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“The most engaging pair of detectives I’ve seen in a long while.” —David Morrell SOME SECRETS WILL NOT DIE For three agonizing decades, seasoned manhunter Jacob Rein has been consumed by one case—a missing girl never found and two cops dead, one murdered, the other a suicide. Rein’s protégé, Detective Carrie Santero, shares an equal fascination with the twisted patterns of murder. But when the discovery of a small human foot unearthed in the Pennsylvania woods leads her to a decades-old cold case, she is not prepared for the secrets she will unravel—and their connection to her mentor’s dark and buried past . . . Praise for Berard Schaffer’s The Thief of All Light “Tense, fast, and excellent—I loved this book.” —Lee Child “Schaffer writes about cops with the assurance of a seasoned police veteran.” —Lisa Scottoline “Schaffer presents a thriller that is both gruesome in content and honest in its portrayal of police procedures.” —Booklist “Schaffer is the real deal. His writing will knock you out.” —J.A. Konrath
In the third Santero and Rein thriller, Carrie and Jacob must stop a lunatic who calls himself The Master, as he sends out letters to his potential victims. Fifteen years ago, Herbert Presley Tanner abducted teenager Brenda Drake in order to commit a ritual purification of the flesh demanded by his fanatical beliefs. He doused her in gasoline and was about to light a match when detectives Jacob Rein and Bill Waylon intercepted him and brought him to justice. Now Brenda Drake has been reported as a suicide. Arriving at the death scene, detective Carrie Santero finds a letter Brenda had received from someone who signed himself as "The Master." Bill Waylon, Carrie's boss, calls on her help after receiving a letter threatening the lives of his two daughters. Again, the signature is "The Master." Waylon recognizes the demented signature. Herbert Presley Tanner, he explains, was sentenced as a juvenile and committed to a mental health facility where he has been held indefinitely. Now, the state is trying to offload him. He has a hearing coming up. Bill needs Carrie to make sure Tanner isn't released. But when Tanner comes before the court, with the support of his parents and his prison doctor, the judge releases him. A woman who has been close to Rein is murdered, as is a female cousin whom Tanner had tortured as a teen. The threats intensify to include Carrie, Rein, and all who are dear to them. Carrie must delve into the deep secrets of Jacob Rein's past - and into the dark abyss of a psychopath's homicidal impulses - to stop "The Master" from destroying more lives.
From the New York Times bestselling author of Prayers the Devil Answers and The Ballad of Tom Dooley, a “fascinating historical fiction novel you won’t be able to put down” (Bustle) based on one of the strangest murder trials in American history—the case of the Greenbrier Ghost. Lakin, West Virginia, 1930: Following a suicide attempt and consigned to a segregated insane asylum, attorney James P.D. Gardner finds himself under the care of Dr. James Boozer. Testing a new talking cure for insanity, Boozer encourages his elderly patient to share his experiences as the first black attorney to practice law in 19th-century West Virginia. His memorable case: defending a white man on trial for the murder of his young bride—a case that the prosecution based on the testimony of a ghost. Greenbrier, West Virginia, 1897: Beautiful, willful Zona Heaster has always lived in the mountains. Despite her mother’s misgivings, Zona marries the handsome Erasmus Trout Shue, Greenbrier’s newest resident and blacksmith. Her mother learns of her daughter’s death weeks later. A month after the funeral, Zona’s mother makes a chilling claim to the county prosecutor: her daughter was murdered, and she was told this by none other than Zona’s ghost... With her unique and “real knack for crafting full-bodied characters and using folklore to construct compelling plots” (Booklist), Sharyn McCrumb effortlessly demonstrates her place among the finest Southern writers at work today.
Over the course of a distinguished career, critic Leo Bersani has tackled a range of issues in his writing, and this collection gathers together some of his finest work. Beginning with one of the foundations of queer theory—his famous meditation on how sex leads to a shattering of the self, “Is the Rectum a Grave?”—this volume charts the inspired connections Bersani has made between sexuality, psychoanalysis, and aesthetics. Over the course of these essays, Bersani grapples with thinkers ranging from Plato to Descartes to Georg Simmel. Foucault and Freud recur as key figures, and although Foucault rejected psychoanalysis, Bersani contends that by considering his ideas alongside Freud’s, one gains a clearer understanding of human identity and how we relate to one another. For Bersani, art represents a crucial guide for conceiving new ways of connecting to the world, and so, in many of these essays, he stresses the importance of aesthetics, analyzing works by Genet, Caravaggio, Proust, Almodóvar, and Godard. Documenting over two decades in the life of one of the best minds working in the humanities today, Is the Rectum a Grave? and Other Essays is a unique opportunity to explore the fruitful career of a formidable intellect.
