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This magnificent compendium is the fourth in a series of catalogues describing selections of rare books and other material in the Oak Spring Garden Library, a collection assembled by Mrs. Rachel “Bunny” Lambert Mellon. Herbaria describes sixty-three books and manuscripts about herbs and includes exquisite illustrations selected from the works themselves. Spanning the fourteenth to nineteenth centuries, and featuring works by Brunfels, Culpeper, Monardes, and Linnaeus, among others, this authoritative catalogue will prove fascinating to botanists, bibliophiles, garden historians, and herbalists alike.
An Oak Spring Pomona is the second in a series of catalogues describing selections of rare books and other material in the Oak Spring Garden Library, a collection formed by Mrs. Paul Mellon. The Pomona describes one hundred books and manuscripts about fruit, with illustrations taken from some of the most beautiful books on the subject as well as from original drawings and paintings. The earliest book described is Bussatos Giardino di Agricoltura of 1592, the latest The Herefordshire Pomona, an encyclopedia of apples and pears from the 1870s. In between there are fruit books large and small: La Quintinie's Instruction pour les Jardins fruitiers, Duhamel's Traite des arbres fruitiers, and many others. The book is divided into sections on fruit-growing in France and Britain, fruit elsewhere in Europe, and fruit in America, as well as citrus fruit, apples and pears, peaches and soft fruit, grapes, melons, and tropical fruit. Each description gives the background of the book and its relationship to others and is accompanied by illustrations of its contents in color and black and white. The Pomona includes not only brief bibliographical summaries of each book but also background wssays that place the books in a historical setting.
Bunny Mellon Style is the intimate story of one of the most unintentionally influential women of twentieth-century design. Learn how her style developed, take a look inside the family homes she designed, get the flavor of her collaborations with French designers of fashion and jewelry, and begin to understand her vast and lasting influence on the world of design. Original research by the authors uncovered Mrs. Mellonâe(tm)s personal writings and correspondences. They talked with people who knew her, who were employed by her, and who spent time in her home and gardens. From published works, they extracted information about personal relationships between Mrs. Mellon and Jackie Kennedy Onasis, designers Billy Baldwin, Balenciaga, Givenchy, and more. Blending stories and accounts from such a wide variety of viewpoints results in a unique perspective of this extraordinary woman who moved in the upper echelon of society but preferred not to be noticed in the public eye. This book reveals Mrs. Mellonâe(tm)s style in furnishings, art, and collectibles; her dietary habits and penchant for picnics; her personal investment in designing every aspect of her homes, secondary buildings, and gardens. Come away with the highest regard for a woman who was disciplined and self-taught, who loved learning from historic texts, who was accomplished in myriad ways, and who was as utterly unpretentious and down-to-earth. A foreword by her grandson Thomas Lloyd is both surprising and warm. An abundance of imagery is used, including professional and archival photography, watercolors, whimsical hand drawings, and sketches. Cover © 2021 Artists Rights Society (ARS), New York / ADAGP, Paris. Used with permission of Isabelle Rey.
An Oak Spring Sylva is the first of a series of discursive catalogues describing selections of the rare books and other material in the Oak Spring Garden Library, a collection formed by Mrs. Paul Mellon. Each volume in the Oak Spring series will be a lovely and useful compendium for book collectors, librarians, and garden historians. This volume, which deals with books and manuscripts on trees, describes nearly fifty books, manuscripts, or drawings, from a tiny 1555 book on oaks to early nineteenth-century advice manuals on large-scale tree planting.
The idea that plants have a mind of their own has been a prominent feature of some Indigenous narratives, literary works, and philosophical discourses. Recent scientific research in the field of plant cognition similarly highlights the capacity of botanical life to discern between options and learn from prior experiences or, in other words, to think. The Mind of Plants offers an accessible account of the idea of "the plant mind" by bringing together short essays and poems on plants and their interactions with humans. The texts interpret the theme broadly--from the ways that humans mind and unmind plants to the mindedness or unmindedness of plants themselves. Authors from the humanities, social sciences, and natural sciences have written about their personal connections to particular plants, reflecting upon their research on plant studies in a style amenable to a broad audience. Each of the authors has selected a plant that functions as a guiding thread to their interpretation of "the mind of plants." From the ubiquitous rose to the ugly hornwort, from the Amazonian ayahuasca to tobacco, the texts reflect the multifarious interactions between humans and flora. These personal narratives, filled with anecdotes, experiences, and musings, offer cutting-edge insights into the different meanings and dimensions of "the mind of plants." Contributors to The Mind of Plants are key figures in the fields of ethnobotany, ethnopharmacology, plant behavior and cognition, and critical plant studies. Included are simple, thumbnail-style, black-and-white illustrations of the plants to enhance readers' appreciation of the narratives.
