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This invaluable collection of Irish song is enriched by a 100-page preface and followed by 151 Irish airs arranged for piano, with songs' Irish names, authors, and dates of composition.
Contains all of Petrie's original text, including song texts in Irish and English; the melodies; and his introduction. The text is prefaced with a biographical essay, which positions the collection in the context of Petrie's life and work, and within the broader field of Irish traditional music. The piano accompaniments written by Petrie's daughter, which were included in the original collection have been removed; instead melodies have been restored back to the form in which Petrie originally notated them.
From the hopeful anticipation of Mary, do you fancy me? to the bitterness of Hag, you've killed me, this extraordinary compilation of Irish melodies runs the emotional gamut, with melancholy airs and sprightly reels aplenty. Its source material, The Petrie Collection of the Ancient Music of Ireland, ranks among the most important 19th-century collections of traditional Irish music, with its song texts in both Irish and English, plus George Petrie's detailed notes about the music's origins. Out of print for many years, the Petrie Collection became an extremely rare and much sought-after collector's item; this new edition will bring the cherished old songs into the repertoire of any student or performer of traditional Irish music.
First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.
The basis of this book is the beautiful prehistoric musical instrument collection of Ireland, which is introduced with detailed descriptions and photographs. The full story of Irish music from 8000 BC to AD 600 is discussed, starting from the origins and the oldest surviving instruments. A vivid picture of the way in which music enriched Irish culture is built up from references in Gaelic mythology and evidence from Western Europe and Scandinavia. Prehistoric Music of Ireland is elaborately illustrated with high quality photographs of the various musical instruments as well as paintings produced as special commissions for this book.
"The book is an exploration of the ancient musical instruments of Ireland based on the latest findings of archaeology, supplemented by information contained in some of the Early Medieval manuscripts and numerous legendary references. Recent research into Bronze Age wooden pipes, bronze horns, Iron Age Celtic trumpas and Early Medieval instruments has revealed a musical world of great richness and diversity. These investigations have uncovered fascinating evidence of ancient music and the possibility that it may be the origin of the musical tradition which is so much a part of Irish life today."--Back cover
400 classic Irish session tunes from the author of "A Complete to Playing Irish Traditional Music on the Whistle." A unique collection of the most popular tunes played in Ireland... and throughout the world. Complete with 400-track downloadable audio of each tune played at moderate tempo on tin whistle - over 5 hours of music! Download details on copyright page of book. These tunes are suitable for all melody instruments - tin whistle, flute, fiddle, uilleann pipes, accordion, concertina, banjo, mandolin, harp - and feature widely-played session standards as well as less common tunes. All the main tune types are represented - jigs, reels, hornpipes, slip jigs, set dances, polkas, slides, barn dances, marches, waltzes, carolan tunes, mazurkas and flings.