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In a work of defiant ambition culled from over 5,000 photographs, Fred W. McDarrah’s Sixties presents America’s most tumultuous decade through the eyes of one man. As staff photographer for the leading counterculture weekly the Village Voice, McDarrah was everywhere—and he photographed everything and everybody. From the 1968 Democratic National Convention in Chicago to the Newark riots; from the Beatles’ first American press conference to Andy Warhol’s Factory; from Woodstock to the closing of the Fillmore East; from Broadway to Stonewall to Harlem to City Hall, Fred’s award-winning pictures capture the struggle and the promise of the sixties and define a generation. Many of these photographs have never been published, or were seen only once in the Village Voice, where for forty years McDarrah ran the photo desk. A number of his portraits, like those of Allen Ginsberg, Bob Dylan, and Abbie Hoffman, have become some of the most celebrated icons of their subjects. These pictures represent a depth and breadth of public and private events and emotions, a view both political and startlingly intimate that is rarely found in the work of one man—a powerful synthesis of American photojournalism, cultural and political documentary and, despite McDarrah’s modest protestations, art.
A revolutionary classic written by a living legend of Black Liberation.
The last two decades have seen a re-birth of practices and principles that connect with the ‘soul’ of left-libertarianism, although they may not explicitly engage with the anarchist tradition. From practices of mapping and land-use planning to local protests and transnational social movements, this book explores a variety of case studies that trace the influences of, and affinities between, anarchist and geographic practice. The chapters explore the vast possibilities of inventive, exploratory libertarian practices from contemporary and historic contexts around the globe. They examine the ways in which various spatial practices have been compatible with left-libertarian principles, and explore the extent to which anarchists, neo-anarchists and libertarian autonomists have animated these waves of protest and forms of resistance. In an age that is desperately in need of critical new directions, this volume shows that a serious (re)turn toward anarchist thought and practice can challenge and inspire geographers to travel beyond their traditional frontiers of geographical praxis. .
Thank You, Anarchy is an up-close, inside account of Occupy Wall Street’s first year in New York City, written by one of the first reporters to cover the phenomenon. Nathan Schneider chronicles the origins and explosive development of the Occupy movement through the eyes of the organizers who tried to give shape to an uprising always just beyond their control. Capturing the voices, encounters, and beliefs that powered the movement, Schneider brings to life the General Assembly meetings, the chaotic marches, the split-second decisions, and the moments of doubt as Occupy swelled from a hashtag online into a global phenomenon. A compelling study of the spirit that drove this watershed movement, Thank You, Anarchy vividly documents how the Occupy experience opened new social and political possibilities and registered a chilling indictment of the status quo. It was the movement’s most radical impulses, this account shows, that shook millions out of a failed tedium and into imagining, and fighting for, a better kind of future.
This is an open access book. The start of the 21st century has seen the world shaken by protests, from the Arab Spring to the Yellow Vests, from the Occupy movement to the social uprisings in Latin America. There are periods in history when large numbers of people have rebelled against the way things are, demanding change, such as in 1848, 1917, and 1968. Today we are living in another time of outrage and discontent, a time that has already produced some of the largest protests in world history. This book analyzes almost three thousand protests that occurred between 2006 and 2020 in 101 countries covering over 93 per cent of the world population. The study focuses on the major demands driving world protests, such as those for real democracy, jobs, public services, social protection, civil rights, global justice, and those against austerity and corruption. It also analyzes who was demonstrating in each protest; what protest methods they used; who the protestors opposed; what was achieved; whether protests were repressed; and trends such as inequality and the rise of women’s and radical right protests. The book concludes that the demands of protestors in most of the protests surveyed are in full accordance with human rights and internationally agreed-upon UN development goals. The book calls for policy-makers to listen and act on these demands.
