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Of all the interactions between American Indians and Euro-Americans, none was as fundamental as the acquisition of the indigenous peoples’ lands. To Euro-Americans this takeover of lands was seen as a natural right, an evolution to a higher use; to American Indians the loss of homelands was a tragedy involving also a loss of subsistence, a loss of history, and a loss of identity. Historical geographer David J. Wishart tells the story of the dispossession process as it affected the Nebraska Indians—Otoe-Missouria, Ponca, Omaha, and Pawnee—over the course of the nineteenth century. Working from primary documents, and including American Indian voices, Wishart analyzes the spatial and ecological repercussions of dispossession. Maps give the spatial context of dispossession, showing how Indian societies were restricted to ever smaller territories where American policies of social control were applied with increasing intensity. Graphs of population loss serve as reference lines for the narrative, charting the declining standards of living over the century of dispossession. Care is taken to support conclusions with empirical evidence, including, for example, specific details of how much the Indians were paid for their lands. The story is told in a language that is free from jargon and is accessible to a general audience.
2017 Nebraska Book Awards Nonfiction: Reference David J. Wishart's Great Plains Indians covers thirteen thousand years of fascinating, dynamic, and often tragic history. From a hunting and gathering lifestyle to first contact with Europeans to land dispossession to claims cases, and much more, Wishart takes a wide-angle look at one of the most significant groups of people in the country. Myriad internal and external forces have profoundly shaped Indian lives on the Great Plains. Those forces--the environment, religion, tradition, guns, disease, government policy--have written their way into this history. Wishart spans the vastness of Indian time on the Great Plains, bringing the reader up to date on reservation conditions and rebounding populations in a sea of rural population decline. Great Plains Indians is a compelling introduction to Indian life on the Great Plains from thirteen thousand years ago to the present.
Suzanne O'Malley takes a close look at the Andrea Yates murder trial and discovers medical misjudgment, professional negligence, misapplied law, and a revelation that led to the overturning of Yates's conviction. It took a jury less than four hours to find Houston housewife Andrea Yates guilty of the drowning deaths of three of her five children—and a mere half hour to sentence the troubled woman with a stunning history of severe mental problems to life in prison. But beyond the media coverage of her heinous crimes, there is a story that only investigative reporter Suzanne O'Malley has fully illuminated. This updated edition of Are You There Alone? features a new chapter on the appeal of the Yates case, as well as personal updates on both Andrea and Rusty Yates. Having drawn upon hundreds of interviews—with expert witnesses, close friends, family advisers, and Andrea and Rusty themselves—O'Malley has produced a riveting true-crime account that shatters our notions about criminal law, mental illness, death-penalty politics, and religious fanaticism in America today.
“Breathe. No one will break me. I’m strong. Breathe. Just breathe.” On the outside, Willow appears to have it all. She’s beautiful, smart, from an influential family, and she dates the most popular guy in school—Jaden. But she would walk away from it all in a second. Willow is tormented by lies and suffocating guilt, not the hearts and flowers people believe her life is full of. She carries a dark secret. Plagued by nightmares and pain, the secret dominates her life. If she hadn’t walked away. If she had just… but she didn’t. And now she has to live with her choices. But when someone uncovers her family’s past, they use it against her, crushing her spirit little by little. She tells herself she just has to make it to graduation. Then she can leave Middleton, and her secret, far behind. When Brody transfers to Cassidy High, he turns Willow’s life upside down. He shows her what it feels like to live again, really live. And suddenly, she isn’t satisfied with just surviving until graduation. She wants a normal life—with Brody—and he wants her. But the closer they become, the more it threatens to unravel the secret she’s worked so hard to hide. Willow finds true love with Brody. Will she let his love save her, or walk away from him to keep her secret safe?
