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Dive into the world an ocean dreams of . . . ​Nothing of the ocean, its tides, or its depths, should desire happiness, yet water flows to the tune of thoughtfulness. Dreaming of its own humanity, inhabiting Venner an analyst, the ocean explores life in a city where the monotony of a desk job calls like a siren song. The idyll is fractured by those who discover his true nature. Magical forces seek to control the ocean, its impossible forces, as Venner struggles to survive and to keep out of monstrous hands--his sense of self. An Ocean Gazes Through Human Glass is a lyrical, magical journey. It explores all humans’ conflicting desires to both accept their world and consume it. With prose as beautiful as a dream and characters that defy imagination, you’ll find yourself immersed in a world of both treachery and possibility. Emily Nguyen explores wonder in her debut novel An Ocean Gazes Through Human Glass and in her daily vocation. She is a rocket engineer in southern California who makes dreams fly both in real life and on the page.
Takomiad of Surazeus - Goddess of Takoma presents 125,667 lines of verse in 2,590 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 1984 to 1992.
Solariad of Surazeus - Guidance of Solaria presents 114,920 lines of verse in 1,660 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 2006 to 2011.
An Introduction to the Blue Humanities is the first textbook to explore the many ways humans engage with water, utilizing literary, cultural, historical, and theoretical connections and ecologies to introduce students to the history and theory of water-centric thinking. Comprised of multinational texts and materials, each chapter will provide readers with a range of primary and secondary sources, offering a fresh look at the major oceanic regions, saltwater and freshwater geographies, and the physical properties of water that characterize the Blue Humanities. Each chapter engages with carefully chosen primary texts, including frequently taught works such as Herman Melville’s Moby-Dick, Samuel Taylor Coleridge’s “Rime of the Ancient Mariner,” Homer’s Odyssey, and Luis Vaz de Camões’s Lusíads, to provide the perfect pedagogy for students to develop an understanding of the Blue Humanities chapter by chapter. Readers will gain insight into new trends in intellectual culture and the enduring history of humans thinking with and about water, ranging across the many coastlines of the World Ocean to Pacific clouds, Mediterranean lakes, Caribbean swamps, Arctic glaciers, Southern Ocean rainstorms, Atlantic groundwater, and Indian Ocean rivers. Providing new avenues for future thinking and investigation of the Blue Humanities, this volume will be ideal for both undergraduate and graduate courses engaging with the environmental humanities and oceanic literature.
Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands’ tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque “tropical” paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
In fascinating new contextual readings of four of Herman Melville's novels—Typee, White-Jacket, Moby-Dick, and Pierre—Samuel Otter delves into Melville's exorbitant prose to show how he anatomizes ideology, making it palpable and strange. Otter portrays Melville as deeply concerned with issues of race, the body, gender, sentiment, and national identity. He articulates a range of contemporary texts (narratives of travelers, seamen, and slaves; racial and aesthetic treatises; fiction; poetry; and essays) in order to flesh out Melville's discursive world. Otter presents Melville's works as "inside narratives" offering material analyses of consciousness. Chapters center on the tattooed faces in Typee, the flogged bodies in White-Jacket, the scrutinized heads in Moby-Dick, and the desiring eyes and eloquent, constricted hearts of Pierre. Otter shows how Melville's books tell of the epic quest to know the secrets of the human body. Rather than dismiss contemporary beliefs about race, self, and nation, Melville inhabits them, acknowledging their appeal and examining their sway. Meticulously researched and brilliantly argued, this groundbreaking study links Melville's words to his world and presses the relations between discourse and ideology. It will deeply influence all future studies of Melville and his work.
How can science and religion co-exist in the modern discipline of psychotherapy? A Dream in the World explores the interfaces between religious experience and dream analysis. At the heart of this book is a selection of dreams presented by the author's patient during analysis, which are compared with the dreams of Hadewijch, a thirteenth century woman mystic. The patient's dreams led the modern woman to an unanticipated breakthrough encounter with the divine, her "experience of soul". The experience reoriented and energized her life, and became her "dream-in-the-world". Following Jung's idea that the psyche has a religious instinct, Robin van Loben Sels demonstrates that the healing process possible through psychotherapy can come from beyond the psyche and can not be explained by our usual theories of scientific psychology. Written in flowing, easily-read language A Dream in the World details a classical Jungian analysis of a woman's dreams, and searches the relationship between religious encounter, psyche and soul.
Nadia’s life as a model is practically picture perfect until the day werebear hunters send her running. She lands in Safe Harbor with the Ouellette clan, but Nadia knows better than to call yet another place home, and she settles in to do the one thing she knows best, fight. Izzy’s rescue from drowning set her on a course for a fresh start as a woman capable of love and compassion. Her savior and clan alpha, Jean Luc Ouellette sealed their true mate bond to break the bi-polar curse, but when Izzy finds out she’s pregnant and experiences mood swings that are reminiscent of her past, she fears for her children. Kelsey moves to Safe Harbor for an internship at the most prestigious boat-building company on the East Coast, Ouellette Yachts. She finds more than the start of a brilliant career when she falls for Val and discovers a family secret that opens up a whole new world. But as the truth comes out a disastrous mistake threatens to take it all away. Tally spends her days tending to the needs of the Ouellette clan as their medicine woman, and she enjoys the perks of hunky werebear coming to visit her daily. Especially one named Marcel. But an evil force has plans for Tally that make her chance at love a near impossibility. romantic suspense, secret baby, small town romance, new adult
When the mermaid performers at Oceanica Marine Park turn violent and attack their handlers, it's Finn Jarvis' job to euthanize them. The work is dangerous, and he botches his latest assignment, causing the death of two additional—and expensive—Mer. His dream of becoming a superstar trainer seems lost until a newly-caught mermaid offers him the opportunity to prove himself. Erie isn't just any mermaid, she's an ocean-princess that's been ripped from her home. She doesn't know what the landfolk want from her, but she's determined to learn air-words and find out. Alone and voiceless, she watches as the other merfolk are broken into submission, but Erie refuses to be subjugated. To avoid the fate of Oceanica's other Mer and eventually make it home, she needs to make the crowds love her as something more than entertainment. While Finn trains Erie in her routine, she teaches herself English. Finn has always seen the Mer as ruthless aquatic predators, but Erie seems more human than fish. Soon he finds himself breaking the number one rule at Oceanica: "Never humanize the Mer." Finn's awe-inspiring routine breaks too many rules, and he's soon fired, with a new trainer taking over Erie's show. One that will do whatever it takes to break and silence her. Finn needs to free Erie before she's broken or killed by her new trainer… or snaps and kills the new trainer herself. To do that, he'll have to launch a campaign to take down one of the most popular attractions in the world, turn his back on his closest friends and family, and protect Erie from ever being captured again.