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Challenging the stereotypes and myths that typically characterize students' understanding of antiquity, Ancient Mediterranean Civilizations: From Prehistory to 640 CE, Second Edition, focuses on continuity and connections, along with cultural diffusion and cultural diversity, to show how history is a cumulative process and that numerous similar themes recur in different times and places. The text also explores sensitive issues and debates including attitudes toward race, ethnicity, and tolerance; gender issues and roles; slavery; social mobility; religion; political evolution; the nature of government; and imperialism. FEATURES New! Chapter 9: "Civilization beyond the Near East, Greece, and Rome (2300-31 BCE)" New! "Digging Antiquity" Illustrated features that discuss specific archaeological sites, many of which can still be visited today New!: "Looking Back" Chapter summaries, followed by "Looking Ahead" sections that preview the following chapters "History Laboratory" Concise observations on how historians use different methodologies to interpret historical evidence and to debunk pseudoscience "Historical Controversy" Reflections that explore conflicting modern interpretations of ancient phenomena "A Picture Is Worth a Thousand Words" Illustrations of distinctive material artifacts, accompanied by brief essays "Mysteries of History" Selections that address puzzling and intriguing aspects of the past "In Their Own Words" Extended quotations that exemplify each chapter's main themes Stunning Interior Design: More than 200 maps and illustrations, including an eight-page color portfolio An Image Bank containing more than 100 PowerPoint-based slides and approximately forty maps, available to adopters
Never HIGHLIGHT a Book Again Includes all testable terms, concepts, persons, places, and events. Cram101 Just the FACTS101 studyguides gives all of the outlines, highlights, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanies: 9780872893795. This item is printed on demand.
"This sourcebook would serve as a companion volume to R.W. Mathisen, Ancient Mediterranean Civilizations: From Prehistory to 640 CE, 2nd edition ...; it will provide ancillary materials--121 primary sources, 15 maps, and 111 illustrations, all in 505 pages--that will expand upon the material in the textbook"--Provided by publisher.
Twenty-four experts from the fields of Ancient History, Semitic philology, Assyriology, Classical Archaeology, and Classical Philology come together in this volume to explore the role of textiles in ancient religion in Greece, Italy, The Levant and the Near East. Recent scholarship has illustrated how textiles played a large and very important role in the ancient Mediterranean sanctuaries. In Greece, the so-called temple inventories testify to the use of textiles as votive offerings, in particular to female divinities. Furthermore, in several cults, textiles were used to dress the images of different deities. Textiles played an important role in the dress of priests and priestesses, who often wore specific garments designated by particular colours. Clothing regulations in order to enter or participate in certain rituals from several Greek sanctuaries also testify to the importance of dress of ordinary visitors. Textiles were used for the furnishings of the temples, for example in the form of curtains, draperies, wall-hangings, sun-shields, and carpets. This illustrates how the sanctuaries were potential major consumers of textiles; nevertheless, this particular topic has so far not received much attention in modern scholarship. Furthermore, our knowledge of where the textiles consumed in the sanctuaries came from, where they were produced, and by who is extremely limited. Textiles and Cult in the Ancient Mediterranean examines the topics of textile production in sanctuaries, the use of textiles as votive offerings and ritual dress using epigraphy, literary sources, iconography and the archaeological material itself.
The Achaemenid Persian Empire, at its greatest territorial extent under Darius I (r.522–486 BCE), held sway over territory stretching from the Indus River Valley to southeastern Europe and from the western Himalayas to northeast Africa. In this book, Matt Waters gives a detailed historical overview of the Achaemenid period while considering the manifold interpretive problems historians face in constructing and understanding its history. This book offers a Persian perspective even when relying on Greek textual sources and archaeological evidence. Waters situates the story of the Achaemenid Persians in the context of their predecessors in the mid-first millennium BCE and through their successors after the Macedonian conquest, constructing a compelling narrative of how the empire retained its vitality for more than two hundred years (c.550–330 BCE) and left a massive imprint on Middle Eastern as well as Greek and European history.
What is a city, and what forms did urbanization take in different times and places? How do peoples and nations define themselves and perceive foreigners? Questions like these serve as the framework for The Ancient Mediterranean World: From the Stone Age to A.D. 600. This book provides a concise overview of the history of the Mediterranean world, from Paleolithic times through the rise of Islam in the seventh century A.D. It traces the origins of the civilizations around the Mediterranean--including ancient Mesopotamia, Egypt, Israel, Greece, and Rome--and their interactions over time. The Ancient Mediterranean World goes beyond political history to explore the lives of ordinary men and women and investigate topics such as the relationships between social classes, the dynamics of the family, the military and society, and aristocratic values. It introduces students not only to the ancient texts on which historians rely, but also to the art and architecture that reveal how people lived and how they understood ideas like love, death, and the body. Numerous illustrations, chronological charts, excerpts from ancient texts, and in-depth discussions of specific art objects and historical methods are included. Text boxes containing primary source materials examine such diverse subjects as warfare in early Mesopotamia, sculpting the body in classical Greece, the young women of Sappho's chorus, and early descriptions of the Huns. Combining excellent chronological coverage with a clear, concise narrative, The Ancient Mediterranean World is an ideal text for undergraduate courses in ancient history and ancient civilization.
Dogon cosmology provides a new Rosetta stone for reinterpreting Egyptian hieroglyphs • Provides a new understanding of Egyptian hieroglyphs as scientific symbols based on Dogon cosmological drawings • Use parallels between Dogon and Egyptian word meanings to identify relationships between Dogon myths and modern science In The Science of the Dogon, Laird Scranton demonstrated that the cosmological structure described in the myths and drawings of the Dogon runs parallel to modern science--atomic theory, quantum theory, and string theory--their drawings often taking the same form as accurate scientific diagrams that relate to the formation of matter. Scranton also pointed to the close resemblance between the keywords and component elements of Dogon cosmology and those of ancient Egypt, and the implication that ancient cosmology may also be about actual science. Sacred Symbols of the Dogon uses these parallels as the starting point for a new interpretation of the Egyptian hieroglyphic language. By substituting Dogon cosmological drawings for equivalent glyph-shapes in Egyptian words, a new way of reading and interpreting the Egyptian hieroglyphs emerges. Scranton shows how each hieroglyph constitutes an entire concept, and that their meanings are scientific in nature. Using the Dogon symbols as a “Rosetta stone,” he reveals references within the ancient Egyptian language that define the full range of scientific components of matter: from massless waves to the completed atom, even suggesting direct correlations to a fully realized unified field theory.
Using the visual and tactile experience of small-scale figurines, Greeks and Babylonians negotiated a hybrid, cross-cultural society in Hellenistic Mesopotamia.
The Art of Elam ca. 4200-525 BC offers a view of, and a critical reflection on, the art history of one of the world’s first and least-known civilizations, illuminating a significant chapter of our human past. Not unlike a gallery of historical paintings, this comprehensive treatment of the rich heritage of ancient Iran showcases a visual trail of the evolution of human society, with all its leaps and turns, from its origins in the earliest villages of southwest Iran at around 4200 BC to the rise of the Achaemenid Persian empire in ca. 525 BC. Richly illustrated in full colour with 1450 photographs, 190 line drawings, and digital reconstructions of hundreds of artefacts—some of which have never before been published—The Art of Elam goes beyond formal and thematic boundaries to emphasize the religious, political, and social contexts in which art was created and functioned. Such a magisterial study of Elamite art has never been written making The Art of Elam ca. 4200-525 BC a ground-breaking publication essential to all students of ancient art and to our current understanding of the civilizations of the ancient Near East.