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
A fearless writer confronts grief and transforms it into art, in a book of surprising beauty and love, "a masterpiece by a master” (Elizabeth McCracken, Vanity Fair). "Li has converted the messy and devastating stuff of life into a remarkable work of art.”—The Wall Street Journal WINNER OF THE PEN/JEAN STEIN AWARD • LONGLISTED FOR THE PEN/FAULKNER AWARD • NAMED ONE OF THE TEN BEST FICTION BOOKS OF THE YEAR BY TIME AND ONE OF THE BEST BOOKS OF THE YEAR BY Parul Seghal, The New York Times • NPR • The Guardian • The Paris Review The narrator of Where Reasons End writes, “I had but one delusion, which I held on to with all my willpower: We once gave Nikolai a life of flesh and blood; and I’m doing it over again, this time by words.” Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship. Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.
A master of the personal essay candidly explores love, death, and the counterfeit rituals of American life in this "brave, funny compendium" (Slate) Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a powerful collection of ten new works. Where her previous collection explores what it is to be a struggling twenty-something urban dweller with an overdrawn bank account and oversized ambition, The Unspeakable contends with parental death, the decision not to have children, and more-a new set of challenges tackled by a writer at her best, investigated in the same uncompromising voice that made Daum one of the most engaging thinkers writing today. In The Unspeakable, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of the contemporary American experience. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of-mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.
"In stressing the exploitation and destruction of the physical and human environment rather than the usual frontier romanticism, David Wishart has provided for students of the trans-Mississippi fur trade a valuable service."--Journal of the Early Republic. A standard reference work [that] should be required reading for all students of the American west."--Pacific Historical Review. "The whole [fur trade] system is traced out from the Green River rendezvous or the Fort Union post to the trading houses of St. Louis and the auctions in New York and Europe. Such factors as capital formation, shifting commercial institutions, the role of advanced market information, and the nature, kinds, costs, and speed of transportation are all worked into the story, as is the relationship of the whole fur trade to national and international business cycles. This is an impressive achievement for a book so brief. . . . [It] opens out onto new methodological vistas and paradigms in western history."--William H. Goetzmann, New Mexico Historical Review David J. Wishart is a professor of geography at the University of Nebraska-Lincoln. He is the winner of the John Brinckerhoff Jackson Prize for distin-guished books in American geography, sponsored by the Association of American Geographers for An Unspeakable Sadness: The Dispossession of the Nebraska Indians, also available from the University of Nebraska Press.
Looking over the vast open plains of eastern Colorado, western Kansas, and southwestern Nebraska, where one can travel miles without seeing a town or even a house, it is hard to imagine the crowded landscape of the last decades of the nineteenth century. In those days farmers, speculators, and town builders flooded the region, believing that rain would follow the plow and that the "Rainbelt" would become their agricultural Eden. It took a mere decade for drought and economic turmoil to drive these dreaming thousands from the land, turning farmland back to rangeland and reducing settlements to ghost towns. David J. Wishart's The Last Days of the Rainbelt is the sobering tale of the rapid rise and decline of the settlement of the western Great Plains. History finds its voice in interviews with elderly residents of the region by Civil Works Administration employees in 1933 and 1934. Evidence similarly emerges from land records, climate reports, census records, and diaries, as Wishart deftly tracks the expansion of westward settlement across the central plains and into the Rainbelt. Through an examination of migration patterns, land laws, town-building, and agricultural practices, Wishart re-creates the often-difficult life of settlers in a semiarid region who undertook the daunting task of adapting to a new environment. His book brings this era of American settlement and failure on the western Great Plains fully into the scope of historical memory.
Megan doesn't speak. She hasn't spoken in months. Pushing away the people she cares about is just a small price to pay. Because there are things locked inside Megan's head - things that are screaming to be heard - that she cannot, must not, let out. Then Jasmine starts at school: bubbly, beautiful, talkative Jasmine. And for reasons Megan can't quite understand, life starts to look a bit brighter. Megan would love to speak again, and it seems like Jasmine might be the answer. But if she finds her voice, will she lose everything else?