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"An Outpost of Progress" is a short story written in July 1897 by Joseph Conrad, drawing on his own experience at Congo. It was published in the magazine Cosmopolis in 1897 and was later collected in Tales of Unrest in 1898. Often compared with Heart of Darkness, Conrad considered it his best tale, owing to its "scrupulousness of tone" and "severity of discipline".
Drawing upon his experiences as the captain of a steamer on the Congo River, Joseph Conrad wrote "An Outpost of Progress," a sharp critique of British colonialism that the master storyteller considered his best tale. A precursor to Heart of Darkness, it traces the physical and moral degradation of two English overseers at a remote African trading post, offering a compelling view of the destructive effects of cultural isolation. This compilation presents four additional short stories: "An Anarchist (A Desperate Tale)," centering on an ex-convict's association with a radical political faction in nineteenth-century England; "The Informer (An Ironic Tale)," a character study in political contradictions focusing on an anarchist's embrace of bourgeois values; "Il Conde (A Pathetic Tale)," in which a violent crime disrupts a nobleman's visit to Naples; and "A Smile of Fortune," which recounts how a seafarer's romantic inclinations lead him into misplacing his loyalty.
HEART OF DARKNESS * AN OUTPOST OF PROGRESS * KARAIN * YOUTH The finest of all Conrad's tales, 'Heart of Darkness' is set in an atmosphere of mystery and menace, and tells of Marlow's perilous journey up the Congo River to relieve his employer's agent, the renowned and formidable Mr Kurtz. What he sees on his journey, and his eventual encounter with Kurtz, horrify and perplex him, and call into question the very bases of civilization and human nature. Endlessly reinterpreted by critics and adapted for film, radio, and television, the story shows Conrad at his most intense and sophisticated. The other three tales in this volume depict corruption and obsession, and question racial assumptions. Set in the exotic surroundings of Africa, Malaysia. and the east, they variously appraise the glamour, folly, and rapacity of imperial adventure. This revised edition uses the English first edition texts and has a new chronology and bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
A selection of short stories including favourites such as Youth, a modern epic of the sea; The Secret Sharer, a thrilling psychological drama; An Outpost of Progress, a blackly comic prelude to Heart of Darkness; Amy Foster, a moving story of a shipwrecked, alienated Pole; and The Lagoon and Karain, two exotic, exciting Malay tales.
The basis of the film starring Orlando Bloom and Scott Eastwood, The Outpost is the heartbreaking and inspiring story of one of America's deadliest battles during the war in Afghanistan, acclaimed by critics everywhere as a classic. At 5:58 AM on October 3rd, 2009, Combat Outpost Keating, located in frighteningly vulnerable terrain in Afghanistan just 14 miles from the Pakistani border, was viciously attacked. Though the 53 Americans there prevailed against nearly 400 Taliban fighters, their casualties made it the deadliest fight of the war for the U.S. that year. Four months after the battle, a Pentagon review revealed that there was no reason for the troops at Keating to have been there in the first place. In The Outpost, Jake Tapper gives us the powerful saga of COP Keating, from its establishment to eventual destruction, introducing us to an unforgettable cast of soldiers and their families, and to a place and war that has remained profoundly distant to most Americans. A runaway bestseller, it makes a savage war real, and American courage manifest. "The Outpost is a mind-boggling, all-too-true story of heroism, hubris, failed strategy, and heartbreaking sacrifice. If you want to understand how the war in Afghanistan went off the rails, you need to read this book." -- Jon Krakauer
Deuce's whole world has changed. Down below, she was considered an adult. Now, topside in a town called Salvation, she's a brat in need of training in the eyes of the townsfolk. She doesn't fit in with the other girls: Deuce only knows how to fight. To make matters worse, her Hunter partner, Fade, keeps Deuce at a distance. Her feelings for Fade haven't changed, but he seems not to want her around anymore. Confused and lonely, she starts looking for a way out. Deuce signs up to serve in the summer patrols—those who make sure the planters can work the fields without danger. It should be routine, but things have been changing on the surface, just as they did below ground. The Freaks have grown smarter. They're watching. Waiting. Planning. The monsters don't intend to let Salvation survive, and it may take a girl like Deuce to turn back the tide.
»The Idiots« is a short story by Joseph Conrad, originally published in 1896. JOSEPH CONRAD [1857–1924] was born in Ukraine to Polish parents, went to sea at the age of seventeen, and ended his career as a captain in the English merchant navy. His most famous work is the novella Heart of Darkness [1899], adapted into a film by Francis Ford Coppola in 1979 as Apocalypse Now.
There are still wild places out there on our crowded planet. Through a series of personal journeys, Dan Richards explores the appeal of far-flung outposts in mountains, tundra, forests, oceans and deserts. Following a route from the Cairngorms of Scotland to the fire-watch lookouts of Washington State; from Iceland’s ‘Houses of Joy’ to the Utah desert; frozen ghost towns in Svalbard to shrines in Japan; Roald Dahl’s writing hut to a lighthouse in the North Atlantic, Richards explores landscapes which have inspired writers, artists and musicians, and asks: why are we drawn to wilderness? What can we do to protect them? And what does the future hold for outposts on the edge?