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The author's approach to Roman epic is interpretative; the reader is invited to study a choice of typical texts, from the beginnings to the end of Antiquity. Famous poets are given the attention they deserve, but also some minor authors are discovered as precious 'missing links' between the ages. Special heed is paid to intertextual relationships between different epochs, cultures, literary genres, linguistic and literary patterns. The book is meant for students and teachers of classical and modern literatures, but also for all those interested in the history of literary genres and cultural ideas.
An important collection of essays on Ovid's Metamorphoses and its reception.
Introduction to the ancient Near East, Mediterranean and Europe, including the Greco-Roman world, Late Antiquity and the early Muslim period.
Introducing Romans, a kind of introduction-ahead-of-time to Richard Longenecker's forthcoming commentary on Romans, is a major achievement in its own right, the fruit of at least fifty years of scholarship on the apostle Paul and on Romans in particular. It can stand alone as an indispensable handbook for anyone venturing to write a commentary of one's own or for anyone who wants to teach or understand that classic letter. Above all, Longenecker succeeds admirably in putting the many issues surrounding Romans in the broadest possible historical context, encompassing not just recent fashions but the legacy of centuries. Seasoned scholars and beginning students alike have every reason to be grateful. J. Ramsey Michaels, Missouri State University.
During his last two decades (ca. 2 BCE-17 CE), Ovid composed, but never completed, his Fasti, an elegiac representation of Rome's rites and festivals: only six of twelve month-books remain. Earlier scholars have claimed that this is due either to Ovid's exile from Rome (which put him out of touch with the Roman literary world) or else his frustration over the Roman calendar's discontinuity. Drawing upon recent scholarship in gender studies and Lacanian film theory, Richard J. King analyzes this exilic incompletion as inviting the citizen male reader into what he calls an "angular" or "skewed" viewpoint, which interrogates the Roman hierarchical and male-dominated social order, insofar as it is mirrored in the Roman calendar of rites and festivals. Ovid (already well known and even infamous as the composer of erotic poems and the Metamorphoses) does this by emulating the civic gesture of "calendar presentation," whereby upwardly mobile adult male citizens caused calendars to be carved in stone and set up in conspicuous public places to reflect the city's pride and to build their own prestige as public figures. In this innovative study, King discusses the Fasti as Ovid's socially strategic use of this gesture. Interrupted by exile and filled with varying explanations of Roman festivals, Ovid's poetic version manifests a form whose brokenness comments on the fractured identity of the exiled poet and citizen subjects generally in an imperial order ambivalent toward its greatest poet. Desiring Rome expands upon recent recognition of the Fasti's centrality to early imperial politics by situating the poem's "failure" within broader negotiations of identity between early imperial citizen-subjects and the cultural ideology of Roman manhood.
A panoramic and colourful view of the many ethnic identities, languages and cultures composing the Roman Empire.
Studies how Propertius transformed the elegiac form, using Callimachean style as a starting point
Revision of author's thesis (Ph. D.)--Princeton Theological Seminary, 2009.
This volume offers a new interpretation of Flaccus' Argonautica, a Latin epic poem. Stover's approach to the text is both formalist and historicist as he seeks not only to elucidate Flaccus' dynamic appropriation of Lucan, but also to associate the Argonautica's formal gestures within a specific socio-political context.