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The twenty-five essays of Anatomies of the Gospels and Beyond are offered by internationally recognized New Testament scholars to honor the deep and broad legacy of R. Alan Culpepper by presenting a snapshot of current research in the field.
The annual Review of Biblical Literature presents a selection of reviews of the most recent books in biblical studies and related fields, including topical monographs, multi-author volumes, reference works, commentaries, and dictionaries. RBL reviews German, French, Italian, and English books and offers reviews in those languages.
This broadly adopted textbook weds literary and historical approaches to focus on the New Testaments structure and meaning. Anatomy of the New Testament is systematic, critical, and reliable in its scope and content. This seventh edition has been revised throughout, to take account of current trends in scholarship and to discuss important interpretative issues, such as the Gospel of Thomas. Each chapter includes two new features: Have You Learned It? offering questions for analysis and synthesis; What Do They Mean? presenting definitions of key terms to enhance student comprehension and critical thinking.
This broadly adopted textbook weds literary and historical approaches to focus on the New Testament's structure and meaning. Anatomy of the New Testament is systematic, critical, and reliable in its scope and content. This seventh edition has been revised throughout, to take account of current trends in scholarship and to discuss important interpretative issues, such as the Gospel of Thomas. Each chapter includes two new features: Have You Learned It? offering questions for analysis and synthesis; What Do They Mean? presenting definitions of key terms to enhance student comprehension and critical thinking.
This book gathers together a selection of essays and articles by the author that have as their main focus the Gospel of John. They explore the symbolism of the text and the way it communicates key Johannine themes, using a narrative critical approach, with attention to the theology emerging from the literary structures. The contents employ but also seek to move beyond critical methodology to a perspective that takes seriously feminist studies, as well as Eastern Orthodox theological emphasis on the integrity of creation.
Now in its 8th edition, Anatomy of the New Testament is one of the most trust-worthy and enduring introductory textbooks of its kind. Its authors bring literary and historical approaches to the New Testament together, offering a comprehensive and accessible approach that appeals to students at all levels. Visually appealing and well-designed this compact edition has been designed for today's student, and is illustrated with engaging images, refreshed maps, and updated bibliographies that make the textbook enjoyable to read and easy to teach. The stand-out pedagogical features have been updated as well, updated for new advances in biblical scholarship and the needs of today's student: Have You Learned it? Offering questions for analysis and reflection; What Do They Mean? Presenting definitions for key terms to enhance student comprehension and critical thinking.
An astonishing and revelatory history that re-presents God as he was originally envisioned by ancient worshippers—with a distinctly male body, and with superhuman powers, earthly passions, and a penchant for the fantastic and monstrous. "[A] rollicking journey through every aspect of Yahweh’s body, from top to bottom (yes, that too) and from inside out ... Ms. Stavrakopoulou has almost too much fun.”—The Economist The scholarship of theology and religion teaches us that the God of the Bible was without a body, only revealing himself in the Old Testament in words mysteriously uttered through his prophets, and in the New Testament in the body of Christ. The portrayal of God as corporeal and masculine is seen as merely metaphorical, figurative, or poetic. But, in this revelatory study, Francesca Stavrakopoulou presents a vividly corporeal image of God: a human-shaped deity who walks and talks and weeps and laughs, who eats, sleeps, feels, and breathes, and who is undeniably male. Here is a portrait—arrived at through the author's close examination of and research into the Bible—of a god in ancient myths and rituals who was a product of a particular society, at a particular time, made in the image of the people who lived then, shaped by their own circumstances and experience of the world. From head to toe—and every part of the body in between—this is a god of stunning surprise and complexity, one we have never encountered before.
Here at last is a comprehensive introduction to the career of America's leading intellectual. The Anatomy of Bloom surveys Harold Bloom's life as a literary critic, exploring all of his books in chronological order, to reveal that his work, and especially his classic The Anxiety of Influence, is best understood as an expression of reprobate American Protestantism and yet haunted by a Jewish fascination with the Holocaust. Heys traces Bloom's intellectual development from his formative years spent as a poor second-generation immigrant in the Bronx to his later eminence as an international literary phenomenon. He argues that, as the quintessential living embodiment of the American dream, Bloom's career-path deconstructs the very foundations of American Protestantism.
An international team of twenty scholars under Edmondo F. Lupieri’s direction produced Mary Magdalene from the New Testament to the New Age and Beyond. While the historical figure of the Magdalene may be lost forever, the construction of her literary images and their transformations and adaptations over the centuries are a lively testimony to human creativity and faith. Different pictures of Mary travelled through time and space, from history to legend and mythology, crossed religious boundaries, going beyond the various Christianities, to become a “sign of contradiction” for many. This book describes a special case of biblical reception history, that of the New Testament figure of a woman whose presence at the side of Jesus has been disturbing for some, but proves to be inspiring for others.
The Gospel of John is a magnificent book. Intricate fabrics interweave its beautiful robe and its material is a finely twisted linen of many colors. Throughout the history of the church, interpreters have long been captivated by its loveliness and power. Many modern interpreters, however, would not hesitate to call it puzzling, confusing, or ridden with riddles at least. "What is John?" is therefore a fascinating question that lingers. During the last half century, literary theories have been brought into the study of the Fourth Gospel with varying degrees of success. New analytical lenses are cast over the Gospel to render its secrets, but it feels as if only those who are initiated into its mystery have the knowledge. Reading and rereading strategies are offered, but the path out of the vast labyrinth is difficult to find. The Gospel of John, however, surprisingly reads much like the Old Testament. In fact, its form is deeply imbued in the styles of Old Testament poetry, narratives, and prophets, that when they are properly understood together, John's message comes across clearly. Taking a comprehensive view of the styles of the Old Testament, this book takes you to see John in its grand design.