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Numerous primitive designs from early Mexican cultures are reproduced to demonstrate native decorative ingenuity and inspire modern artists and designers
Characterizes ancient Mexican art through black-and-white reproductions of original motifs discovered in archaeological digs
This fascinating book is the product of intensive scholarly research, its exacting illustrations based on choice examples of Mexican Indian textiles in many different museums and private collections. Incorporating abstract and geometric forms as well as highly stylized images of flowers, plants, animals, birds, and humans, the patterns represent more than 20 major Mexican Indian cultures. Among the designs are a two-faced feathered serpent from the Huichol culture, an allover pattern dominated by horizontal zigzags woven by the Otomí, and a flower and leaf design from the Tepehua. The Huasteco people are represented by a bold motif featuring prancing animals with bushy tails; a Nahuatl design depicts a lion with a flower in his mouth; while an elegant curvilinear Mazatec motif features flowers, vines, and birds. Other peoples whose art is represented include the Tarahumara, Tepecano, Mestizo, Zapotec, Mixteco, and Cuicatec. In the bold, startling designs originated by these cultures are primal links to the imagery of other cultures and traditions, centuries old and worldwide. Artists, designers, and craftspeople will value this modestly priced collection as a source of striking and unusual royalty-free designs for inspiration and practical use; anyone interested in Mexican Indian culture will find it an important reference as well.
Rich in mythology and art, the Aztec civilization dominated central Mexico during the fourteenth, fifteenth, and sixteenth centuries. This handsome volume contains 42 pages of authentic Aztec designs derived from ceramics, statues, altars, shields, books, and other priceless artifacts. Gods, rulers, warriors, slaves, animals, and activities both secular and sacred are brilliantly rendered by Wilson G. Turner, a skilled artist/archaeologist and a specialist in pre-Columbian archaeology. Brief captions identify each image. Artists, designers, and illustrators will find in Aztec Designs a wealth of ideas and inspiration for a myriad of projects. Colorists will enjoy adding their own conceptions of color to these ancient motifs.
Based on imagery from authentic Mexican art and artifacts, these brilliantly colored temporary tattoos showcase the region's historical artistic variety. Four large tattoos depict the Mixtec God of Death, the Olmec Jaguar God, and intricate figures from a Mayan relief and an Aztec calendar.
"Diverse environments, from low-lying marshlands to naturally terraced hillsides to rugged mountains of pine and oak forest, afforded many opportunities for well-being to the inhabitants of what are now the modern Mexican states of Colima, Jalisco, and Nayarit. In the seven-hundred-year period between 300 B.C. and A.D. 400, local hierarchies flourished, power was concentrated in increasingly fewer hands, and the wealthier members of the communities established family lineages that remained intact for many generations." "The compelling importance of place and family is reflected in the size, locations, and contents of the major tombs of that period; often situated near or under dwellings, these were deeply buried shaft-and-chamber tombs. One set of conjoined tombs, excavated in 1993 at the site of Huitzilapa in the Magdalena basin of northern Jalisco, held six personages, five of whom were close family relatives. Well over one hundred ceramic works accompanied the interred, together with conch-shell trumpets, tens of thousands of shell beads, and objects of jade, obsidian, and quartz, testifying to the family's wealth. Many of the ceramic objects were vessels and bowls for food and drink, but there were large, three-dimensional human figures as well, among them one depicting a ballplayer." "The focus of Heritage of Power: Ancient Sculpture from West Mexico. The Andrall E. Pearson Family Collection consists of over forty of these artistically appealing figures, which represent all three of the major styles - and sub-styles - that make up the body of West Mexican ceramic sculpture, named for the states of Colima, Jalisco, and Nayarit." "Included are an introductory illustrated essay, catalogue entries that discuss each of the works in detail - all of them shown in color and, often, in multiple views - and a selected bibliography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
First republication of remarkable repainting of great Mexican codex, dated to ca. AD 1400. 76 large full-color plates show gods, kings, warriors, mythical creatures, and abstract designs. Introduction.
This volume presents the collection of Aztec, Mixtec, Zapotec, Teotihuacan, and Classic Veracruz sculpture, jewelry, and painting. Four leading scholars present essays on the ancient art and archaeology of Mexico's Central Highlands, Southwestern Highlands, and Gulf Lowlands as well as extensive catalogue entries of over one hundred objects.
Masterly....The complexities of Mexico's ancient cultures are perceptively presented and interpreted.--Library Journal
A Guide to Mexican Art, a survey of more than twenty centuries of art, has a double purpose. It provides an ample version of one of the great national arts by a leading art historian, and it serves simultaneously as a practical guide to the art's outstanding masterpieces. The Guide will thus be of value to specialists and students of Latin American art and to sightseers as an introduction and guide to the art and architecture of Mexico. To facilitate its use for the latter purpose, Professor Fernández has based his exposition on the sensitive analysis of works to be found almost exclusive in museums and public buildings accessible to the tourist. The book was originally published in Spanish in 1958 and revised in 1961. This English translation, from the second edition has been brought up to date by the author and translator.