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Throughout the first half of the nineteenth century, America was captivated by a muddled notion of "etymology." New England Transcendentalism was only one outcropping of a nationwide movement in which schoolmasters across small-town America taught students the roots of words in ways that dramatized religious issues and sparked wordplay. Shaped by this ferment, our major romantic authors shared the sensibility that Friedrich Schlegel linked to punning and christened "romantic irony." Notable punsters or etymologists all, they gleefully set up as sages, creating jocular masterpieces from their zest for oracular wordplay. Their search for a primal language lurking beneath all natural languages provided them with something like a secret language that encodes their meanings. To fathom their essentially comic masterpieces we must decipher it. Interpreting Thoreau as an ironic moralist, satirist, and social critic rather than a nature-loving mystic, Transcendental Wordplay suggests that the major American Romantics shared a surprising conservatism. In this award-winning study, Professor West rescues the pun from critical contempt and allows readers to enjoy it as a serious form of American humor.
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
The Eighth Edition of Steven M. Cahn's Classics of Western Philosophy offers the same exacting standard of editing and translation that made earlier editions of this anthology the most highly valued and widely used volume of its kind. But the Eighth Edition offers exciting new content as well: Plato's Laches (complete), new selections from Aristotle's Nicomachean Ethics (on courage), Descartes' Discourse on Method (complete), all previously omitted sections of Berkeley's A Treatise Concerning the Principles of Human Knowledge, Kant's Prolegomena to Any Future Metaphysics (complete). These additions—with no offsetting deletion of content of the Seventh Edition—yield an anthology of unrivaled versatility, the only one to offer the complete texts of: both Descartes' Discourse on Method and Meditations on First Philosophy, both Berkeley's A Treatise Concerning the Principles of Human Knowledge and Three Dialogues between Hylas and Philonous, Kant's Prolegomena to Any Future Metaphysics and selections from the Critique of Pure Reason.
The Semantics of Analogy reinterprets Thomas de Vio Cajetan's De Nominum Analogia as a significant philosophical treatise in its own right, separate from Aquinas's theory of analogy.
"The Book of God manages to be at once ambitious, deliberate, and nuanced in its interconnecting conceptions of philosophy and literary criticism."—Orrin Wang, University of Maryland