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“Engrossing . . . beautifully written and carefully crafted . . . [a] work that explores the healing power of truth.”—The Boston Globe For seventeen years, a rural community in Kansas has faithfully tended the grave of an anonymous teenage girl christened the Virgin of Small Plains. And some claim that, perhaps owing to the girl’s intervention, strange miracles and unexplainable healings have occurred. Slowly, word of the legend spreads. But what really happened in that snow-covered field almost two decades ago, when the girl’s naked, frozen body was found? Why did young Mitch Newquist disappear the day after the shocking discovery, leaving behind his distraught girlfriend, Abby Reynolds, and their best friend, Rex Shellenberger? Now Mitch has returned to Small Plains, reigniting simmering tensions and awakening secrets. Never having resolved her feelings for Mitch, Abby is determined to uncover the startling truth about his departure. The three former friends must confront the ever-unfolding consequences of the night that forever changed their lives—and the life of their small town. Praise for The Virgin of Small Plains “Nancy Pickard . . . has evolved into a writer of substantial literary power. . . . [She] has fashioned a novel that accurately reflects the secrets and silences locked deep within the hearts of all small-town Midwesterners.”—The Denver Post “Tantalizing . . . Pickard writes with insight and compassion about an unresolved crime that continues to haunt a farming community.”—The New York Times Book Review “A class act . . . Pickard has a talent for adding depth to a story that conveys a sense of place and history.”—Orlando Sentinel “Crisply written, this new novel about loss of faith, trust, and innocence is utterly absorbing.”—Tucson Citizen
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Controversies in Media Ethics offers students, instructors and professionals multiple perspectives on media ethics issues presenting vast "gray areas" and few, if any, easy answers. This third edition includes a wide range of subjects, and demonstrates a willingness to tackle the problems raised by new technologies, new media, new politics and new economics. The core of the text is formed by 14 chapters, each of which deals with a particular problem or likelihood of ethical dilemma, presented as different points of view on the topic in question, as argued by two or more contributing authors. The 15th chapter is a collection of "mini-chapters," allowing students to discern first-hand how to deal with ethical problems. Contributing authors John A. Armstrong, Peter J. Gade, Julianne H. Newton, Kim Sheehan, and Jane B. Singer provide additional voices and perspectives on various topics under discussion. This edition has been thoroughly updated to provide: discussions of issues reflecting the breadth and depth of the media spectrum numerous real-world examples broad discussion of confidentiality and other timely topics A Companion Website (www.routledge.com/textbooks/9780415963329) supplies resources for both students and instructors. You can also join the Controversies community on Facebook: http://www.facebook.com/CME3rd Developed for use in media ethics courses, Controversies in Media Ethics provides up-to-date discussions and analysis of ethical situations across a variety of media, including issues dealing with the Internet and new media. It provides a unique consideration of ethical concerns, and serves as provocative reading for all media students.
Things are dicey at work. A personal assistant goes missing, a little old lady goes on a suspicious winning streak, and a Bellissimo executive goes gaga for Davis Way. She follows a disappearing slot-tournament player trail to the So Help Me God Pentecostal Church in Beehive, Alabama, then jumps headlong into a high stakes holy scandal. She's on a losing streak at home, too. Her days, nights, and dinners run together, as Davis juggles a revolving door of uninvited guests, namely her rotten ex-ex-husband, Eddie Crawford. And Bradley Cole thinks three's a crowd. The worst? Davis doesn't feel so hot. Maybe it's the banana pudding, or maybe it's a little bundle of something else.
The Anybodies Fern discovers that she was swapped at birth and leaves her tragically dull parents for an unforgettable adventure with her true father, the Bone. Just who are the Anybodies? You'll have to read to find out! Narrated by the hilariously intrusive N. E. Bode, The Anybodies is a magical adventure for readers of all ages. The Nobodies Fern Drudger's quirky adventures continue in this delightful sequel to The Anybodies. She goes to Camp Happy Sunshine Good Times and is bombarded by desperate messages from people who call themselves the Nobodies. But who are the Nobodies, and what do they want from Fern?
This report is the fourth on the state of local news produced by the Hussman School of Journalism and Media at the University of North Carolina at Chapel Hill. It measures what has been lost, while also assessing what must be done if we are to nurture and revive a vibrant news landscape in the third decade of the 21st century. The first section of this report, "The News Landscape in 2020: Transformed and Diminished," examines the loss of local news, from the end of 2004--when newspaper advertising, circulation and employment were at, or near, peak levels--to the end of 2019, providing a time-lapsed snapshot of the news landscape before the coronavirus seized control of the economy. It assesses not only the current state of local newspapers, but also that of local digital sites, ethnic news organizations and public broadcasting outlets. The second section, "The News Landscape of the Future: Transformed ... and Renewed?" establishes the need for a reimagining of journalistic, business, technological and policy solutions. Extensive research has established that the loss of local news has significant political, social and economic implications for our democracy and our society. Yet, according to the Pew Research Center, almost three-quarters of the general public remains unaware of the dire economic situation confronting local news organizations. By documenting the transformation of the local news landscape over the past 15 years, and exploring the challenges and potential solutions, we hope this report will raise awareness of the role that all of us can play in supporting the revival of local news. Accompanying this report, is an updated website, usnewsdeserts.com, with more than 350 interactive maps--allows readers to drill down to the county level to understand the state of local media in communities throughout the United States. You will find information on regional and community newspapers--as well as public broadcasting outlets, ethnic media and digital sites.
