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"An island hell: A Soviet prison in the far north" by S. A. Malʹsagov (translated by F. H. Lyon). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.
In 'Fred Markham in Russia; Or, The Boy Travellers in the Land of the Czar' by William Henry Giles Kingston, readers are taken on an adventurous journey with young Fred Markham as he explores the vast and mysterious country of Russia. The book is written in a vivid and engaging style, capturing the grandeur of the Russian landscape and the unique culture of its people. Through the eyes of Fred Markham, readers are immersed in a world of intrigue, danger, and discovery, making it a thrilling read for both young and adult audiences alike. Set against the backdrop of the Czarist era, the book provides valuable insights into Russian history and society, making it an educational and enlightening read for those interested in the country's past. William Henry Giles Kingston's storytelling is captivating, keeping readers on the edge of their seats as they follow Fred Markham's adventures across the vast Russian expanse. Recommended for anyone with a passion for history, adventure, and a good old-fashioned tale of exploration.
First Published in 1996. The Russian Theatre Archive makes available in English the best avantgarde plays, from the pre-Revolutionary period to the present day. It features monographs on major playwrights and theatre directors, introductions to previously unknown works, and studies of the main artistic groups and periods. Plays are presented in performing edition translations, including (where appropriate) musical scores, and instructions for music and dance. Whenever possible the translated texts will be accompanied by videotapes of performances of plays in the original language. Prison camp theatre is a theme justified by actual life, even though the marriage of such concepts as 'theatre' and 'prison camp' may appear, to the ordinary mind, preposterous.
An account of the Bolshevist concentration camps in the Solovetsi Islands.
The History of the Russian Empire, curated with stories by Saki (H. H. Munro), presents a fascinating exploration of the grandeur and the tumultuous events that have shaped one of the world's most enigmatic empires. This anthology stitches together a diverse tapestry of narratives, ranging from the sharply satirical to the deeply introspective, effectively capturing the essence of the Russian Empires complex socio-political landscape. The collection stands out for its literary diversity, showcasing a brilliant blend of historical analysis and imaginative storytelling. Through its varied literary styles, the compilation offers readers a comprehensive and nuanced perspective of Russia's past, making it a significant contribution to the understanding of Eastern European history. The contributing editor, known for his acute wit and incisive social commentary, brings a unique voice that threads through the anthology, uniting the diverse works into a coherent and compelling narrative. The backgrounds of the contributing editor, Saki (H. H. Munro), profoundly enrich the anthologys exploration of the Russian Empire. Munros own experiences and his keen observations of the socio-political dynamics of his time imbue the collection with a depth of understanding and a perceptiveness that is rare. The anthology aligns itself with broader literary and historical movements, drawing on the rich tradition of European satirical writing while addressing pivotal moments in Russian history. The collective contributions of the editor, coupled with his literary acumen, allow the collection to traverse a wide range of themes, from the extravagances of the Russian aristocracy to the strife of its common folk, offering a multifaceted portrayal of empire. This anthology is recommended not only for its historical insights but also for its literary artistry. Readers will find themselves immersed in a world that, though no longer extant, continues to fascinate and inform the contemporary moment. The History of the Russian Empire provides a unique opportunity to engage with the past through the lens of one of the early twentieth century's most astute observers of society. It is an essential read for anyone seeking to understand the complexities of Russian history and the power of literary expression in shaping our comprehension of the past.
In 'The Rise of the Russian Empire,' readers are presented with an intricate tapestry of historical narratives and literary craftsmanship that echoes the complexities of Russian history. Through the compilation of works by Saki (H. H. Munro), the anthology traverses a vast landscape of themes, from the political intrigue that shaped the empire's foundation to the nuanced cultures that flourished within its borders. The collection stands out not only for its historical depth but also for its stylistic diversity, offering a blend of satire, drama, and poignant storytelling that captures the essence of Russian ethos and evolution. The contributing voice, H. H. Munro, better known by his pen name, Saki, brings a unique perspective to the anthology. His literary prowess and sharp wit inject a dynamic understanding of European geopolitics and cultural shifts, reflecting the tumultuous era that saw the rise and expansion of the Russian Empire. Munros work is positioned within the broader historical and cultural movements of the early 20th century, providing readers with a mosaic of insights into the forces that molded a nation. 'The Rise of the Russian Empire' promises an immersive journey for readers keen on exploring the interplay of history, culture, and literature. The collection serves as a testament to the power of narrative in shaping our comprehension of the past, inviting readers to delve into a multifaceted exploration of Russian heritage. It's an essential read for those looking to broaden their perspective on empire dynamics, cultural identity, and the literary artistry of Saki, offering a unique lens through which to appreciate the intricacies of Russian and European intersections.
If one wants to begin to understand the GULAG, he would read anyone of at least 131 books such as; - My twenty-two prisons and My Escape from Solovetski, 1929, by Bezonov, Eliuriai Dimitrevich - Red Gaols, a Woman's Experiences in Russian Prisons, 1935, by author did not want to be identified. - Prisoner of the OGPU, 1935, by Kitechin, George. - An Account of the Construction of the New Canal between the White Sea and the Baltic Sea, 1935, by Maxim Gorky, and 30 writers. Many people refer to the book The Gulag Archipelago, 1974, by Solzenitsyn, I., as "the" book on the GULAG partly from his experience and research thereof. The author started with a simple expression written about John W. Adkins: "He left home at an early age, and never returned home age". There was literally no information about him. Most people, familiar with my work, have been totally amazed at the amount of the information, documents, obtained by the author from the archives on one individual. After many years of work, the author did not want to leave this material to just a research project sitting on the bookshelf.
The Russian Revolution and Civil War in the years 1917 to 1921 is one of the most widely studied periods in history. It is also somewhat inevitably one that has generated a huge flow of literature in the decades that have passed since the events themselves. However, until now, historians of the revolution have had no dedicated bibliography of the period and little claim to bibliographical control over the literature. The Russian Revolution and Civil War, 1917-1921offers for the first time a comprehensive bibliographical guide to this crucial and fascinating period of history. The Bibliography focuses on the key years of 1917 to 1921, starting with the February Revolution of 1917 and concluding with the 10th Party Congress of March 1921, and covers all the key events of the intervening years. As such it identifies these crucial years as something more than simply the creation of a communist state.