Download Free Anamika Roy Art Exhibit India Book in PDF and EPUB Free Download. You can read online Anamika Roy Art Exhibit India and write the review.

PROJECT GBA&C recognizes and celebrates the accomplishments of world's renowned artists who have made, and are making, significant contributions in the field of art, producing powerful imagery that continues to captivate, educate, inspire and heal humanity. Engaging art with books " ART EXHIBIT " is one such initiative showcasing the best moments captured by artists across the globe, encapsulating the sheer joy of subtle self-expression behind every art. Editors Panel - PROJECT GBA&C
The Sixty-Four Yoginis are the lesser known forms of the Goddess Shakti in art and religion. Variously portrayed as malevolent goddesses, deities of tantric rituals, and yoginis of flesh and blood, they are seen as the sixty-four forms of the goddess and the sixty four embraces of Shiva and Shakti. Abandoned temples, stretching from Banda in Uttar Pradesh to Bolangir in Odisha, were once witness to the evolution of the mysterious cult of these goddesses. Shrouded in secrecy, knowledge about them is, till date, closely guarded by the tantric Acaryas. Sixty-Four Yoginis: Cult, Icons and Goddesses deciphers the complex forms of the Yoginis by engaging with the subject historically, aesthetically, theologically and anthropologically; identifies the Yoginis of the temple, of the Puranas, of the tantric texts, of folklore and finally of the Yogini Kaula; and examines the different layers of the complex phenomena based on rigorous fieldwork in the hitherto untraversed terrains where the Yoginis have their abode. The book offers valuable insights for researchers in the fields of religion, myth, culture, history and gender studies. The text of this handsomely produced volume is supplemented with a rich collection of photographs.
Haribishnu Sarkar, 1928-1987, Indian archaeologist; contributed articles.
This Work Attempts To Show That The Coastlands Were Cultural Melting Pots, Mediating, Absorbing And Often Transcending The Art Of The Interiors, I.E. The Classical Schools Of Indian Sculptural Art At Mathura, Gandhara And Sarnath. The Discussions In The Nine Chapters Cover A Broad Range Of Sculptural Art Created In The Indian Littoral Regions Between 300 Bce And Ce 500.
Catalogue of an exhibition held at National Museum, New Delhi during 14th March to 7th June 2014.
The Book presents individual studies of the epigraphy, architecture and the sculpture of the Amaravati stupa followed by a comparative study of the evidence provided by each aspect. The plates appended to the work are reproductions of the museum objects some of which had not been noticed earlier.