Though it is highly preventable, tooth decay is a common chronic disease both in the United States and worldwide. Evidence shows that decay and other oral diseases may be associated with adverse pregnancy outcomes, respiratory disease, cardiovascular disease, and diabetes. However, individuals and many health care professionals remain unaware of the risk factors and preventive approaches for many oral diseases. They do not fully appreciate how oral health affects overall health and well-being. In Advancing Oral Health in America, the Institute of Medicine (IOM) highlights the vital role that the Department of Health and Human Services (HHS) can play in improving oral health and oral health care in the United States. The IOM recommends that HHS design an oral health initiative which has clearly articulated goals, is coordinated effectively, adequately funded and has high-level accountability. In addition, the IOM stresses three key areas needed for successfully maintaining oral health as a priority issue: strong leadership, sustained interest, and the involvement of multiple stakeholders from both the public and private sectors. Advancing Oral Health in America provides practical recommendations that the Department of Health and Human Services can use to improve oral health care in America. The report will serve as a vital resource for federal health agencies, health care professionals, policy makers, researchers, and public and private health organizations.
"Don't live with a lover or roommate who doesn't respect your work," says the short story writer Grace Paley. "Buy time" to write if you have to, she goes on to say. In fact, "borrow to buy time," if you have to. Do anything, in other words, to make it possible for yourself to write. "Write what will stop your breath if you don't write," Paley says. In other words, if you privately think, "I'll die if I can't write," that may just be true. And so the ultimate loyalty to yourself is to write in order to save your life. In exchange for your life, know that your writing will ask a lot of you. It will drive a hard bargain. Writing asks a lot of all of us who do it, as does any art, or anything worth doing. Be prepared to give it what it requires. The blank page, the impossible deadline, the exhilarating rush of inspiration, the perils of publication: There is no profession more maddening or more rewarding than being a writer. Yet surprisingly, all writers, no matter how famous or successful, pass through the same sequence of stages in the course of their careers. It was this remarkable insight that inspired veteran writers Nancy Pickard and Lynn Lott to pool their talents and write a book. The result is one of the wisest and liveliest guides to the literary life ever written -- a volume of astonishing revelation, warm reassurance, brilliant encouragement, and welcome humor. Drawing on their own experience as writers of fiction and nonfiction as well as the insights of scores of colleagues, Pickard and Lott follow the trajectory of the writer's life from the first time that inner voice whispers "I want to write" to the burst of accomplishment that comes when the book is finished, the vision expressed, the dream made real. No matter what you write or how much recognition you've received, if you're serious about writing as a profession, you are bound to pass through the seven steps on the writer's path. Pickard and Lott call these steps Unhappiness, Wanting, Commitment, Wavering, Letting Go, Immersion, and Fulfillment. Are you sunk in a pit of loneliness and confusion, burdened by pressures you can neither name nor escape? Welcome to the stage of Unhappiness, what Pickard and Lott call the "precreative state." Don't worry, Tolstoy and Stephen King have been there before you, and somehow they cleared the abyss of Wanting (desires you can't shake, jealousies that sting like bees) and climbed the ladder of Commitment. Wavering is where you hit the wall, tread water, and succumb to the dread paralysis of writer's block and the abuse of unsympathetic editors and critics. E. B. White said a writer is like a surfer waiting for the perfect wave -- and in the stage of Letting Go, that wave finally crests, releasing the torrent of creativity that carries you through the deeply satisfying stages of Immersion and Fulfillment. Pickard and Lott are the buddies every writer dreams of -- always there to light the way and lighten your mood, generous with advice and sympathy, and bold enough to give you the occasional kick in the pants. Whether you're a "wanna-be" writer or a published literary veteran, you're bound to find this book a source of true delight, vital wisdom, and lasting inspiration. Book jacket.
From the #1 New York Times bestselling author of The Party Crasher and Love Your Life comes “a hilarious tale . . . hijinks worthy of classic I Love Lucy episodes . . . too good to pass up.” (USA Today) “Sophie Kinsella keeps her finger on the cultural pulse, while leaving me giddy with laughter.”—Jojo Moyes, author of The Giver of Stars and The Last Letter from Your Lover Becky Bloomwood has a fabulous flat in London’s trendiest neighborhood, a troupe of glamorous socialite friends, and a closet brimming with the season’s must-haves. The only trouble is, she can’t actually afford it—not any of it. Her job writing at Successful Saving magazine not only bores her to tears, it doesn’t pay much at all. And lately Becky’s been chased by dismal letters from the bank—letters with large red sums she can’t bear to read. She tries cutting back. But none of her efforts succeeds. Her only consolation is to buy herself something . . . just a little something. Finally a story arises that Becky actually cares about, and her front-page article catalyzes a chain of events that will transform her life—and the lives of those around her—forever. Praise for Sophie Kinsella and Confessions of a Shopaholic “Kinsella’s Bloomwood is plucky and funny. . . . You won’t have to shop around to find a more winning protagonist.”—People “If a crème brûlée could be transmogrified into a book, it would be Confessions of a Shopaholic.”—The Star-Ledger “A have-your-cake-and-eat-it romp, done with brio and not a syllable of moralizing. . . . Kinsella has a light touch and puckish humor.”—Kirkus Reviews