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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The book of Habakkuk (one of the twelve Minor Prophets) is an intensely personal testimony played out against a highly political backdrop. Writing as his land and his fellow Israelites were being invaded and plundered by the Chaldeans, Habakkuk questions God's actions with a passion equal to Job's. Habakkuk wonders, how can a God who is just and compassionate allow his people to be slaughtered? In trying to punish the Israelites and right the wrongs of his people, why did God choose the savage, infinitely more wicked Chaldeans as his instrument? The puzzles Habakkuk contemplates will stir the hearts and minds of anyone who has ever wrestled with the evils of existence. Francis I. Andersen, a well-known authority on the Minor Prophets and acclaimed for his pioneering work in the study of biblical Hebrew, examines Habakkuk both as a work of sophisticated theological inquiry and as an artistic creation. The result is a book that illuminates the nuances of the text and brings to life the culture and values of the ancient Israelites through a compelling portrait of one the Bible's most fascinating and most elusive prophets.
Donald E. Gowan offers new insights into what may be the Old Testament's earliest treatment of the problem of suffering: the book of Habakkuk. That small, obscure part of the Old Testament tucked away somewhere in the middle of the minor prophets,--as Gowan put it--Habakkuk has been a middle child of too many Bible students' non-attention. Yet Gowan makes no claim that this book should be more central than it has been. Instead, he shows his own personal, pastoral, and scholarly involvement with this powerful tract. After an introductory chapter, the author examines each of Habakkuk's three sections. Gowan offers his own translation of the text, applying a critical approach, and providing a decisive commentary. Gowan compares the first section's dialogue between the prophet and God (Habakkuk 1:1--2:4) with other Old Testament dialogues about God's justice. He also discusses God's response, But the just shall live by faith, as a meaningful answer to Habakkuk's questions. While the woe-oracles of the second section (Habakkuk 2:5-20) have not seemed very important in the past, Gowan shows how they form a mock funeral dirge sung in advance of a great tyrant's death. He then applies this insight to the problems of tyranny and liberty today. The psalm (Habakkuk 3) which concludes the book is discussed in terms of Israelite traditions, theophany, faith, and history. The central focus is placed on Habakkuk's striking personal statement concerning the ability of the man of faith to live through suffering joyfully. Recognizing the relationship of our suffering to that of Christ, Gowan concludes The Triumph of Faith in Habakkuk by drawing together relevant themes from Habakkuk's time and Jesus's experience.