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"The death of head of state Enver Hoxha and the loss of his father leave Bujar growing up in the ruins of Communist Albania and of his own family. Only his fearless best friend, Agim--who is facing his own realizations about his gender and sexuality--gives him hope for the future. Together the two decide to leave everything behind and try their luck in Italy. But the struggle to feel at home--in a foreign country and even in one's own body--will have corrosive effects, spurring a dangerous search for new identities"--
If a people Have no poets And no poetry of their own For a National Anthology Then treachery and barking Will do the trick With these words, a challenge is laid down in this new volume of Albanian poetry. Albania, however, has a dynamic tradition of literature. Lightning from the Depths is the first English collection to present the full range of Albanian verse. Albanian literature has had many lives. The early Christian traditions disappeared as Islam and the Ottoman Empire took over. Muslim literature, too, withered when the nation strove to become an independent European country. The beginnings of a modern tradition were quashed by the Stalinists. All along this rocky path, poets have turned the political strife, poverty, and isolation their nation has often experienced into culture, both celebrating and questioning the society in which they live. Lightning from the Depths opens readers’ eyes to a new political and cultural world populated artists who can spin despair into poetry.
In this autobiographical novel, Albania’s most renowned novelist and poet Ismail Kadare explores his relationship with his mother in a delicately wrought tale of home, family, creative aspirations, and personal and political freedom. “Houses like ours seemed constructed with the specific purpose of preserving coldness and misunderstanding for as long as possible.” In his father’s great stone house with hidden rooms and even a dungeon, Ismail grows up with his mother at the center of his universe. Fragile as a paper doll, she finds herself at odds with her tight–lipped and wise mother–in–law who, as is the custom for women of a certain age, will never again step foot over the threshold to leave her home. Young Ismail finds it difficult to understand his mother’s tears, though he can understand her boredom. She told him the reason herself in a phrase that terrified and obsessed the boy: “The house is eating me up!” As Ismail explores his world, his mother becomes fearful of her intellectual son—he uses words she does not understand, writes radical poetry, falls in love far too easily, and seems to renounce everything she believes in. He will, she fears, have to exchange her for some other superior mother when he becomes a famous writer. The Doll is a delicate and disarming autobiographical novel, an exploration of Kadare’s creative aspirations and their tangled connections to his childhood home and his mother’s tenuous place within it.
Albania is not well known by outsiders; it was deliberately closed to the outside world during the communist era. Now it has thankfully become free again, its borders are open and it can be visited, and it is increasingly integrating with the rest of Europe and beyond. Unfortunately, Albania has had its share of problems in the post-communist era; it's a land of destitution and despair, thanks in part to the Albanian mafia, which has turned the country into one of blood-feuds, kalashnikovs, and eternal crises. Yet, Albania is, in essence, a European nation like any other ...
In the early 1990s, Albania, arguably Europe’s most closed and repressive state, began a startling transition out of forty years of self-imposed Communist isolation. Albanians who were not allowed to practice religion, travel abroad, wear jeans, or read “decadent” Western literature began to devour the outside world. They opened cafés, companies, and newspapers. Previously banned rock music blared in the streets. Modern Albania offers a vivid history of the Albanian Communist regime’s fall and the trials and tribulations that led the country to become the state it is today. The book provides an in-depth look at the Communists' last Politburo meetings and the first student revolts, the fall of the Stalinist regime, the outflows of refugees, the crash of the massive pyramid-loan schemes, the war in neighboring Kosovo, and Albania’s relationship with the United States. Fred Abrahams weaves together personal experience from more than twenty years of work in Albania, interviews with key Albanians and foreigners who played a role in the country’s politics since 1990—including former Politburo members, opposition leaders, intelligence agents, diplomats, and founders of the Kosovo Liberation Army—and a close examination of hundreds of previously secret government records from Albania and the United States. A rich, narratively-driven account, Modern Albania gives readers a front-row seat to the dramatic events of the last battle of Cold War Europe.
The contributors to this study critically de-construct Albanian myths and offer insights into Albanian history and politics. They conclude with contemporary Albanian critiques of the origins and functions of Albanian politics and ideologies.
The hundred years between 1750 and 1850 were an age of astounding orthographic diversity in Albania. In this period, the Albanian language was put to writing in at least ten different alphabets - most certainly a record for European languages. This book introduces the diverse forms in which this old Balkan language was recorded, from the earliest documents to the beginning of the twentieth century. They consist of adaptations of the Latin, Greek, Arabic and Cyrillic alphabets and, what is even more interesting, a number of locally invented writing systems. Most of the latter alphabets have now been forgotten and are unknown, even to the Albanians themselves.