Download Free An Introductory Study Of The Arts Crafts And Customs Of The Guiana Indians Book in PDF and EPUB Free Download. You can read online An Introductory Study Of The Arts Crafts And Customs Of The Guiana Indians and write the review.

A true "first," this encyclopedia is the only comprehensive guide ever published on the archaeology and traditional culture of the Caribbean. In The Peoples of the Caribbean, archaeologist Nicholas J. Saunders assembles for the first time a comprehensive sourcebook on the archaeology, folklore, and mythology of the entire region, charting a story 7,000 years in the making. Drawing on decades of study in the Caribbean and South America, Saunders explores landmark archaeological sites, such as Caguana in Puerto Rico, with its ceremonial architecture and ballcourts, and plantation sites, such as Jamaica's Drax Hall. The author dives into the underwater archaeology of Spanish treasure galleons and untangles stories of cannibalism, zombies, and hallucinogenic snuffing rituals. He examines the impact of key Europeans, such as Christopher Columbus, and introduces readers to the native people, such as the Arawak, who welcomed them. Bringing the story up-to-date, Saunders chronicles the struggle of the indigenous people, from the Caribs of Dominica to the Taíno of the Dominican Republic, trying to reclaim and revitalize their historical cultural identity.
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers’ appreciation of the aesthetics of art and of the important role it plays in human society.
This is the second of a pair of volumes publishing the unedited full reports of Schomburgk's travels in Guiana between 1835 and 1844, previously available only in greatly abridged and heavily edited versions. After his explorations in Guiana between 1835 and 1839 on behalf of the Royal Geographical Society, which are the subject of Volume I of The Guiana Travels of Robert Schomburgk 1835-1844, Robert Schomburgk travelled to London. He was appointed Her Majesty's Commissioner for Boundaries with the duty to survey the boundaries of British Guiana, hitherto undefined. His surveys between 1841 and 1843 consisted of three journeys. The first took him to the mouth of the Orinoco River, from where he traced the boundary south-westward to the Cuyuni River, before returning to Georgetown. The second journey involved the survey of the boundary with Brazil: first, south to the sources of the Takutu River; and then north to Mount Roraima. In the third he covered the boundary with Dutch Guiana (modern Surinam), which involved an arduous trip down the length of the Corentyne River. Schomburgk returned to London in 1844 and was knighted for his services. Volume II of The Guiana Travels contains his reports of these journeys. In abbreviated form they appeared in the Journal of the Royal Geographical Society. Here they are published in full, including the material censored by the Colonial Office, which mainly details abuses of the native population committed by Venezuelans and Brazilians. In an 'Epilogue' an account is provided of his later career. The volume also includes two appendices: a summary of the boundary disputes which arose as a result of Schomburgk's survey and a vocabulary of vernacular plant names.
To Weave and Sing is the first in-depth analysis of the rich spiritual and artistic traditions of the Carib-speaking Yekuana Indians of Venezuela, who live in the dense rain forest of the upper Orinoco. Within their homeland of Ihuruna, the Yekuana have succeeded in maintaining the integrity and unity of their culture, resisting the devastating effects of acculturation that have befallen so many neighboring groups. Yet their success must be attributed to more than natural barriers of rapids and waterfalls, to more than lack of "contact" with our "modern" world. The ethnographic history recounted here includes not only the Spanish discovery of the Yekuana but detailed indigenous accounts of the entire history of Yekuana contact with Western culture, revealing an adaptive technique of mythopoesis by which the symbols of a new and hostile European ideology have been consistently defused through their incorporation into traditional indigenous structures. The author's initial point of departure is the Watunna, the Yekuana creation epic, but he finds his principal entrance into this mythic world through basketry, focusing on the eleborate kinetic designs of the round waja baskets and the stories told about them. Guss argues that the problem of understanding Yekuana basketry is the problem of understanding all traditional art forms within a tribal context, and critiques the cultural assumptions inherent in our systems of classification. He demonstrates that the symbols woven into the baskets function not in isolation but collectively, as a powerful system cutting across the entire culture. To Weave and Sing addresses all Yekuana material culture and the greater reality it both incorporates and masks, discerning a unifying configuration of symbols in chapters on architectural forms, the geography of the body, and the use of herbs, face paints, and chants. A narrow view of slash-and-burn gardens as places of mere subsistence is challenged by Guss's portrait of these exclusively female spaces as systematic inversions of the male world, "the sacred turned on its head." Throughout, a wealth of narrative and ritual materials provides us with the closest approximation we have to a native exegesis of these phenomena. What we are offered here is a new Poetics of Culture, ethnography not as a static given but as a series of shifting fields, wherein culture (and our image of it) is constantly recreated in all of its parts, by all of its members.
This collection of essays chronicles the diversity and richness of one broad category of traditional material culture - fiber industries or textiles - among prehistoric and historic Native Americans in eastern North America. Such industries, which include basketry, fabrics, cordage, and netting, played an important role in the economic, social, and ceremonial life of indigenous cultures. However, because of the extreme age of the artifacts, their fragile nature, and unfavorable preservation conditions, knowledge of these industries has long been incomplete - resulting in a gap in scholarship that this volume does much to address.
DIVUses an ethnographic example of ritual violence to illuminate cultural expression more widely and thereby reformulate anthropological and historical approaches to warfare and violence./div