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An Anthology of East Africa Poetryis a collection of recent poems from Kenya, Uganda, Rwanda, Tanzania, Malawi and Zimbabwe. It has been prepared for secondary school pupils and first year undergraduates.
The Columbia Guide to East African Literature in English Since 1945 challenges the conventional belief that the English-language literary traditions of East Africa are restricted to the former British colonies of Kenya, Uganda, and Tanzania. Instead, these traditions stretch far into such neighboring countries as Somalia and Ethiopia. Simon Gikandi and Evan Mwangi assemble a truly inclusive list of major writers and trends. They begin with a chronology of key historical events and an overview of the emergence and transformation of literary culture in the region. Then they provide an alphabetical list of major writers and brief descriptions of their concerns and achievements. Some of the writers discussed include the Kenyan novelists Grace Ogot and Ngugi wa Thiong'o, Ugandan poet and essayist Taban Lo Liyong, Ethiopian playwright and poet Tsegaye Gabre-Medhin, Tanzanian novelist and diplomat Peter Palangyo, Ethiopian novelist Berhane Mariam Sahle-Sellassie, and the novelist M. G. Vassanji, who portrays the Indian diaspora in Africa, Europe, and North America. Separate entries within this list describe thematic concerns, such as colonialism, decolonization, the black aesthetic, and the language question; the growth of genres like autobiography and popular literature; important movements like cultural nationalism and feminism; and the impact of major forces such as AIDS/HIV, Christian missions, and urbanization. Comprehensive and richly detailed, this guide offers a fresh perspective on the role of East Africa in the development of African and world literature in English and a new understanding of the historical, cultural, and geopolitical boundaries of the region.
Singing the Law is about the legal lives and afterlives of oral cultures in East Africa, particularly as they appear within the pages of written literatures during the colonial and postcolonial periods. In examining these cultures, this book begins with an analysis of the cultural narratives of time and modernity that formed the foundations of British colonial law. Recognizing the contradictory nature of these narratives (i.e., both promoting and retreating from the Euro-centric ideal of temporal progress) enables us to make sense of the many representations of and experiments with non-linear, open-ended, and otherwise experimental temporalities that we find in works of East African literature that take colonial law as a subject or point of critique. Many of these works, furthermore, consciously appropriate orature as an expressive form with legal authority. This affords them the capacity to challenge the narrative foundations of colonial law and its postcolonial residues and offer alternative models of temporality and modernity that give rise, in turn, to alternative forms of legality. East Africa’s “oral jurisprudence” ultimately has implications not only for our understanding of law and literature in colonial and postcolonial contexts, but more broadly for our understanding of how the global south has shaped modern law as we know and experience it today.
"[The author] revisits the diverse eastern region of Africa, including the modern nations of Kenya, Tanzania, and Uganda."--
Third installment of major literary and scholarly project exposes East African women's history and culture.
This book volume engages the emergent ways and exercises of world-making in eastern African literatures and cultures. It also includes how the world comes to eastern Africa as well as how eastern Africa speaks to the world. Writers within the region have come up with novel commentaries on diverse social issues. Artists and other users have invented new forms of expression through digitalization. The structure and content of this literature and cultural conversations, in line with modernity, has exhibited a fluidity that calls for the critical appraisal carried out in this book. Therefore, this book volume centralises the emergence of new patterns of engagement in the literatures and cultures of the region. Taking cue from the cultural transformations, technological advancements and political influences, the volume raises questions on politics, conflict and war, and the evolving genres and canon. The book crosses language barriers beyond English and includes critical attention to texts written in the Swahili and French languages. The chapters aim to give a broad overview of the writings and cultural expressions in the eastern African region, including novels, films, short stories, theatre, poetry, oral, and digital performances. TABLE OF CONTENTS Introduction: An Overview of Trends in Eastern African Literatures and Cultures Oduor Obura Part One: The Evolving Literary Canon Literary Disruptions of the Ugandan Canon in Selected Ugandan Short Stories Edgar Nabutanyi A Discipline under Siege: Interrogating the Place of Literature in English in the Secondary School Curriculum in Tanzania Obala Musumba Cartographies of Killing: Transnational Drones in Eye in the Sky Jana Fedtke Performing in the Cyber Space: The Online Mchongoano Battles Kimingichi Wabende Mobile Phones in the Public Space: Communication as Contextual Cultural Practice in Kenya James Ogone Part Two: Conflict, Politics, and War Narrating Violence in Burundian Genocide and Civil War Literat
The Columbia Guide to East African Literature in English Since 1945 challenges the conventional belief that the English-language literary traditions of East Africa are restricted to the former British colonies of Kenya, Uganda, and Tanzania. Instead, these traditions stretch far into such neighboring countries as Somalia and Ethiopia. Simon Gikandi and Evan Mwangi assemble a truly inclusive list of major writers and trends. They begin with a chronology of key historical events and an overview of the emergence and transformation of literary culture in the region. Then they provide an alphabetical list of major writers and brief descriptions of their concerns and achievements. Some of the writers discussed include the Kenyan novelists Grace Ogot and Ngugi wa Thiong'o, Ugandan poet and essayist Taban Lo Liyong, Ethiopian playwright and poet Tsegaye Gabre-Medhin, Tanzanian novelist and diplomat Peter Palangyo, Ethiopian novelist Berhane Mariam Sahle-Sellassie, and the novelist M. G. Vassanji, who portrays the Indian diaspora in Africa, Europe, and North America. Separate entries within this list describe thematic concerns, such as colonialism, decolonization, the black aesthetic, and the language question; the growth of genres like autobiography and popular literature; important movements like cultural nationalism and feminism; and the impact of major forces such as AIDS/HIV, Christian missions, and urbanization. Comprehensive and richly detailed, this guide offers a fresh perspective on the role of East Africa in the development of African and world literature in English and a new understanding of the historical, cultural, and geopolitical boundaries of the region.