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The true story of the first case to reveal the relation between the brain and complex personality characteristics.
"John D'Agata is an alchemist who changes trash into purest gold." —Guy Davenport, Harper's John D'Agata journeys the endless corridors of America's myriad halls of fame and faithfully reports on what he finds there. In a voice all his own, he brilliantly maps his terrain in lists, collage, and ludic narratives. With topics ranging from Martha Graham to the Flat Earth Society, from the brightest light in Vegas to the artist Henry Darger, who died in obscurity, Halls of Fame hovers on the brink between prose and poetry, deep seriousness and high comedy, the subject and the self.
“I intend to stand firm and let the peacocks multiply, for I am sure that, in the end, the last word will be theirs.” —Flannery O’Connor When she was young, the writer Flannery O’Connor was captivated by the chickens in her yard. She’d watch their wings flap, their beaks peck, and their eyes glint. At age six, her life was forever changed when she and a chicken she had been training to walk forwards and backwards were featured in the Pathé News, and she realized that people want to see what is odd and strange in life. But while she loved birds of all varieties and kept several species around the house, it was the peacocks that came to dominate her life. Written by Amy Alznauer with devotional attention to all things odd and illustrated in radiant paint by Ping Zhu, The Strange Birds of Flannery O’Connor explores the beginnings of one author’s lifelong obsession. Amy Alznauer lives in Chicago with her husband, two children, a dog, a parakeet, sometimes chicks, and a part-time fish, but, as of today, no elephants or peacocks. Ping Zhu is a freelance illustrator who has worked with clients big and small, won some awards based on the work she did for aforementioned clients, attracted new clients with shiny awards, and is hoping to maintain her livelihood in Brooklyn by repeating that cycle.
A free preview collection of essays from Tom Payne, author of FAME We may regard celebrities as deities, but that does not mean we worship them with deference. From prehistory to the present, humanity has possessed a primal urge first to exalt the famous but then to cut them down (Michael Jackson, anyone?). Why do we treat the ones we love like burnt offerings in a ritual of human sacrifice? Perhaps because that is exactly what they are. In this collection of essays, Tom Payne -- of the website Popcropolis and the "trenchant, unsettling, and darkly hilarious" Fame (New York Times Book Review) -- draws the narratives of the past and the immediate present into one intriguing story. INCLUDES AN EXCERPT FROM FAME!
From the New York Times bestselling author of Dear Martin comes an honest and touching depiction of friendship, first love, and everything in between. Perfect for fans of Love, Simon and What If It's Us. Courtney Cooper and Jupiter Charity-Sanchez (Coop and Jupe!) have been next-door neighbors and best friends since they were seven years old. She's his partner in crime and other half. But lately, Coop can't ignore the fact that he might want something more than friendship from Jupiter. When Rae Chin moves to town, she can't believe how lucky she is to find Coop and Jupe. Being the new kid is usually synonymous with "pariah," but around these two, she finally feels like she belongs. She's so grateful she wants to kiss him . . . and her. Jupiter has always liked girls. But when Coop starts daing Rae, Jupe realizes that the only girl she ever really imagined by his side was her. One story. Three sides. No easy answers. "Fans of Nic and new readers will find themselves engrossed." --Teen Vogue "Declaring yourself--how you would like to be represented and whom you want to love and connect with--is treated with real tenderness." --The New York Times
Lindsay, a former child star who suffered a nervous breakdown after developing the ability to hear what anyone says about her, comes to see this as an asset when, after her father's death, she learns that she is not alone.
Phineas Gage was truly a man with a hole in his head. Phineas, a railroad construction foreman, was blasting rock near Cavendish, Vermont, in 1848 when a thirteen-pound iron rod was shot through his brain. Miraculously, he survived to live another eleven years and become a textbook case in brain science. At the time, Phineas Gage seemed to completely recover from his accident. He could walk, talk, work, and travel, but he was changed. Gage "was no longer Gage," said his Vermont doctor, meaning that the old Phineas was dependable and well liked, and the new Phineas was crude and unpredictable. His case astonished doctors in his day and still fascinates doctors today. What happened and what didn't happen inside the brain of Phineas Gage will tell you a lot about how your brain works and how you act human.
Since its initial publication this critique of Freud's methods for gathering and evaluating evidence has become a classic in Freud scholarship. foreword by Frederick Crews Psychoanalysis: science or belief system? Since its initial publication this critique of Freud's methods for gathering and evaluating evidence has become a classic in Freud scholarship. Malcolm Macmillan's exhaustive analysis of Freud's personality theory describes the logical and other assumptions on which Freud's work was based and shows how these assumptions interacted with his clinical observations to produce all-embracing but faulty methods for gathering and evaluating evidence. Macmillan provides a meticulous account of the historical evolution of Freud's thought and its background in Freud's contacts with the books and people that influenced him and evaluates the entirety of the Freudian system. Included is a compilation of major criticisms of the methodology and assumptions of Freudian theory and a new comprehensive afterword by the author surveying the relevant literature published since 1989. (cloth published by Elsevier-North Holland in 1991)
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Charming, erudite, and the very personification of the English gentleman, Dennis Price was without doubt also one of the most promising and talented newcomers to the world of theatre and film in the late 1930s, and he arguably reached his screen best in the classic Ealing comedy 'Kind Hearts and Coronets'. Huge praise was lavished upon him and he was compared alongside theatrical contemporaries Laurence Olivier, John Gielgud and Ralph Richardson as being destined for great things. Scene-stealing performances followed over the next few decades in such differing films as 'The Dancing Years', 'The Intruder', 'Private's Progress', 'The Naked Truth', 'Tunes of Glory', 'Tamahine' and 'Theatre of Blood', to name but a few. Though whilst his career was blossoming his private life was going through turmoil when, after one of his several affairs was discovered by his wife, he faced the shame of divorce, separation from his two children and when coupled with significant tax bills, it all proved too much and the actor attempted suicide. Eventually bouncing back, he reinvented himself as a character actor and appeared in scores of notable films-and was often the best thing in them!