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Despite Puerto Rico being the hub of the United States’s naval response to the German blockade of the Caribbean, there is very little published scholarship on the island’s heavy involvement in the global conflict of World War II. Recently, a new generation of scholars has been compiling interdisciplinary research with fresh insights about the profound wartime changes, which in turn generated conditions for the rapid economic, social, and political development of postwar Puerto Rico. The island's subsequent transformation cannot be adequately grasped without tracing its roots to the war years. Island at War brings together outstanding new research on Puerto Rico and makes it accessible in English. It covers ten distinct topics written by nine distinguished scholars from the Caribbean and beyond. Contributors include experts in the fields of history, political science, sociology, literature, journalism, communications, and engineering. Topics include US strategic debate and war planning for the Caribbean on the eve of World War II, Puerto Rico as the headquarters of the Caribbean Sea frontier, war and political transition in Puerto Rico, the war economy of Puerto Rico, the German blockade of the Caribbean in 1942, and the story of a Puerto Rican officer in the Second World War and Korea. With these essays and others, Island at War represents the cutting edge of scholarship on the role of Puerto Rico and the Caribbean in World War II and its aftermath.
Beginning with his debut masterpiece, The Naked and the Dead, Norman Mailer has repeatedly told the truth about war. Why Are We at War? returns Mailer to the gravity of the battlefield and the grand hubris of the politicians who send soldiers there to die. First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration’s words and actions, Mailer unleashes his trademark moral rigor: “Because democracy is noble, it is always endangered. . . . To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad.” Praise for Why Are We at War? “We’re overloaded with information these days, some of it possibly true. Mailer offers a provocative—and persuasive—cultural and intellectual frame.”—Newsweek “[Mailer] still has the stamina to churn out hard-hitting criticism.”—Los Angeles Times “Penetrating . . . There’s plenty of irreverent wit and fresh thinking on display.”—San Francisco Chronicle “Eloquent . . . thoughtful . . . Why Are We at War? pulls no punches.”—Fort Worth Star-Telegram Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post
"When the Germans arrived on the Channel Islands after the defeat of France in the summer of 1940, they and the islanders agreed that it would be a 'Model Occupation'. But as the war dragged on and Britain appeared to abandon the islands to their fate, so features of Nazi occupation already widespread throughout Europe emerged. There were love affairs between island women and German soldiers, betrayals and black marketeering, individual acts of resistance, feats of courage and endurance. Every islander was faced with uncomfortable choices- where did patriotism end and self-preservation begin? What moral obligation did they have to the thousands of emaciated and ill-treated slave labourers the Nazi's brought among them to build an impregnable ring of defences around the islands?"
Based on a remarkable true story of love and survival. In June 1940, the Channel Islands are occupied by Hitler's forces. Hedy Bercu, a young woman who fled from Vienna to Jersey to escape the Occupation, finds herself once more entrapped by the Nazis, this time with no escape. Concealing her Jewish status, she finds translation work with the German authorities and embarks on secret acts of resistance. Most extraordinary of all, Hedy falls in love with a German lieutenant – a relationship on which her survival comes to depend. 'Combines historical fact with the fictional narrative, and offers a cast rich with multidimensional characters. Readers will be riveted' – Publishers Weekly
Paris at War chronicles the lives of ordinary Parisians during World War II, from September 1939 when France went to war with Nazi Germany to liberation in August 1944. Readers will relive the fearful exodus from the city as the German army neared the capital, the relief and disgust felt when the armistice was signed, and the hardships and deprivations under Occupation. David Drake contrasts the plight of working-class Parisians with the comparative comfort of the rich, exposes the activities of collaborationists, and traces the growth of the Resistance from producing leaflets to gunning down German soldiers. He details the intrigues and brutality of the occupying forces, and life in the notorious transit camp at nearby Drancy, along with three other less well known Jewish work camps within the city. The book gains its vitality from the diaries and reminiscences of people who endured these tumultuous years. Drake’s cast of characters comes from all walks of life and represents a diversity of political views and social attitudes. We hear from a retired schoolteacher, a celebrated economist, a Catholic teenager who wears a yellow star in solidarity with Parisian Jews, as well as Resistance fighters, collaborators, and many other witnesses. Drake enriches his account with details from police records, newspapers, radio broadcasts, and newsreels. From his chronology emerge the broad rhythms and shifting moods of the city. Above all, he explores the contingent lives of the people of Paris, who, unlike us, could not know how the story would end.