In this authoritative and gripping book--the first full account of the 1976 International Monetary Fund crisis--Kathleen Burk and Alec Cairncross peel back the surface of the most searing economic crisis of postwar Britain to reveal its historical roots and contemporary context. During the spring of 1976, the plummeting value of the British pound against the U.S. dollar triggered a traumatic economic and political crisis. International confidence in the pound collapsed; an article in the Wall Street Journal, headlined "Good-bye, Great Britain," urged investors to get out of sterling. Refused aid by the London and New York markets, the Labour Government under Prime Minister James Callaghan was forced to turn for help to the IMF--a highly unusual move for a developed Western economy. Fearing that the economic crisis would drive Britain into a left-wing siege economy which would endanger NATO and the EEC, the United States and Germany used the IMF loan as a means to force Britain to make major domestic policy changes; when the IMF mission arrived in London in November 1976, it was announced that the price for the loan included deep cuts in domestic spending. Burk and Cairncross uncover the maneuvers of the Labour Government to evade IMF conditions. They also examine underlying economic factors, the political agenda, the rise of monetarist ideas, and the Keynesian response. Juxtaposing narrative with analysis, they provide surprising answers to critical questions and reveal how the breakdown of the post-war consensus on the macroeconomic management paved the way for the triumph of Thatcherism.
Recording the world of plant and animal life and documenting the strange beauty of the natural world have been human passions ever since the first cave paintings. While there are many histories of botanical art featuring beautiful paintings and finished drawings, the artists' preparatory sketches, first impressions, and scribbled notes on paper are rarely seen. But it is often these early attempts that give us real insight into the firsthand experiences and adventures of the botanists, artists, collectors, and explorers behind them. This exquisite visual compendium of botanical sketches by eighty artists from around the world brings these personal and vividly spontaneous records back into the light. Filled with remarkable images from the fifteenth to the twentieth centuries, sourced from the unparalleled collections of the Royal Botanic Gardens, Kew Library, Art & Archives, and other libraries, museums, and archives, Botanical Sketchbooks also provides fascinating biographical portraits of the intriguing characters featured within, including such renowned artists, scientists, and amateur botanists as Leonardo da Vinci, Georg Dionysius Ehret, Carl Linnaeus, Maria Sibylla Merian, Mark Catesby, and Helen and Margaret Shelley (sisters of the novelist Mary Shelley), among many others.
"This impressive, streamlined new field guide to plants of California deserts is based on The Jepson Manual and is truly a handbook to be carried in the field. It offers new introductory discussions, many new illustrations, revised user-friendly keys, updated distribution information, flowering times. . . and handsome color photos of many species. This marvelous book demonstrates that our deserts are not barren wastes but treasure houses filled with an abundance of floristic riches."—Robert Ornduff, author of Introduction to California Plant Life "This is a marvelously useful guide to the plants of California’s deserts, clearly-written and well-organized. An invaluable companion to those who delight in the unusual and beautiful plants of these scenic areas."—Peter H. Raven, Director, Missouri Botanical Garden "This much-needed volume incorporates new information about the status and range of many California desert plants. This book will facilitate access to information about our deserts, and will lead to increased respect and attention to them. We warmly welcome it."—Jake Sigg, President, California Native Plant Society
How herbaria illuminate the past and future of plant science Collections of preserved plant specimens, known as herbaria, have existed for nearly five centuries. These pressed and labeled plants have been essential resources for scientists, allowing them to describe and differentiate species and to document and research plant changes and biodiversity over time—including changes related to climate. Maura C. Flannery tells the history of herbaria, from the earliest collections belonging to such advocates of the technique as sixteenth-century botanist Luca Ghini, to the collections of poets, politicians, and painters, and to the digitization of these precious specimens today. She charts the growth of herbaria during the Age of Exploration, the development of classification systems to organize the collections, and herbaria’s indispensable role in the tracking of climate change and molecular evolution. Herbaria also have historical, aesthetic, cultural, and ethnobotanical value—these preserved plants can be linked to the Indigenous peoples who used them, the collectors who sought them out, and the scientists who studied them. This book testifies to the central role of herbaria in the history of plant study and to their continued value, not only to biologists but to entirely new users as well: gardeners, artists, students, and citizen-scientists.