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Anastasia's seventh-grade science project becomes almost more than she can handle, but her brother Sam, age three, and a bust of Freud, aid her nobly.
Anastasia decides to become a journalist because she knows all the answers, but does she?
Anastasia's seventh-grade science project becomes almost more than she can handle, but brother Sam, age three, and a bust of Freud nobly aid her.
A long, boring summer--that's what Anastasia has to look forward to when her best friend goes off to camp. She's thrilled when old Mrs. Bellingham answers her ad for a job as a Lady's Companion. Anastasia is sure her troubles are over--she'll be busy and earn money! But she doesn't expect to have to polish silver and serve at Mrs. Bellingham's granddaughter's birthday party as a maid! As if that isn't bad enough, she accidentally drops a piece of silverware down the garbage disposal and must use her earnings to pay for it! Is the summer destined to be a disaster?
Ready for romance, thirteen-year-old Anastasia answers an ad in the personals with an exaggerated description of herself but soon runs into trouble when the unknown man turns up at a friend's wedding.
She's smart, sassy, and totally unique! She's anastasia Krupnik! To Anastasia Krupnik, being ten is very confusing. For one thing, she has this awful teacher who can't understand why Anastasia doesn't use capital letters or punctuation in her poems. then there's Washburn Cummings, a very interesting sixth-grade boy who doesn't even know Anastasia's alive. Even her parents have become difficult. They insist she visit her ninety-two-year-old grandmother, who can never remember Anastasia's name. On top of all that, they're going to have a baby -- at their age! It's enough to make a kid want to do something terrible. If she didn't have her secret green notebook to write in, Anastasia might have never make it to her eleventh birthday.
Separated early in life from his mother and siblings, Keeper tells of his adventures with various human masters and his continual search for his little sister.
Throughout this book, Chaston provides a careful reading and aesthetic critique of the themes, style, and structure of Lowry's books, exploring connections between them and earlier works of children's literature. Chaston's study includes careful analysis of all of Lowry's major works, including chapters devoted to Lowry's early children's books, her popular Anastasia series, her other humorous fiction, and her award-winning novels.