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Seminar paper from the year 2011 in the subject Musicology - Miscellaneous, grade: A- (entspricht 1-), Utrecht University (Roosevelt Academy), course: Musiktheorie, language: English, abstract: Franz Schubert (1797-1828) composed one of his most famous Lieder “Gretchen am Spinnrade” (“Gretchen at the Spinning Wheel”) in 1814 when he was just seventeen years old. This Lied which is a setting of a scene of Johann Wolfgang von Goethe's Faust I exemplary shows the mastery of Schubert. With seemingly simple means he paints the clear picture of smitten Gretchen who sits at the spinning wheel and yearns for the intellectual, older, nobleman Heinrich Faust after their kiss in the garden house. The following provides an in-depth musictheoretical analysis of this Lied to show that Schubert did not only provide a suitable musical adaption of Goethe's poem but he even enhanced the picture of smitten Gretchen and “paints” beside her emotions and thoughts also her motions.
This book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of "their" metrical practices.
Eleanor Smith’s Hull House Songs: The Music of Protest and Hope in Jane Addams’s Chicago reprints Eleanor Smith’s 1916 folio of politically engaged songs, together with interdisciplinary critical commentary from sociology, history, and musicology.
A selection of songs from Einaudi's 2007 album, specially transcribed for solo Piano. The composer writes, In this folio you will find most of the music from the Divenire album. There are a number of pieces in this book, particularly those that are accompanied by orchestra or feature electronic sounds, that Ludovico Einaudi has personally altered in order to achieve a better solo piano transcription, and the piece Svanire, for cello and strings, has been replaced with Luce, a solo piano piece that is available on iTunes as a bonus track. Songlist - Primavera - Fly - Monday - Rose - Uno - Divenire - Andare - Oltremare - L'Origine Nascosta - Ascolta - Ritornare - Luce
Jan Wiener makes a central distinction between working 'in' the transference and working 'with' the transference, advocating a flexible approach that takes account of the different kinds of attachment patients can make to their therapists.
Written between 1944 and 1947, Minima Moralia is a collection of rich, lucid aphorisms and essays about life in modern capitalist society. Adorno casts his penetrating eye across society in mid-century America and finds a life deformed by capitalism. This is Adorno's theoretical and literary masterpiece and a classic of twentieth-century thought.
Claude Wheeler is a young man who was born after the American frontier has vanished. The son of a successful farmer and an intensely pious mother, Wheeler is guaranteed a comfortable livelihood. Nevertheless, Wheeler views himself as a victim of his father's success and his own inexplicable malaise.Thus, devoid of parental and spousal love, Wheeler finds a new purpose to his life in France, a faraway country that only existed for him in maps before the First World War. Will Wheeler ever succeed in his new goal? The novel is inspired from real-life events and also won the Pulitzer Prize in 1923.
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!