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To examine the political role of architecture, this book presents an original engagement with the largest center of attraction in Tehran, namely, its bazaar. Through a rigorous study, it goes beyond the conventional sociopolitical and architectural discourses of this marketplace by considering architecture as an event. This book offers alternative modes of spatial thinking on a micropolitical level. Emphasis is placed on the focused exploration of key notions mainly drawn from the works of Michel Foucault. It deploys effective methods and shows how philosophical concepts can be deployed as a tool to analyse the ways through which architecture transforms individuals through the act of exchange—whether of words, things, bodies, or thoughts.
This book offers a resourceful collection of essays examining recent efforts to respond to the challenges of planning, management and conserving landscapes in contemporary Iran, the home of Persian gardens. Drawing on selected recent studies, the chapters discuss the following topics: The sphere of knowledge and theoretical bases, including a survey of recent and ongoing research; Persian gardens remaining from the 6th century BC to the 19th century AD, which have influenced garden design in a vast geographic domain extending from India to Spain; Management and conservation of cultural landscapes, historic urban landscapes (HUL), road landscapes, and natural landscapes in the face of changes in climatic conditions and livelihood practices affecting their delicate dynamic balance and functions essential to their distinctive character; and Historic Territorial Landscapes (HTL) formed and evolved along the Silk and Spice Roads as compositions of tangible and intangible elements resulting from movement, exchanges and dialogue in space and over time. The book is a useful resource for a range of academics and professionals, such as landscape architects and managers, landscape historians and conservationists, and urban planners and managers.
First Published in 2017. Routledge is an imprint of Taylor & Francis, an Informa company.
The Tehran Bazaar has always been central to the Iranian economy and indeed, to the Iranian urban experience. Arang Keshavarzian's fascinating book compares the economics and politics of the marketplace under the Pahlavis, who sought to undermine it in the drive for modernisation and under the subsequent revolutionary regime, which came to power with a mandate to preserve the bazaar as an 'Islamic' institution. The outcomes of their respective policies were completely at odds with their intentions. Despite the Shah's hostile approach, the bazaar flourished under his rule and maintained its organisational autonomy to such an extent that it played an integral role in the Islamic revolution. Conversely, the Islamic Republic implemented policies that unwittingly transformed the ways in which the bazaar operated, thus undermining its capacity for political mobilisation. Arang Keshavarizian's book affords unusual insights into the politics, economics and society of Iran across four decades.
Report presents a series of analyses and recommendations for fostering the role of culture for sustainable development. Drawing on a global survey implemented with nine regional partners and insights from scholars, NGOs and urban thinkers, the report offers a global overview of urban heritage safeguarding, conservation and management, as well as the promotion of cultural and creative industries, highlighting their role as resources for sustainable urban development. Report is intended as a policy framework document to support governments in the implementation of the 2030 Agenda for Sustainable Urban Development and the New Urban Agenda.
This book provides a comprehensive study of the complex impacts of the war in Ukraine on Russo-Iranian relations, and the resulting consequences for the international relations of the Middle East. In contrast to dominant academic approaches, which view Russo-Iranian relations through the lens of an anti-hegemonic agenda and confrontation with the US-led international order, this study presents an alternative angle stating that the war in Ukraine has sped up Moscow and Tehran's interdependency, primarily because of the protective benefits that it brings to both states. The book analyzes various debates about the impact of the war on Russo-Iranian relations. From the perspective of the emerging literature on authoritarian regionalism, the book explores how domestic politics and common threat perceptions play a role in these states' decisions to adjust to the systemic changes caused by the war. Chapters address how changes in the strategic environment are affecting Moscow and Tehran's perception of each other, what factors contribute the most to both states' decision to pursue greater cooperation and how they manage the new conflicts of interest raised by the war. The book also queries whether relations continue to be based on tactical partnership, or whether a stronger alliance between Moscow and Tehran is unfolding, and what the consequences of such a struggle for alliance will be for the wider region.
Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. While many of these venues operate independently, others are fully sanctioned by the state. Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief the extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi discloses the push-and-pull between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, this book provides entry into unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.
With lucid analysis and engaging storytelling, USA Today senior diplomatic correspondent Barbara Slavin portrays the complex love-hate relationship between Iran and the United States. She takes into account deeply imbedded cultural habits and political goals to illuminate a struggle that promises to remain a headline story over the next decade. In this fascinating look, Slavin provides details of thwarted efforts at reconciliation under both the Clinton and Bush presidencies and opportunities rebuffed by the Bush administration in its belief that invading Iraq would somehow weaken Iran's Islamic government. Yet despite the dire situation in Iraq, the Bush administration appears to be building a case for confrontation with Iran based on the same three issues it used against Saddam Hussein's regime: weapons of mass destruction, support for terrorism, and repression of human rights. The U.S. charges Iran is supporting terrorists inside and outside Iraq and is repressing its own people who, in the words of U.S. officials, "deserve better." Slavin believes the U.S. government may be suffering from the same lack of understanding and foresight that led it into prolonged warfare in Iraq. One of the few reporters to interview Iranian president, Mahmoud Ahmadinejad, as well as his two predecessors and scores of ordinary Iranians, Slavin gives insight into what the U.S. government may not be taking into account. She portrays Iran as a country that both adores and fears America and has a deeply rooted sense of its own historical and regional importance. Despite government propaganda that portrays the U.S. as the "Great Satan," many Iranians have come to idolize staples of American pop culture while clinging to their own traditions. This is clearly not a relationship to be taken a face value. The interplay between the U.S. and Iran will only grow more complex as Iran moves toward becoming a nuclear power. Distrustful of each other's intentions yet longing at some level to reconcile, neither Tehran nor Washington know how this story will end.