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Hindu mythological texts.
Hindu mythological text.
Ganapati is the Hindu Lord of Beginnings, the Keeper of the Threshold, the Remover of Obstacles, Master of the Mind, Son of Siva, Elephant-headed, plump, and loveable. This book offers a wide range of information about Ganapati gathered from such diverse sources as hymns, poems, myths, shrines, practices, and theologies. It considers Ganapati's complexity: his transcendence of sectarian and territorial limits, his delayed but dramatic development into the religious pantheon, his paradoxical mythology, and his physical manifestation, an elephant's head on a human body. Ganapati: Song of the Self fosters an understanding from within a tradition. It presents a positive interpretation of the material and encourages an inner quest for spiritual truth.
This book looks at the representation and practice of chastity in selective ancient Indian texts. It studies how and when the concept originated and in what ways it was intertwined with the social, cultural, and economic notions of Indian society. Drawing on seminal Indian texts such as the MahāPurāṇas, Rāmāyaṇa, Mahābhārata, Sattasaī and the Jātakas, the volume delves into the social and reproductive rights of women through an examination of the norms of chastity, virginity, and Pātivratya, which were construed according to a patriarchal hierarchy of the society and implemented as a means of strengthening patriarchal authority. It also examines the interinfluence of various religious traditions that emerged on the very concept of chastity and the ideologies they later gave rise to. A comprehensive study of sexuality and gender in early India, the book will be indispensable to students, teachers, and researchers of gender studies, literature, women’s studies, women’s rights, feminism, South Asian studies, and social history of Ancient India.
The Purana is a class of literature that treats of ancient religion, philosophy, history, sociology, politics and other subjects. It is an encyclopaedia of various branches of knowledge and ancient wisdom. It has been defined as a class of literature that contains material on the topics of Creation, Dis-solution of Manus, Ages of Manus, Genealogies and the History of glorious kings. For dealing primarily with these subjects it has been called Pancalaksana-a title that was incorporated in the Puranas themselves and had become popular by the Fifth Century A.D., for it was included by Amarasimha in his lexicon 'Amarakosa'. But as the process of interpolation continued, the Pancalaksana definition was found inadequate. The Puranic redactors adopted a Dasalaksana definition that suited the contemporary text. Still, the dynamic forces were at work and the process of insertion, modification and abridgement went on and it was soon discovered that the Dasa-laksana definition too fell short of an actual fact. It was found that the Puranas contained certain aspects that were not covered by any five or ten characteristics. The Puranas are divided into two classes-the Maha-puranas and the Upapuranas. Each class consists of eighteen Puranas. Thus the number of the Puranas is thirty-six. Mahapuranas are classified into different categories-Vaisnava, Brahma, Saiva etc. Sivapurana has all the characteristics of a Mahapurana. According to the ancients, a Mahapurana contained five main characteristics that concerned either early religion or traditional history. Sivapurana possesses the conventional characteristics of a Mahapurana in common with its other colleagues. These entitle it to the status of a great Purana. But its real greatness lies in expounding the philosophical background of the Siva ritual. The Purana conceives Siva as the eternal principle, the supreme god, the cosmic soul, the support of all existence. But the ignorant aspirant bound in the meshes of illusion goes in quest for knowledge and imagines that his lord has a personal form possessed of attributes distinct from his self, who in moments of distress responds to his prayers and bestows grace.
In India: A Sacred Geography, renowned Harvard scholar Diana Eck offers an extraordinary spiritual journey through the pilgrimage places of the world's most religiously vibrant culture and reveals that it is, in fact, through these sacred pilgrimages that India’s very sense of nation has emerged. No matter where one goes in India, one will find a landscape in which mountains, rivers, forests, and villages are elaborately linked to the stories of the gods and heroes of Indian culture. Every place in this vast landscape has its story, and conversely, every story of Hindu myth and legend has its place. Likewise, these places are inextricably tied to one another—not simply in the past, but in the present—through the local, regional, and transregional practices of pilgrimage. India: A Sacred Geography tells the story of the pilgrim’s India. In these pages, Diana Eck takes the reader on an extraordinary spiritual journey through the living landscape of this fascinating country –its mountains, rivers, and seacoasts, its ancient and powerful temples and shrines. Seeking to fully understand the sacred places of pilgrimage from the ground up, with their stories, connections and layers of meaning, she acutely examines Hindu religious ideas and narratives and shows how they have been deeply inscribed in the land itself. Ultimately, Eck shows us that from these networks of pilgrimage places, India’s very sense of region and nation has emerged. This is the astonishing and fascinating picture of a land linked for centuries not by the power of kings and governments, but by the footsteps of pilgrims. India: A Sacred Geography offers a unique perspective on India, both as a complex religious culture and as a nation. Based on her extensive knowledge and her many decades of wide-ranging travel and research, Eck's piercing insights and a sweeping grasp of history ensure that this work will be in demand for many years to come.