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Zinacantan, Chamula, and Chenalhó are neighboring Mayan communities situated in highland Chiapas, Mexico, near the city of San Cristóbal Las Casas. The inhabitants of the three communities speak dialects of the Tzotzil language. Five religious fiestas, celebrated by these communities in honor of their saints, provide the data for Victoria Bricker's comparative study of ritual humor. In Chenalhó and Chamula performances of ritual humor are concentrated in the five-day period of a single fiesta, while in Zanacantan similar performances are distributed over threee fiestas. In these fiesta settings, performers in distinctive costumes make obscene and sacreligious remarks in the context of religious ritual. These performances are defined as ritual humor because they occur only in ritual settings. Bricker's study constitutes a controlled cross-cultural comparison of ceremonial or ritual humor in its social and cultural setting. Much new information is provided in verbatim texts, recorded during actual fiesta performances. The study reveals that, although the three communities share a common pool of ritual symbols, they elaborate them differently in ritual humor. The study analyzes the symbolic expression of values, social organization, and interethnic relations.
This volume offers an integrated and comparative approach to the Popol Vuh, analyzing its myths to elucidate the ancient Maya past while using multiple lines of evidence to shed light on the text. Combining interpretations of the myths with analyses of archaeological, iconographic, epigraphic, ethnohistoric, ethnographic, and literary resources, the work demonstrates how Popol Vuh mythologies contribute to the analysis and interpretation of the ancient Maya past. The chapters are grouped into four sections. The first section interprets the Highland Maya worldview through examination of the text, analyzing interdependence between deities and human beings as well as the textual and cosmological coherence of the Popol Vuh as a source. The second section analyzes the Precolumbian Maya archaeological record as it relates to the myths of the Popol Vuh, providing new interpretations of the use of space, architecture, burials, artifacts, and human remains found in Classic Maya caves. The third explores ancient Maya iconographic motifs, including those found in Classic Maya ceramic art; the nature of predatory birds; and the Hero Twins’ deeds in the Popol Vuh. The final chapters address mythological continuities and change, reexamining past methodological approaches using the Popol Vuh as a resource for the interpretation of Classic Maya iconography and ancient Maya religion and mythology, connecting the myths of the Popol Vuh to iconography from Preclassic Izapa, and demonstrating how narratives from the Popol Vuh can illuminate mythologies from other parts of Mesoamerica. The Myths of the Popol Vuh in Cosmology, Art, and Ritual is the first volume to bring together multiple perspectives and original interpretations of the Popol Vuh myths. It will be of interest not only to Mesoamericanists but also to art historians, archaeologists, ethnohistorians, iconographers, linguists, anthropologists, and scholars working in ritual studies, the history of religion, historic and Precolumbian literature and historic linguistics. Contributors: Jaime J. Awe, Karen Bassie-Sweet, Oswaldo Chinchilla Mazariegos, Michael D. Coe, Iyaxel Cojtí Ren, Héctor Escobedo, Thomas H. Guderjan, Julia Guernsey, Christophe Helmke, Nicholas A. Hopkins, Barbara MacLeod, Jesper Nielsen, Colin Snider, Karl A. Taube
The book is intended to provide a definitive view of the field of humor research for both beginning and established scholars in a variety of fields who are developing an interest in humor and need to familiarize themselves with the available body of knowledge. Each chapter of the book is devoted to an important aspect of humor research or to a disciplinary approach to the field, and each is written by the leading expert or emerging scholar in that area. There are two primary motivations for the book. The positive one is to collect and summarize the impressive body of knowledge accumulated in humor research in and around Humor: The International Journal of Humor Research. The negative motivation is to prevent the embarrassment to and from the "first-timers," often established experts in their own field, who venture into humor research without any notion that there already exists a body of knowledge they need to acquire before publishing anything on the subject-unless they are in the business of reinventing the wheel and have serious doubts about its being round! The organization of the book reflects the main groups of scholars participating in the increasingly popular and high-powered humor research movement throughout the world, an 800 to 1,000-strong contingent, and growing. The chapters are organized along the same lines: History, Research Issues, Main Directions, Current Situation, Possible Future, Bibliography-and use the authors' definitive credentials not to promote an individual view, but rather to give the reader a good comprehensive and condensed view of the area.
Classic case studies surveying the use, role and function of language and speech in social life.
Demonstrates how the annual fiesta cycle reflects political dependency of local communities on the nation-state, helps maintain formal authority, and perpetuates behavioral norms and social values.
In this title, first published in 1984, the author examines the social and political forces surrounding the practice of anthropology at different periods in the history of Mexico since 1917. She does this by analysing and tracing the development of competing anthropological perspectives, from ethnographic particularism and functionalism through indigenismo, cultural ecology, Marxism and the dependency paradigm, to the historical structuralism of the 1970s. This book provides the basis for a systematic analysis of peasant studies in Mexico, and discusses in stimulating terms the theoretical and empirical difficulties of the profession of anthropology itself.
Includes "Bibliographical section".
First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.
An introduction to the complex stories of Mesoamerican divinity through the carvings, ceramics, and metalwork of the Maya Classic period Lives of the Gods reveals how ancient Maya artists evoked a pantheon as rich and complex as the more familiar Greco-Roman, Hindu-Buddhist, and Egyptian deities. Focusing on the period between A.D. 250 and 900, the authors show how this powerful cosmology informed some of the greatest creative achievements of Maya civilization.