'The standard book on anarchism for the twenty-first century. Written with brio, quiet insight and clarity' Carl Levy A magisterial study of the history and theory of one of the most controversial political movements Anarchism routinely gets a bad press. It's usually seen as meaning chaos and disorder -- or even nothing at all. And yet, from Occupy Wall Street to Pussy Riot, Noam Chomsky to David Graeber, this philosophical and political movement is as relevant as ever. Contrary to popular perception, different strands of anarchism -- from individualism to collectivism -- do follow certain structures and a shared sense of purpose: a belief in freedom and working towards collective good without the interference of the state. In this masterful, sympathetic account, political theorist Ruth Kinna traces the tumultuous history of anarchism, starting with thinkers and activists such as Peter Kropotkin and Emma Goldman and through key events like the Paris Commune and the Haymarket affair. Skilfully introducing us to the nuanced theories of anarchist groups from Russia to Japan to the United States, The Government of No One reveals what makes a supposedly chaotic movement particularly adaptable and effective over centuries -- and what we can learn from it.
Explores the intertwined histories of print and protest in the United States from Reconstruction to the 2000s. Ten essays look at how protestors of all political and religious persuasions, as well as aesthetic and ethical temperaments, have used the printed page to wage battles over free speech; test racial, class, sexual, and even culinary boundaries; and to alter the moral landscape in American life.
How insurgencies—enabled by digital devices and a vast information sphere—have mobilized millions of ordinary people around the world. In the words of economist and scholar Arnold Kling, Martin Gurri saw it coming. Technology has categorically reversed the information balance of power between the public and the elites who manage the great hierarchical institutions of the industrial age: government, political parties, the media. The Revolt of the Public tells the story of how insurgencies, enabled by digital devices and a vast information sphere, have mobilized millions of ordinary people around the world. Originally published in 2014, The Revolt of the Public is now available in an updated edition, which includes an extensive analysis of Donald Trump’s improbable rise to the presidency and the electoral triumphs of Brexit. The book concludes with a speculative look forward, pondering whether the current elite class can bring about a reformation of the democratic process and whether new organizing principles, adapted to a digital world, can arise out of the present political turbulence.
Part of a small but growing phenomenon in Israel since 2003, Anarchists Against the Wall have been boldly challenging the Segregation Barrier and generalised violence against occupied Palestine. The reflections herein offer a window into some of the most dynamic direct action activism today. Includes contributions from several well-respected journalists and political commentators, including: Bill Templer, Adar Grayevsky, Yanai Israeli, Kobi Snitz, Anat Guthmann, Anat Matar, Neve Gordon, Yossi Bartal, Sarah Assouline, Basel Mansour and the editors themselves.
Our epoch is an epoch of decadence. Bourgeois-christian-plebeian civilization arrived at the dead end of its evolution a long time ago. Democracy has arrived! But under the false splendor of democratic civilization, higher spiritual values have fallen, shattered. Willful strength, barbarous individuality, free art, heroism, genius, poetry have been scorned, mocked, slandered. And not in the name of "I", but of the "collective". Not in the name of "the unique one", but of society. Thus christianity - condemning the primitive and wild force of the virgin instinct - killed the vigorously pagan "concept" of the joy of the earth. Democracy - its offspring - glorified itself making the justification for this crime and reveling in its grim and vulgar enormity. Already we knew it! Christianity had brutally planted the poisoned blade in the healthy, quivering flesh of all humanity; it had goaded a cold wave of darkness with mystically brutal fury to dim the serene and festive exultation of the dionysian spirit of our pagan ancestors. In one cold evening, winter fatally fell upon a warm midday of summer. It was christianity that, substituting the phantasm of "god" for the vibrant reality of "I", declared itself the fierce enemy of the joy of living and avenged itself knavishly on earthly life. With christianity Life was sent to mourn in the frightful abysses of the most bitter renunciations; she was pushed toward the glacier of disavowal and death. And from this glacier of disavowal and death, democracy was born. Thus democracy - the mother of socialism - is the daughter of christianity. Here is your full description. Just read the book, you don't need a description.