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The reign of Emperor Jiaqing (1796–1820 CE) has long occupied an awkward position in studies of China’s last dynasty, the Qing (1644–1911 CE). Conveniently marking a watershed between the prosperous eighteenth century and the tragic post–Opium War era, this quarter century has nevertheless been glossed over as an unremarkable interlude separating two well-studied epochs of great transformation. White Lotus Rebels and South China Pirates presents a major reassessment of this misunderstood period by examining how the emperors, bureaucrats, and foreigners responded to the two crises that shaped the transition from the Qianlong to the Jiaqing reign. Wensheng Wang argues that the dramatic combination of internal uprising and transnational piracy, rather than being a hallmark of inexorable dynastic decline, propelled the Manchu court to reorganize itself through a series of modifications in policymaking and bureaucratic structure. The resulting Jiaqing reforms initiated a process of state retreat that pulled the Qing Empire out of a cycle of aggressive overextension and resistance, and back onto a more sustainable track of development. Although this pragmatic striving for political sustainability was unable to save the dynasty from ultimate collapse, it represented a durable and constructive approach to the compounding problems facing the late Qing regime and helped sustain it for another century. As one of the most comprehensive accounts of the Jiaqing reign, White Lotus Rebels and South China Pirates provides a fresh understanding of this significant turning point in China’s long imperial history.
Annotation In rough chronological order from antiquity to the 19th century, Seiwert (comparative religion, Leipzig U.) identifies and describes religious communities and movements outside the official religion. For the period before the Ming dynasty, he looks at prophecies and messianism in Han Confucianism, popular sects and the early Daoist tradition, heterodox movements in medieval Buddhism, and popular sectarianism during the Song and Yuan dynasties. He devotes the second half of the book to the Ming and Qing dynasties. Ma Xisha (world religions, Chinese Academy for the Social Sciences) collaborated on the work. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
This book provides a new hypothesis for understanding the real nature of the term White Lotus Teachings. The author argues that there are actually two different phenomena covered by similar terms: from c. 1130 until 1400, a real lay Buddhist movement existed, which can be called the White Lotus movement. It enjoyed the respect of contemporary literati and religious elites. The movement used the autonym White Lotus Society, which came to be prohibited in the early Ming and was discarded as a result. After 1525, the name reappeared in the form White Lotus Teachings, but now only as a derogatory label, used by officials and literati rather than by believers themselves. As a result of this hypothesis, the history of the "White Lotus Teachings" changes from one of religious groups and magicians into one of elite ideology and religious persecution. The book is therefore important both for historians and anthropologists of Chinese religion and society, and for comparative historians interested in the ideological and social construction of "heterodoxy".
"Precious volumes," or pao-chüan, were produced by popular sects in the Ming and early Qing dynasties. These scriptures were believed to have been divinely revealed to sect leaders and contain teachings and ritual instructions that provide valuable information about a lively and widespread religious tradition outside mainstream Confucianism, Taoism, and Buddhism. Largely neglected until now, they testify to the imagination and devotion of popular religious leaders. This book, the most detailed and comprehensive study of pao-chüan in any language, studies 34 early examples of this literature in order to understand the origins and development of this textual tradition. Although the work focuses on content and structure, it also treats the social context of these works as well as their transmission and ritual use.