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"One group of ancient Egyptian drawings has captured the curiosity of scholars and laypeople alike: images of animals acting like people. They illustrate animal fables originally from a larger mythological narrative, making them an integral part of New Kingdom Thebes's religious environment. This book examines the purpose of animal fables, drawing cross cultural and temporal comparisons to other storytelling and artistic traditions. This publication is also the first thorough art historical treatment of the ostraca and papyri. The drawings' iconography and aesthetic value are carefully examined, providing further nuance to our understanding of ancient Egyptian art"--
This book examines the depictions of anthropomorphised animals found on ostraca and papyri from Deir el-Medina and considers their narrative and artistic purpose within the religious environment of New Kingdom Thebes.
First published in 1973, this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world’s earliest civilizations. Beginning with the early and gradual evolution of Egyptian genres, it includes biographical and historical inscriptions carved on stone, the various classes of works written with pen on papyrus, and the mortuary literature that focuses on life after death. It then shows the culmination of these literary genres within the single period known as the New Kingdom (1550–1080 B.C.) and ends in the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. An introduction written in three parts by Antonio Loprieno, Hans-W. Fischer-Elfert, and Joseph G. Manning completes this classic anthology.
First published in 1973 – and followed by Volume II in 1976 and Volume III in 1980 – this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world’s earliest civilizations. Volume I outlines the early and gradual evolution of Egyptian literary genres, including biographical and historical inscriptions carved on stone, the various classes of literary works written with pen on papyrus, and the mortuary literature that focuses on life after death. Introduced with a new foreword by Antonio Loprieno. Volume II shows the culmination of these literary genres within the single period known as the New Kingdom (1550-1080 B.C.). With a new foreword by Hans-W. Fischer-Elfert. Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. With a new foreword by Joseph G. Manning.
"First published in 1973 - and followed by Volume II in 1976 and Volume III in 1980 - this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world's earliest civilizations. Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. It features a new foreword by Joseph G. Manning"--Publisher's description.
Originally published: London: Bodley Head, 1967.
An illustrated collection of nine fables retold form Aesop.
Literature and mythology From the New Kingdom, only ten narratives survive. These stories assume that their readers have a deep understanding of Egyptian mythology. It describes a prince who is doomed to die by a snake, crocodile, or dog, as the world's oldest fairy tale. There is no ending in the story, but it is likely that the prince was saved by the spirited princess whose hand he wins in a jumping contest.. As an extended version of the Osiris myth, Truth and Lies involves a dysfunctional family of deities whose son avenges his father, Truth, and defeats Lies' enemy. The plot revolves around a son who grows up to avenge his father, Truth, and beat his enemy, Lies. Isis is lustful and heartless, whereas the hero's mother is presented as passionate and cruel. This story contains a lot of mythological themes in a semi-disguised manner. As in the story of the Two Brothers, the female characters are also evil. A woman who the gods have blessed as a wife betrays the hero by falsely accusing him of raping his brother's wife. Anubis and Bata are two brothers with the same name as two gods (Anubis and Bata).. A time when it was still possible to meet gods and monsters just beyond Egypt's borders is depicted in the story. In both the Two Brothers and another New Kingdom tale about Seth's fight with an ocean god to save Astarte, the sea tries to capture a beautiful female. Astute is included under "Deities, Themes, and Concepts" as a partially Egyptianized myth. More fragmentary accounts describe a woman who becomes a lioness and the God Heryshef recruiting a human to help him fight a divine falcon. Contendings between Horus and Seth is the most controversial story from the New Kingdom. This is the most extended narrative that survives the conflict between the two gods and its resolution. But that does not mean it should be regarded as the only or standard version of the myth. Fables consist of all their performances, as many scholars have emphasized. This text was read aloud for entertainment, hence its narrative form. In addition to telling an ancient myth, the satire contains commentary about how difficult it is to obtain justice under New Kingdom legal systems and perhaps some veiled commentaries about recent problems with royal succession.
In this version of Cinderella set in Egypt in the sixth century B.C., Rhodopes, a slave girl, eventually comes to be chosen by the Pharaoh to be his queen.