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Originally published in 1938, this book provides a highly informative guide to the medieval church architecture of France. Aimed at the general reader, the object of the book is to stimulate interest, rather than offering advanced instruction. Keeping this object in view, plans, sections and diagrams are kept to a minimum, in favour of numerous photographs exemplifying key aspects of architectural style. This is a highly accessible and well-presented text that will be of value to anyone with an interest in ecclesiastical buildings and the medieval period.
Gothic architecture is the most visible and striking product of medieval European civilization. Jean Bony, whose reputation as a medievalist is worldwide, presents its development as an adventure of the imagination allied with radical technical advances—the result of a continuining quest for new ways of handling space and light as well as experimenting with the mechanics of stone construction. He shows how the new architecture came unexpectedly to be invented in the Paris region around 1140 and follows its history—in the great cathedrals of northern France and dozens of other key buildings—to the end of the thirteenth century, when profound changes occurred in the whole fabric of medieval civilization. Rich illustrations, including comprehensive maps, enhance the text and themselves constitute an exceptionally valuable documenation. Despite its evident scholarly intention, this book is not meant for specialists alone, but is conceived as a progressive infiltration into the complexities of history at work, revealing its unpredictable vitality to the uninitiated curious mind.
This is an English-language study on the architecture and art of medieval France of the Romanesque and Gothic periods between 1000-1500. In addition to essays on individual monuments there are general discussions of given periods and specific problems such as: why did Gothic come into being? Whitney Stoddard explores the interrelationship between all forms of medieval ecclesiastical art and characterization of the Gothic cathedral, which he believes to have an almost metaphysical basis.
Examines Gothic architecture and the visual and cultural significance of the adoption of externalized buttressing systems in twelfth-century France. Demonstrates how buttressing frames operated as sites of display, points of transition, and mechanisms of demarcation.
Great Gothic Cathedrals of France guides readers on a tour of twelve French cathedrals that best exemplify one of the greatest glories of Western civilization. From the beautiful facade of Notre-Dame in Paris to the transcendent beauty of the stained glass at Chartres, this book clarifies the significant elements of their architecture by means of its text and images. The cathedrals of Amiens, Paris, Saint Denis, Chartres, Reims, Laon, Noyon, Soissons, Sens, Beauvais, Bourges and Troyes as well as Sainte-Chapelle are all presented to give the reader and visitor to France a clear understanding of these extraordinary buildings. This publication also provides the reader with a chapter on how to "read" a stained glass window.
Nussbaum aims to provide a complete overview of German Gothic church architecture between the early 13th and early 16th centuries, looking at Germany, Bohemia, Austria, northern Switzerland, Alsace and Silesia.
Chronicles the history of Romanesque and Gothic architecture and sculpture throughout France, focusing in particular on ecclesiastical structures, paintings, manuscripts, and stained glass, while putting each landmark in its historical setting.
Spanning from the West African coast to the Canadian prairies and south to Louisiana, the Caribbean, and Guiana, France's Atlantic empire was one of the largest political entities in the Western Hemisphere. Yet despite France's status as a nation at the forefront of architecture and the structures and designs from this period that still remain, its colonial building program has never been considered on a hemispheric scale. Drawing from hundreds of plans, drawings, photographic field surveys, and extensive archival sources, Architecture and Urbanism in the French Atlantic Empire focuses on the French state's and the Catholic Church's ideals and motivations for their urban and architectural projects in the Americas. In vibrant detail, Gauvin Alexander Bailey recreates a world that has been largely destroyed by wars, natural disasters, and fires – from Cap-François (now Cap-Haïtien), which once boasted palaces in the styles of Louis XV and formal gardens patterned after Versailles, to failed utopian cities like Kourou in Guiana. Vividly illustrated with examples of grand buildings, churches, and gardens, as well as simple houses and cottages, this volume also brings to life the architects who built these structures, not only French military engineers and white civilian builders, but also the free people of colour and slaves who contributed so much to the tropical colonies. Taking readers on a historical tour through the striking landmarks of the French colonial landscape, Architecture and Urbanism in the French Atlantic Empire presents a sweeping panorama of an entire hemisphere of architecture and its legacy.
Small enough to fit in a pocket yet serious enough to provide real answers, this primer is a must-have for architecture and history buffs, tourists, and churchgoers interested in decoding the styles and symbols of religious buildings. Every building contains clues embedded in its design that identify not only its architectural style but also who designed it, what kind of congregation it was built for, and why. This practical yet charming handbook is the key to decoding the style, history, evolution, and social significance of religious buildings. Not strictly limited to churches, it also covers abbeys, chapels, and monasteries, among other structures. Organized according to architectural element (windows, domes, arches, etc.), each element is presented in chronological order. Additional chapters explore the architectural influence of geography, history, and various creeds, along with an illustrated timeline showing how, where, and in many cases why certain church features evolved through the centuries. There is also a useful introduction to naming each component of a church, from vaults to buttresses and transepts to apses. All entries are illustrated with period engravings and line drawings. This book will be invaluable for architecture buffs and anyone who has ever wondered why classic New England churches are white with little ornament, why Quaker meetinghouses have no altars, or why Episcopalians traditionally favored the Gothic style.
Too often overshadowed by the Renaissance, the High Middle Ages were a time of vibrant innovation and incredible achievement in European art and architecture. Gloria Fossi provides comprehensive surveys of the period's two major art movements or styles, highlighting the diversity of expression that both movements accommodated.