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Much of Stuart Kauffman's work in the philosophy of evolutionary biology has centered on the question of what he calls "prestatability" in evolution: that is, whether or not science can precisely predict the future development of biological features in organisms, using a singular "FinalTheory" of evolution. In this book, Kauffman argues that the development of life on earth is not prestatable, because no theory could ever fully account for the limitless variability of evolution. He believes that the biological universe's primary trait is that it is creative, and that acknowledgingthis creativity will lead to a radically different way in which humans view themselves and all other living beings. It is an argument against Reductive Materialism.Kauffman also asserts that man's Modern preoccupation to explain all things with scientific law has deadened our creative natures. In his words, he aims for the book to be "one that revises our scientific world view of the universe as entirely entailed by law." Instead, he advocates an approach toscience that accounts for "unprestatable" creativity, thus allowing humans to fully realize their creative selves. The book will build off the ideas developed in his last two works, Reinventing the Sacred and Investigations. Incorporating philosophers like Kant and Descartes, as well as the scienceof Newton and Darwin, Humanity in a Creative Universe is Stuart Kauffman's argument for a creative and unpredictable view of modern science.
In the hard sciences, which can often feel out of grasp for many lay readers, there are "great thinkers" who go far beyond the equations, formulas, and research. Minds such as Stephen Hawking philosophize about the functions and nature of the universe, the implications of our existence, and other impossibly fascinating, yet difficult questions. Stuart A. Kauffman is one of those great thinkers. He has dedicated his lifetime to researching "complex systems" at prestigious institutions and now writes his treatise on the most complex system of all: our universe. A recent Scientific American article claims that "philosophy begins where physics ends, and physics begins where philosophy ends," and perhaps no better quote sums up what Kauffman's latest book offers. Grounded in his rigorous training and research background, Kauffman is inter-disciplinary in every sense of the word, sorting through the major questions and theories in biology, physics, and philosophy. Best known for his philosophy of evolutionary biology, Kauffman coined the term "prestatability" to call into question whether science can ever accurately and precisely predict the future development of biological features in organisms. As evidenced by the title's mention of creativity, the book refreshingly argues that our preoccupation to explain all things with scientific law has deadened our creative natures. In this fascinating read, Kauffman concludes that the development of life on earth is not entirely predictable, because no theory could ever fully account for the limitless variations of evolution. Sure to cause a stir, this book will be discussed for years to come and may even set the tone for the next "great thinker."
This book brings together an impressive group of leading scholars in the sciences of complexity, and a few workers on the interface of science and religion, to explore the wider implications of complexity studies. It includes an introduction to complexity studies and explores the concept of information in physics and biology and various philosophical and religious perspectives. Chapter authors include Paul Davies, Greg Chaitin, Charles Bennett, Werner Loewenstein, Paul Dembski, Ian Stewart, Stuart Kauffman, Harold Morowitz, Arthur Peacocke, and Niels H. Gregersen.
Nearly forty of the world's most esteemed scientists discuss the big questions that drive their illustrious careers. Co-editor Eduardo Punset—one of Spain's most loved personages for his popularization of the sciences—interviews an impressive collection of characters drawing out the seldom seen personalities of the world's most important men and woman of science. In Mind, Life and Universe they describe in their own words the most important and fascinating aspects of their research. Frank and often irreverent, these interviews will keep even the most casual reader of science books rapt for hours. Can brain science explain feelings of happiness and despair? Is it true that chimpanzees are just like us when it comes to sexual innuendo? Is there any hard evidence that life exists anywhere other than on the Earth? Through Punset's skillful questioning, readers will meet one scientist who is passionate about the genetic control of everything and another who spends her every waking hour making sure African ecosystems stay intact. The men and women assembled here by Lynn Margulis and Eduardo Punset will provide a source of endless interest. In captivating conversations with such science luminaries as Jane Goodall, James E. Lovelock, Oliver Sachs, and E. O. Wilson, Punset reveals a hidden world of intellectual interests, verve, and humor. Science enthusiasts and general readers alike will devour Mind, Life and Universe, breathless and enchanted by its truths.
Reliable Knowledge offers a valuably clear account and a radically challenging investigation of the credibility of scientific knowledge.
He shows that this theory can illuminate a wide variety of hitherto unresolved philosophical problems: these include the direction and flow of time, the nature of scientific laws, the interpretation of quantum mechanics, the definition of probability, counterfactual semantics, and the notions of identity, essential properties, deliberation, decision, and free will.
In the 18th century, Chladni developed the technique of drawing a violin bow across a metal plate of sand and observing the patterns that formed. In this title, Lauterwasser extends the idea to more complex and moving sounds in water, ranging from pure sine waves to music by Beethoven, Stockhausen and overtone chanting.