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A biography of a Polish immigrant who rose to the top of Wall Street in the Roaring Twenties and abandoned it after the Crash.
The former American History editor explores the creation and restoration of an essential part of a twentieth-century home’s identity—the American porch. “In this delightful look at an American icon, journalist and documentary scriptwriter . . . Dolan traces the history of the porch, using this history to explore subjects such as architecture, history, slavery, colonialism, trade, anthropology, sociology, consumer behavior, and publishing.” —Library Journal In 1981, Michael Dolan and his wife, Eileen O’Toole, bought a 1926 suburban bungalow in the Palisades area of Washington, DC. It was a fixer-upper and DIY project that consumed their lives for twelve years. As rooms were transformed with updated electrical wiring and plumbing, the house’s porch became a storage area, rotating appliances, furniture, and construction materials as they were used and discarded. After the interior renovation was completed, Michael finally turned his attention to the porch, working with contractors to resurrect it—a reconstruction that inspired him to uncover the history of porches and their significance as a symbolic piece of Americana. “In praise of the porch: Come up and sit a spell.” —USA Today “A wry, well-researched look at the place and the people who rocked, talked and courted on [the American porch] for three centuries.” —Parade “The porch is making a comeback, gradually replacing its humbler rival the deck, which the traditionalist Dolan refers to as the platform shoe or leisure suit of American architecture.” —Time “Dolan amply demonstrates that the porch is primarily a means of escaping the heat and, almost as important, a locus for casual social interaction.” —Publishers Weekly
A biographical, bibliographical, generic, critical, and chronological survey of nineteenth-century Alabama authors. Presents a vivid picture of life in the South in 19th-century America.
A brilliant biography of one of the intellectual mavericks of 20th Century Catholicism. Richard John Neuhaus (1936-2009) was one of the most influential figures in American public life from the Civil Rights era to the War on Terror. His writing, activism, and connections to people of power in religion, politics, and culture secured a place for himself and his ideas at the center of recent American history. William F. Buckley, Jr. and John Kenneth Galbraith are comparable -- willing controversialists and prodigious writers adept at cultivating or castigating the powerful, while advancing lively arguments for the virtues and vices of the ongoing American experiment. But unlike Buckley and Galbraith, who have always been identified with singular political positions on the right and left, respectively, Neuhaus' life and ideas placed him at the vanguard of events and debates across the political and cultural spectrum. For instance, alongside Abraham Heschel and Daniel Berrigan, Neuhaus co-founded Clergy Concerned About Vietnam, in 1965. Forty years later, Neuhaus was the subject of a New York Review of Books article by Garry Wills, which cast him as a Rasputin of the far right, exerting dangerous influence in both the Vatican and the Bush White House. This book looks to examine Neuhaus's multi-faceted life and reveal to the public what made him tick and why.
In a dual biography covering the last ten years of the lives of friends and contemporaries, writer Samuel Clemens (aka Mark Twain) and statesman John Hay (who served as secretary of state under presidents William McKinley and Theodore Roosevelt), The Statesman and the Storyteller not only provides an intimate look into the daily lives of these men but also creates an elucidating portrait of the United States on the verge of emerging as a world power. And just as the narrative details the wisdom, and the occasional missteps, of two great men during a tumultuous time, it also penetrates the seat of power in Washington as the nation strove to make itself known internationally--and in the process committed acts antithetical to America’s professed ideals and promises. The country’s most significant move in this time was to go to war with Spain and to eventually wrest control of Cuba, Puerto Rico, and the Philippines. In what has to be viewed as one of the most shameful periods in American political history, Filipinos who believed they had been promised independence were instead told they were incapable of self-government and then violently subdued in a war that featured torture and execution of native soldiers and civilians. The United States also used its growing military and political might to grab the entirety of the Hawaiian Islands and a large section of Panama. As secretary of state during this time, Hay, though a charitable man, was nonetheless complicit in these misdeeds. Clemens, a staunch critic of his country’s imperialistic actions, was forced by his own financial and family needs to temper his remarks. Nearing the end of their long and remarkable lives, both men found themselves struggling to maintain their personal integrity while remaining celebrated and esteemed public figures. Written with a keen eye--Mark Zwonitzer is also an award-winning documentary filmmaker--and informed by the author’s deep understanding of the patterns of history, The Statesman and the Storyteller has the compelling pace of a novel, the epic sweep of historical writing at its best, and, in capturing the essence of the lives of Hay and Twain, the humanity and nuance of masterful biography.
