributed throughout the book, and engagingly contribute to a diverse and resonant learning experience.