WINNER OF THE COSTA NOVEL AWARD 2021 SHORTLISTED FOR THE WOMEN'S PRIZE 2021 'Her strongest yet... a powerful, beautiful novel that shows us our land as it really is: a place of shelter and cruelty, innocence and experience' THE TIMES __________________________________________________________________________ When you live on the edge of society, it only takes one step to fall between the cracks Twins Jeanie and Julius have always been different from other people. At 51 years old, they still live with their mother, Dot, in rural isolation and poverty. Inside the walls of their old cottage they make music, and in the garden they grow (and sometimes kill) everything they need for sustenance. But when Dot dies suddenly, threats to their livelihood start raining down. Jeanie and Julius would do anything to preserve their small sanctuary against the perils of the outside world, even as their mother's secrets begin to unravel, putting everything they thought they knew about their lives at stake. Unsettled Ground is a powerful novel of betrayal and resilience, love and survival. It is a portrait of life on the fringes of society that explores with dazzling emotional power how we can build our lives on broken foundations, and spin light from darkness. ____________________________________________________________________ 'The way she writes (with empathy but never sentimentality) moves my heart' ELIZABETH DAY, author of Magpie 'A relevant and powerful exploration of isolation and life on the fringes of society' CLARE MACKINTOSH, author of Hostage 'An atmospheric thriller that's both heartbreaking and heartwarming' RED
“Olsen will scare you—and you’ll love it.” —Lee Child In a secluded farm house in the Pacific Northwest, a family has been slaughtered—and a teenage son has disappeared. Single mother and cop Emily Kenyon spearheads a dark hunt for a killer. But Emily’s teenage daughter Jenna is one step ahead of her. Then another family is butchered, and another. As Emily fits the puzzle pieces together, she makes a chilling discovery: the killer is coming after her and her daughter . . . Praise for Gregg Olsen’s thrillers “Grabs you by the throat.” —Kay Hooper “OLSEN WRITES RAPID-FIRE PAGE-TURNERS.” —TheSeattle Times “FRIGHTENING . . . A NAIL-BITER.” —Suspense Magazine “A WORK OF DARK, GRIPPING SUSPENSE.” —Anne Frasier
In Unsettled Heritage, Yechiel Weizman explores what happened to the thousands of abandoned Jewish cemeteries and places of worship that remained in Poland after the Holocaust, asking how postwar society in small, provincial towns perceived, experienced, and interacted with the physical traces of former Jewish neighbors. After the war, with few if any Jews remaining, numerous deserted graveyards and dilapidated synagogues became mute witnesses to the Jewish tragedy, leaving Poles with the complicated task of contending with these ruins and deciding on their future upkeep. Combining archival research into hitherto unexamined sources, anthropological field work, and cultural and linguistic analysis, Weizman uncovers the concrete and symbolic fate of sacral Jewish sites in Poland's provincial towns, from the end of the Second World War until the fall of the communist regime. His book weaves a complex tale whose main protagonists are the municipal officials, local activists, and ordinary Polish citizens who lived alongside the material reminders of their murdered fellow nationals. Unsettled Heritage shows the extent to which debating the status and future of the material Jewish remains was never a neutral undertaking for Poles—nor was interacting with their disturbing and haunting presence. Indeed, it became one of the most urgent municipal concerns of the communist era, and the main vehicle through which Polish society was confronted with the memory of the Jews and their annihilation.
NATIONAL BESTSELLER • From the winner of the Nobel Prize in Literature and author of Never Let Me Go and the Booker Prize–winning novel The Remains of the Day comes a luminous meditation on the act of forgetting and the power of memory. In post-Arthurian Britain, the wars that once raged between the Saxons and the Britons have finally ceased. Axl and Beatrice, an elderly British couple, set off to visit their son, whom they haven't seen in years. And, because a strange mist has caused mass amnesia throughout the land, they can scarcely remember anything about him. As they are joined on their journey by a Saxon warrior, his orphan charge, and an illustrious knight, Axl and Beatrice slowly begin to remember the dark and troubled past they all share. By turns savage, suspenseful, and intensely moving, The Buried Giant is a luminous meditation on the act of forgetting and the power of memory.
*NOW A NETFLIX SERIES* In this spine-tingling next book of the Lockwood & Co series, the ghost-hunting gang take on terrifying new challenges. Five months after the events in The Creeping Shadow, we join Lockwood, Lucy, George, Holly, and their associate Quill Kipps on a perilous night mission: they have broken into the booby-trapped Fittes Mausoleum, where the body of the legendary psychic heroine Marissa Fittes lies. Or does it? This is just one of the many questions to be answered in Book 5 of the Lockwood & Co. series. Will Lockwood ever reveal more about his family's past to Lucy? Will their trip to the Other Side leave Lucy and Lockwood forever changed? Will Penelope Fittes succeed in shutting down their agency forever? The young agents must survive attacks from foes both spectral and human before they can take on their greatest enemy in a climactic and chaotic battle. And to prevail they will have to rely on help from some surprising--and shadowy--allies. Jonathan Stroud once again delivers a rousing adventure full of danger, laughs, twists, and frights. The revelations will send readers back to Book 1 to start the series all over again. Exclusive to this paperback edition: a Lockwood & Co. short story, "The Dagger in the Desk," and an illustrated ghost guide.
Death is something we all confront—it touches our families, our homes, our hearts. And yet we have grown used to denying its existence, treating it as an enemy to be beaten back with medical advances.We are living at a unique point in human history. People are living longer than ever, yet the longer we live, the more taboo and alien our mortality becomes. Yet we, and our loved ones, still remain mortal. People today still struggle with this fact, as we have done throughout our entire history. What led us to this point? What drove us to sanitize death and make it foreign and unfamiliar?Schillace shows how talking about death, and the rituals associated with it, can help provide answers. It also brings us closer together—conversation and community are just as important for living as for dying. Some of the stories are strikingly unfamiliar; others are far more familiar than you might suppose. But all reveal much about the present—and about ourselves.