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This study focuses on the recording, study and publication of the corpus of the Late Antique lamps dating from the 3rd to the 7th centuries as found in rescue excavations in the town of Rhodes. The aim here is to present the diachronic changes in the artistic sensibility and preferences of this particular market.
In Excavations at Tall Jawa, Jordan, Volume 5, the authors present their research in the areas of regional survey, salvage excavation, zooarchaeology, ceramic typology, experimental archaeology and ethnoarchaeology. This work illustrates areas threatened and later destroyed by modern development and is a contribution to heritage documentation. These studies illuminate aspects of family and town life in the Iron Age, Roman, Byzantine and Late Ottoman–Early Mandate periods in central Jordan.
In the south-east Mediterranean region, the so-called ‘Fertile Crescent’, the modern world began its development at the very beginning of human civilisation. People living there were among the first in the world to domesticate plants and animals, and many of the ideas and objects that are in common use today originated from that area. The papers collected in this volume are based on papers presented at an international conference titled “The Land of Fertility: The South-East Mediterranean from the Bronze Age to the Muslim Conquest”, which was focused on this very special region, and the processes prevalent there after the end of the Stone Age.
Tiende bind i Det Danske Institut i Athens skriftserie. Dette nummer indeholder bidrag om den danske diplomat Holger Andersens antiksamling på Haderslev Katedralskole, søofficeren Frederik von Scholtens tegninger og akvareller fra Athen 1824-29, en nytilskrivning af en af Ny Carlsberg Glyptoteks arkaiske sfinx-skulpturer til den kendte Kalvebærer/Moscophoros-mester, dansk-græske udgravninger i den antikke by Sikyon på det nordlige Peloponnes og om fund fra udgravninger på Cypern.
This is the second volume arising from the 1994–2003 excavations of the Triconch Palace at Butrint (Albania), which charted the history of a major Mediterranean waterfront site from the 2nd to the 15th centuries AD. The sequence (Butrint 3: Excavations at the Triconch Palace: Oxbow 2011) included the development of a palatial late Roman house, followed by intensive activity between the 5th and 7th centuries involving domestic occupation, metal-working, fishing and burial. The site saw renewed activity from the 10th century, coinciding with the revival of the town of Butrint, and for the following 300 years continued in intermittent use associated with its channel-side location. This volume reports on the finds from the site (excluding the pottery), which demonstrate the ways in which the lives, diet and material culture of a Mediterranean population changed across the arc of the late Roman and Medieval periods. It includes discussion of the environmental evidence, the human and faunal remains, metal-working evidence, and the major assemblages of glass, coins and small finds, giving an insight into the health, subsistence base and material culture of the population of a Mediterranean site across more than 1000 years. The findings raise important questions regarding the ways in which changes in the circumstances of the town affected the population between Late Antiquity and the Middle Ages. They illustrate in particular how an urban Roman center became more rural during the 6th century with a population that faced major challenges in their health and living conditions.
This catalogue raisonné describes the lamps and statuettes in terracotta of the Montreal Museum of Fine Arts, to which are added two lamps made of bronze. The collection, small but eclectic, has mostly been assembled in recent years and represents a wide variety of types in these two categories. After an introduction discussing the techniques involved in the production of these objects, the catalogue proper presents 44 lamps, 21 figurines and a single arula with full illustration. This catalogue makes the collection available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. This is the second volume of a series intended to make public the different parts of the museum’s collection of Mediterranean antiquities. Ce catalogue raisonné présente les lampes et les figurines en terre cuite du Musée des beaux-arts de Montréal ainsi que deux lampes de bronze. La collection, petite mais éclectique, a été formée récemment et comprend un bon échantillon de ces types d'objets. Après en avoir expliqué les techniques de fabrication, le catalogue illustré décrit 44 lampes, 21 statuettes et une arula. Ce livre s'adresse aux étudiants, aux conservateurs, aux archéologues, aux historiens d'art et aux collectionneurs, bref à ceux qu'intéresse l'archéologie du monde antique. Il s'agit du deuxième catalogue d'une série qui vise à publier la collection des antiquités du Musée.
In Theatre in Ancient Greek Society the author examines the social setting and function of ancient Greek theatre through the thousand years of its performance history. Instead of using written sources, which were intended only for a small, educated section of the population, he draws most of his evidence from a wide range of archaeological material - from cheap, mass-produced vases and figurines to elegant silverware produced for the dining tables of the wealthy. This is the first study examining the function and impact of the theatre in ancient Greek society by employing an archaeological approach.