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An Outline of the Phonology and Morphology of Old Provencal is a book by Charles Hall Grandgent. Old Provencal was an essential language spoken in dialect in many parts of France; here analysed in linguistic fashion.
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning
This is a collection of three decades of articles by the linguist Joan Bybee. Her articles argue for the importance of frequency of use as a factor in the analysis and explanation of language structure.
This book examines grammatical changes during the transition from Latin to the Romance languages and the factors proposed to explain them. It challenges orthodoxy, presents new perspectives on language change, structure, and variation, and will appeal equally to Romance linguists, Latinists, philologists, and historical linguists of all persuasions.
This volume deals with the reconstructed morphology of Proto-Romance. It is the third in a series by this author. The first volume (1974, Elsevier) deals with the external history of the Romance languages: the conditions under which they developed, were used, and (in some instances) went out of use. The second volume (1976, Elsevier) treats the phonology of their common source, Proto-Romance. Together these three volumes aim to cast light, not only on Popular Latin speech by means of its surviving elements in the Romance languages, but also on the extent to which the comparative method can be regarded as valid and useful in instances where no attestations are available for a language as closely related to the reconstructed proto-language as high Classical Latin was to Proto-Romance.
This book is about the nature of morphology and its place in the structure of grammar. Drawing on a wide range of aspects of Romance inflectional morphology, leading scholars present detailed arguments for the autonomy of morphology, ie morphology has phenomena and mechanisms of its own that are not reducible to syntax or phonology. But which principles and rules govern this independent component and which phenomena can be described or explicated by the mechanisms of the morphemic level? In shedding light on these questions, this volume constitutes a major contribution to Romance historical morphology in particular, and to our understanding of the nature and importance of morphomic structure in language change in general.