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An illustrated biography of the famous Georgia-born, New York artist
Explores forty-four southern artists and eighty of their works.
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.
Editors Wilson (history, Mississippi) and Ferris (anthropology, Detroit and Bakersfield. Literate, scholarly and pithy entries accompanied by well chosen photographs artfully placed. Far too good a book to be printed on acidic paper; our test contradicts the statement on the verso of the title page. The price is $49.95 until January 1990. Mississippi) have devoted 10 years to the realization of a unique concept. Involving many scholars and writers in many fields, this book ranges from grand historical themes to the whimsical; from the arts and high culture to folk and popular culture, organized around 245 thematic sections such as, history, religion, language, art and architecture, etc. Focuses on the eleven states of the former confederacy, but also encompases southern outposts in midwestern and middle-Atlantic border states, even the southern pockets of Chicago, Annotation copyrighted by Book News, Inc., Portland, OR
This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.
A Southern Collection presents select masterworks from the permanent collection of the Morris Museum of Art on the occasion of the institution's inaugural exhibition. Drawn from a comprehensive survey collection of painting in the South from the late eighteenth century to the present day, the museum's opening exhibit explores an artistic terrain as rich and diverse as the South itself, arranged in categories that reflect critical chronological developments in the art world. A survey of painting activity in the South begins with the travels of itinerant portrait artists working prior to the Civil War. At the same time, landscape painting encompasses a sensitive response to the swamps, bayous and fertile fields of the South. Late in the nineteenth century strong and vivid genre painting competes with the nostalgic effects realized by Southern impressionists, whose shimmering, liquid images are invested with an elusive spirit of place. In this century, those strains of realism and naturalism that characterize the classic body of Southern writing appear in the representational art of painters who defied the modern abstract dictum. And finally, the exciting, compelling works of a current generation of both self-taught artists and sophisticated contemporary painters complete this fascinating, though sometimes neglected, chapter in American art history.