From Richard Zacks, bestselling author of Island of Vice and The Pirate Hunter, a rich and lively account of how Mark Twain’s late-life adventures abroad helped him recover from financial disaster and family tragedy—and revived his world-class sense of humor Mark Twain, the highest-paid writer in America in 1894, was also one of the nation’s worst investors. “There are two times in a man’s life when he should not speculate,” he wrote. “When he can’t afford it and when he can.” The publishing company Twain owned was failing; his investment in a typesetting device was bleeding red ink. After losing hundreds of thousands of dollars back when a beer cost a nickel, he found himself neck-deep in debt. His heiress wife, Livy, took the setback hard. “I have a perfect horror and heart-sickness over it,” she wrote. “I cannot get away from the feeling that business failure means disgrace.” But Twain vowed to Livy he would pay back every penny. And so, just when the fifty-nine-year-old, bushy-browed icon imagined that he would be settling into literary lionhood, telling jokes at gilded dinners, he forced himself to mount the “platform” again, embarking on a round-the-world stand-up comedy tour. No author had ever done that. He cherry-picked his best stories—such as stealing his first watermelon and buying a bucking bronco—and spun them into a ninety-minute performance. Twain trekked across the American West and onward by ship to the faraway lands of Australia, New Zealand, Tasmania, India, Ceylon, and South Africa. He rode an elephant twice and visited the Taj Mahal. He saw Zulus dancing and helped sort diamonds at the Kimberley mines. (He failed to slip away with a sparkly souvenir.) He played shuffleboard on cruise ships and battled captains for the right to smoke in peace. He complained that his wife and daughter made him shave and change his shirt every day. The great American writer fought off numerous illnesses and travel nuisances to circle the globe and earn a huge payday and a tidal wave of applause. Word of his success, however, traveled slowly enough that one American newspaper reported that he had died penniless in London. That’s when he famously quipped: “The report of my death was an exaggeration.” Throughout his quest, Twain was aided by cutthroat Standard Oil tycoon H.H. Rogers, with whom he had struck a deep friendship, and he was hindered by his own lawyer (and future secretary of state) Bainbridge Colby, whom he deemed “head idiot of this century.” In Chasing the Last Laugh, author Richard Zacks, drawing extensively on unpublished material in notebooks and letters from Berkeley’s ongoing Mark Twain Project, chronicles a poignant chapter in the author’s life—one that began in foolishness and bad choices but culminated in humor, hard-won wisdom, and ultimate triumph.
This “relentlessly suspenseful” story of America’s first known kidnapping in nineteenth century Philadelphia is “elegantly told, superbly accomplished” (The Philadelphia Enquirer). In 1874, a little boy named Charley Ross was snatched from his family’s front yard in Philadelphia. A ransom note arrived three days later, demanding twenty thousand dollars for the boy’s return. The city was about to host the America’s Centennial celebration, and the mass panic surrounding the Charley Ross case plunged the nation into hysteria. The desperate search led the police to inspect every building in Philadelphia, set up saloon surveillance in New York’s notorious slums, and begin a national manhunt. With white-knuckle suspense and historical detail, Hagen vividly captures the dark side of an earlier America. Her brilliant portrayal of its criminals, detectives, politicians, spiritualists, and ordinary families will stay with the reader long after the final page. “Hagen skillfully narrates a saga that transcends one kidnapping, a saga tied up with the World’s Fair that was about to open in Philadelphia.” —Kirkus Reviews “As Erik Larson mined the 1893 Chicago World’s Fair for Devil in the White City, Hagen chronicles a tragically more relevant 19th-century story.” —Michael Capuzzo, author of The Murder Room