The incredible true story of what really happened in the Channel Islands during the Second World War. The Channel lslands were occupied on 30 June 1940 when four German planes landed at Guernsey Airport. They were the only part of Britain to be occupied during the Second World War. The islands had been officially demilitarised on 19 June, but the War Office in London overlooked the necessity to inform the Germans. This led to a German air attack on 28 June, which resulted in thirty-eight civilian deaths. Hitler was extremely proud of the conquest of the Channel lslands, and saw it as a stepping-stone to the full invasion of the rest of Britain. The occupying forces were instructed to behave correctly. This would show the rest of Britain that there was nothing to be feared from life under the Third Reich. This book looks at the German Occupation, the unsavoury events that occurred on the Islands, and why at the end of the war a cover-up of these events was instigated by the British Government.
In a riveting, groundbreaking narrative, Russell Shorto tells the story of New Netherland, the Dutch colony which pre-dated the Pilgrims and established ideals of tolerance and individual rights that shaped American history. "Astonishing . . . A book that will permanently alter the way we regard our collective past." --The New York Times When the British wrested New Amsterdam from the Dutch in 1664, the truth about its thriving, polyglot society began to disappear into myths about an island purchased for 24 dollars and a cartoonish peg-legged governor. But the story of the Dutch colony of New Netherland was merely lost, not destroyed: 12,000 pages of its records–recently declared a national treasure–are now being translated. Russell Shorto draws on this remarkable archive in The Island at the Center of the World, which has been hailed by The New York Times as “a book that will permanently alter the way we regard our collective past.” The Dutch colony pre-dated the “original” thirteen colonies, yet it seems strikingly familiar. Its capital was cosmopolitan and multi-ethnic, and its citizens valued free trade, individual rights, and religious freedom. Their champion was a progressive, young lawyer named Adriaen van der Donck, who emerges in these pages as a forgotten American patriot and whose political vision brought him into conflict with Peter Stuyvesant, the autocratic director of the Dutch colony. The struggle between these two strong-willed men laid the foundation for New York City and helped shape American culture. The Island at the Center of the World uncovers a lost world and offers a surprising new perspective on our own.
The world is at war and her country needs her
China’s mid-twentieth-century wars pose extraordinary interpretive challenges. The issue is not just that the Chinese fought for such a long time—from the Marco Polo Bridge Incident of July 1937 until the close of the Korean War in 1953—across such vast territory. As Hans van de Ven explains, the greatest puzzles lie in understanding China’s simultaneous external and internal wars. Much is at stake, politically, in how this story is told. Today in its official history and public commemorations, the People’s Republic asserts Chinese unity against Japan during World War II. But this overwrites the era’s stark divisions between Communists and Nationalists, increasingly erasing the civil war from memory. Van de Ven argues that the war with Japan, the civil war, and its aftermath were in fact of a piece—a singular process of conflict and political change. Reintegrating the Communist uprising with the Sino-Japanese War, he shows how the Communists took advantage of wartime to increase their appeal, how fissures between the Nationalists and Communists affected anti-Japanese resistance, and how the fractious coalition fostered conditions for revolution. In the process, the Chinese invented an influential paradigm of war, wherein the Clausewitzian model of total war between well-defined interstate enemies gave way to murky campaigns of national liberation involving diverse domestic and outside belligerents. This history disappears when the realities of China’s mid-century conflicts are stripped from public view. China at War recovers them.