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This volume contains a detailed grammatical description of the dialects of Old Arabic attested in the Safaitic script, an Ancient North Arabian alphabet used mainly in the deserts of southern Syria and north-eastern Jordan in the pre-Islamic period. It is the first complete grammar of any Ancient North Arabian corpus, making it an important contribution to the fields of Arabic and Semitic studies. The volume covers topics in script and orthography, phonology, morphology, and syntax, and contains an appendix of over 500 inscriptions and an annotated dictionary. The grammar is based on a corpus of 33,000 Safaitic inscriptions.
A dictionary of the Safaitic inscriptions, containing more than 1400 lemmata.
Semitic Languages in Contact contains twenty case studies analysing various contact situations involving Semitic languages. The languages treated span from ancient Semitic languages, such as Akkadian, Aramaic, Classical Ethiopic, Hebrew, Phoenician, and Ugaritic, to modern ones, including languages/dialects belonging to the Modern Arabic, Modern South Arabian, Neo-Aramaic, and Neo-Ethiopian branches of the Semitic family. The topics discussed include writing systems, phonology, morphology, syntax, and lexicon. The approaches range from traditional philology to more theoretically-driven linguistics. These diverse studies are united by the theme of language contact. Thus, the volume aims to provide the status quaestionis of the study of language contact among the Semitic languages. With contributions from A. Al-Jallad, A. Al-Manaser, D. Appleyard, S. Boyd, Y. Breuer, M. Bulakh, D. Calabro, E. Cohen, R. Contini, C. J. Crisostomo, L. Edzard, H. Hardy, U. Horesh, O. Jastrow, L. Kahn, J. Lam, M. Neishtadt, M. Oren, P. Pagano, A. D. Rubin, L. Sayahi, J.Tubach, J. P. Vita, and T. Zewi.
This title is published in Open Access with the support of the University of Helsinki Library.The book surveys and analyzes changes in religious groups and identities in late antique Arabia, ca. 300-700 CE. It engages with contemporary and material evidence: for example, inscriptions, archaeological remains, Arabic poetry, the Qurʾān, and the so-called Constitution of Medina. Also, it suggests ways to deal with the later Arabic historiographical and other literary texts. The issue of social identities and their processes are central to the study. For instance, how did Arabian ethnic and religious identities intersect on the eve of Islam? The book suggests that the changes in social groups were more piecemeal than previously thought.
This book approaches the religion and rituals of the pre-Islamic Arabian nomads using the Safaitic inscriptions. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. The author attempts to reconstruct this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context.
Human heritage is an endless mine of knowledge, skills, ethos and accomplishments, which visualize and examine the power of human creativity and innovation throughout the history. The contributions cast an insight into the human psyche to perceive its Weltanschauung, and its way of thinking and making artefacts associated with knowledge, existence and identity in the context of other existing systems in the world. They demonstrate the diversity of topics as well as the state-of-the art of interdisciplinary approaches that participants of the Humboldt-Kolleg use in their research on cultural heritage, and confirm, once again, that the strengths of the Alexander von Humboldt Network should be celebrated and honoured. The present volume invites us to seek more novel research approaches that aim towards an understanding of the complex nature of human inheritance.
Since the early 1990s, about two thousand Idumean Aramaic ostraca have found their way onto the antiquities market and are now scattered across a number of museums, libraries, and private collections. This fifth and final volume of the Textbook of Aramaic Ostraca from Idumea completes the work of bringing these ostraca together in a single publication. Volumes 1–4 published some 1,600 ostraca that gave us insight into agriculture, economics, politics, onomastics, and scribal practices from fourth/third-century BCE Idumea and Judah. The ostraca in volume 5 come from the same milieu, but the information they provide is entirely new and different. This volume presents 485 ostraca, including 99 land descriptions, 168 uncertain texts, and 218 assorted remains, scribal exercises, and forgeries, along with useful indexes and tables and a comparative list of entries. The land descriptions—which record local landmarks, ownership boundaries, and land registration—provide rich complementary material to the rest of the Idumean ostraca. The “uncertain texts” are fragmentary, in poor condition, or contain other abnormalities. As the TAO corpus becomes better understood and as imaging techniques improve, these texts will help to fill gaps in knowledge. The final section includes the remains of scribal practices and forgeries, important because they help to show the authenticity of the other two thousand pieces. A unique collection of documentary sources for fourth/third-century BCE Idumea—and, by extension, Judah—this multivolume work will be a powerful resource for those interested in onomastics and social and economic history.
Dating back to at least 50,000 years ago, rock art is one of the oldest forms of human symbolic expression. Geographically, it spans all the continents on Earth. Scenes are common in some rock art, and recent work suggests that there are some hints of expression that looks like some of the conventions of western scenic art. In this unique volume examining the nature of scenes in rock art, researchers examine what defines a scene, what are the necessary elements of a scene, and what can the evolutionary history tell us about storytelling, sequential memory, and cognitive evolution among ancient and living cultures?
Camels are first mentioned in the Bible as the movable property of Abraham. During the early monarchy, they feature prominently as long-distance mounts for the Queen of Sheba, and almost a millennium later, the Gospels tell us about the impossibility of a camel passing through a needle’s eye. Given the limited extrabiblical evidence for camels before circa 1000 BCE, a thorough investigation of the spatio-temporal history of the camel in the ancient Near and Middle East is necessary to understand their early appearance in the Hebrew Bible. Camels in the Biblical World is a two-part study that charts the cultural trajectories of two domestic species—the two-humped or Bactrian camel (Camelus bactrianus) and the one-humped or Arabian camel (Camelus dromedarius)—from the fourth through first millennium BCE and up to the first century CE. Drawing on archaeological camel remains, iconography, inscriptions, and other text sources, the first part reappraises the published data on the species’ domestication and early exploitation in their respective regions of origin. The second part takes a critical look at the various references to camels in the Hebrew Bible and the Gospels, providing a detailed philological analysis of each text and referring to archaeological data and zoological observations whenever appropriate. A state-of-the-art evaluation of the cultural history of the camel and its role in the biblical world, this volume brings the humanities into dialogue with the natural sciences. The novel insights here serve scholars in disciplines as diverse as biblical studies, (zoo)archaeology, history, and philology.
Over the last two decades, the study of graffiti has emerged as a bustling field, invigorated by increased appreciation for their historical, linguistic, sociological, and anthropological value and propelled by ambitious documentation projects. The growing understanding of graffiti as a perennial, universal phenomenon is spurring holistic consideration of this mode of graphic expression across time and space. Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding complements recent efforts to showcase the diversity in creation, reception, and curation of graffiti around the globe, throughout history and up to the present day. reflecting on methodology, concepts, and terminology as well as spatial, social, and historical contexts of graffiti, the book's fourteen chapters cover ancient Egypt, Rome, Northern Arabia, Persia, India, and the Maya; medieval Eastern Mediterranean, Turfan, and Dunhuang; and contemporary Tanzania, Brazil, China, and Germany. As a whole, the collection provides a comprehensive toolkit for newcomers to the field of graffiti studies and appeals to specialists interested in viewing these materials in a cross-cultural perspective.