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Plutarch’s Regum et imperatorum apophthegmata (Sayings of Kings and Commanders) holds a peculiar position in his oeuvre. This collection of almost 500 anecdotes of barbarian, Greek, and Roman rulers and generals is introduced by a dedicatory letter to Trajan as a summary of the author’s well-known and widely read Parallel Lives. The work is therefore Plutarch’s only text that explicitly addresses a Roman emperor and is likely to shed light on his biographical technique. Yet the collection has been understudied, because its authenticity has been generally rejected since the nineteenth century. Recent scholarship defends Plutarch's authorship of the text, but some remain sceptical. This book restores its reputation and provides a first full literary analysis of the letter and collection as a genuine work of Plutarch, wherein he attempts to educate his ruler by means of great role models of the past. Plutarch’s thinking about the function of role models (exempla) is not only relevant for Plutarchan research, but also for our knowledge of exemplarity, a key feature both in Greek and Latin literature in the early imperial period in general. Therefore An Opaque Mirror for Trajan is also of interest for literary and historical scholars who study the broader context of ancient literature of the first centuries CE.
The volume puts into the spotlight overlaps and points of intersection between Plutarch and other writers of the imperial period. It contains twenty-eight contributions which adopt a comparative approach and put into sharper relief ongoing debates and shared concerns, revealing a complex topography of rearrangements and transfigurations of inherited topics, motifs, and ideas. Reading Plutarch alongside his contemporaries brings out distinctive features of his thought and uncovers peculiarities in his use of literary and rhetorical strategies, imagery, and philosophical concepts, thereby contributing to a better understanding of the empire’s culture in general, and Plutarch in particular.
HEROM is a peer-reviewed online journal presenting innovative contributions to the study of material culture produced, exchanged, and consumed within the spheres of the Hellenistic kingdoms and the Roman world from the late fourth century BC to the seventh century AD. The journal publishes papers in the full range of the scholarly field and in all relevant academic disciplines within the arts, humanities, social sciences, and environmental sciences. HEROM creates a bridge between material culture specialists and the wider scientific community, with an interest in how humans interacted with and regarded artefacts. For a full table of contents, visit www.herom.be.
Like the male heroes of epic poetry, Helen of Troy has been immortalized, but not for deeds of strength and honor; she is remembered as the beautiful woman who disgraced herself and betrayed her family and state. Norman Austin here surveys interpretations of Helen in Greek literature from the Homeric period through later antiquity. He looks most closely at a revisionist myth according to which Helen never sailed to Troy, but remained blameless, while a libertine phantom or ghost impersonated her at Troy. Comparing the functions of contradictory images of Helen, Austin helps to clarify the problematic relations between beauty and honor and between ugliness and shame in ancient Greece. Austin first discusses the canonical account of the Iliad and the Odyssey: Helen as the archetype of woman without shame. He next considers different versions of Helen in the Homeric tradition. Among these, he shows how Sappho presents Helen as an icon of absolute beauty while she defends her own preference of eros over honor and her choice of woman as the object of desire. Austin then turns to three major authors who repudiated the traditional Helen of Troy: the lyric poet Stesichorus and the dramatist Euripides, who embraced the alternative myth of Helen's phantom; and the historian Herodotus, who claimed to have found in Egypt a Helen story that dispenses with both Helen and the phantom. Austin maintains that the conflicting motives that prompted these writers to rehabilitate Helen led to further revisions of her image, though none have endured as a credible substitute for the Helen of epic tradition.
Albert Bates Lord here offers an unparalleled overview of the nature of oral-traditional epic songs and the practices of the singers who composed them. Shaped by the conviction that theory should be based on what singers actually do, and have done in times past, the essays collected here span half a century of Lord's research on the oral tradition from Homer to the twentieth century. Drawing on his extensive fieldwork in living oral traditions and on the theoretical writings of Milman Parry, Lord concentrates on the singers and their art as manifested in texts of performance. In thirteen essays, some previously unpublished and all of them revised for book publication, he explores questions of composition, transmittal, and interpretation and raises important comparative issues. Individual chapters discuss aspects of the Homeric poems, South Slavic oral-traditional epics, the songs of Avdo Metedovic, Beowulf and Anglo-Saxon poetry, the medieval Greek Digenis Akritas and other medieval epics, central Asiatic and Balkan epics, the Finnish Kalevala, and the Bulgarian oral epic. The work of one of the most respected scholars of his generation, Epic Singers and Oral Tradition will be an invaluable resource for scholars and students of myth and folklore, classicists, medievalists, Slavists, comparatists, literary theorists, and anthropologists.
In the first part about the specific Stoic doctrine on moral progress (prokop ) attention is first given to the subtle view developed by the early Stoics, who categorically denied the existence of any mean between vice and virtue, and yet succeeded in giving moral progress a logical and meaningful place within their ethical thinking. Subsequently, the position of later Stoics (Panaetius, Hecato, Posidonius, Seneca, Musonius Rufus, Epictetus and Marcus Aurelius) is examined. Most of them appear to adopt a basically 'orthodox' view, although each one of them lays his own accents and deals with Chrysippus' tenets from his own personal perspective. Occasionally, the 'heterodox' position of Aristo of Chios proves to have remained influential too. The second part of the study deals with the polemical reception of the Stoic doctrine of moral progress in (Middle-)Platonism. The first author who is discussed is Philo of Alexandria. Philo deals with the Stoic doctrine in a very ideosyncratical way. He never explicitly attacked the Stoic view on moral progress, although it is clear from various passages in his work that he favoured the Platonic-Peripatetic position rather than the Stoic one. Next, Plutarch's position is examined, through a detailed analysis of his treatise 'De profectibus in virtute'. Finally, attention is given to two school handbooks dating from the period of Middle-Platonism (Alcinous and Apuleius). In both of them, the Stoic doctrine is rejected without many arguments, which shows that a correct (and anti-Stoic) conception of moral progress was regarded in Platonic circles as a basic knowledge for beginning students.The whole discussion is placed into a broader philosophical-historical perspective by the introduction (on the philosophical tradition before the Stoa) and the epilogue (about later discussions in Neo-Platonism and early Christianity).
John G. Fitch's new Latin text of Seneca's play, Hercules Furens, is based on a collation of the chief manuscripts, including the Paris manuscript T.