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Many Indo-Malay martial arts are kept private, taught in secluded areas away from the public. These are arts of the older tradition, developed when combative knowledge was valued for its use in protecting the sanctity of life. This two-volume anthology brings together a great collection of writings by authors who dove into the deepest realms of Indo-Malay combatives. They offer readers a rare viewing of martial traditions that is usually hidden behind social shrouds of secrecy and a clannish quest to preserve their own martial arts. For the lead chapter in Volume 1, Dr. Philip Davies masterfully details the complex social milieu in the Indo-Malay martial tradition, focusing on the Chinese arts referred to by the ambiguous term of kuntao. His writing underlines the importance of martial arts to specific social groups, and what and how these groups practice these combative forms. As an initiate into the art of Bimi Kakti, James Wilson's chapter illustrates how beliefs and practices intertwine, especially with the animistic roots of Indonesia. The influence makes Javanese silat unique in practice as well as social standing. A main ingredient in Southeast Asian silat styles is kebatinan: "the science of the inner." Mark Wiley's chapter discusses how the blend of ancient animistic beliefs and mystical religions have given a psychological charge to silt's methods as a source of mystic power. Dr. Kirstin Pauka’s chapter reports on a rare celebration—the Pauleh Tinggi ceremony. This three-day long event occurs only when the social needs arise and may not occur again for decades. Silat performances by individuals, pairs, and groups are the primary features and go on throughout each day and night. Descriptions of the mental and physical sides of the silat performances offer readers a view of a martial tradition in which combative skills flow from an inner mystical guidance that flows through the movements. The psychic state is embodied both the art as well as social relationships. All who are serious about the history and practice of Indo-Malay fighting arts will enjoy this special anthology, volumes one and two. We are very fortunate to assemble the works of these highly qualified authors. We hope reading will provide information you seek. Although the availability of studying under a true silat mater is nearly impossible, the chapters here will certainly add direction and inspiration for practitioners.
Fighting arts have their own beauty, internal philosophy, and are connected to cultural worlds in meaningful and important ways. Combining approaches from ethnomusicology, ethnochoreology, performance theory and anthropology, the distinguishing feature of this book is that it highlights the centrality of the pluripotent art form of pencak silat among Southeast Asian arts and its importance to a network of traditional and modern performing arts in Southeast Asia and beyond. By doing so, important layers of local concepts on performing arts, ethics, society, spirituality, and personal life conduct are de-mystified. With a distinct change in the way we view Southeast Asia, this book provides a wealth of information about a complex of performing arts related to the so-called 'world of silat'. An ancillary media companion website (www.bits4culture.org/pencaksilatandmusic/) is part of this work. Login authorisation information is included in the book. Contributors include: Bussakorn Binson, Jean-Marc de Grave, Gisa Jähnichen, Margaret Kartomi, Zahara Kamal, Indija Mahjoeddin, Ako Mashino, Paul H. Mason, Uwe U. Paetzold, Kirstin Pauka, Henry Spiller and Sean Williams.
Many Indo-Malay martial arts are kept private, taught in secluded areas away from the public. These are arts of the older tradition, developed when combative knowledge was valued for its use in protecting the sanctity of life. This two-volume anthology brings together a great collection of writings by authors who dive into the deepest realms of Indo-Malay combatives. They offer readers a rare viewing of martial traditions that is usually hidden behind social shrouds of secrecy and a clannish quest to preserve individual tradition. A special presentation in this second volume are the writings of Dr. Kirstin Pauka forming three chapters on silat (silk) of West Sumatra. The lead chapter discusses silk history, styles, training methods, and its use in dance. In chapter 2, Dr. Pauka shows that the martial arts constitute the core of the movement repertoire of the Randai folk theatre. Her third piece reports on an extended silk artist-in-residence program in the Asian Theatre program at the University of Hawai'i. The next three chapters contains some academic coverage of kuntao-silat in the Indo-Malay traditions, garnished with technical sections illustrating the martial aspects of the arts. Mark Wiley details Silat Seni Gayong’s ethical foundation for self-defense and nine techniqes illustrating the art with the help of Master Shiekh Shamsuddin. My own chapter offers a glimpse of how cultural streams from India and China contributed over centuries to native Indonesian fighting arts to form hybrid systems. Examples were derived from personal observations of practitioners in the Willem Reeders lineage. The research shows the original intent and practices of any highly efficient combative art. Chris Parker’s insightful chapter discusses applications of specific movements, the rhythm that can be achieved when employing them, and the space they fill as being of crucial importance for defense. Pencak silat postures form the focus of this study. All who are serious about the history and practice of Indo-Malay fighting arts will enjoy this special anthology, volumes one and two. We are very fortunate to assemble the works of these highly qualified authors. We hope reading will provide information you seek. Although the availability of studying under a true silat mater is nearly impossible, the chapters here will certainly add direction and inspiration for practitioners.
The phrase “martial arts studies” is increasingly circulating as a term to describe a new field of interest. But many academic fields including history, philosophy, anthropology, and Area studies already engage with martial arts in their own particular way. Therefore, is there really such a thing as a unique field of martial arts studies? Martial Arts Studies is the first book to engage directly with these questions. It assesses the multiplicity and heterogeneity of possible approaches to martial arts studies, exploring orientations and limitations of existing approaches. It makes a case for constructing the field of martial arts studies in terms of key coordinates from post-structuralism, cultural studies, media studies, and post-colonialism. By using these anti-disciplinary approaches to disrupt the approaches of other disciplines, Martial Arts Studies proposes a field that both emerges out of and differs from its many disciplinary locations.
This book is the most comprehensive and authoritative reference ever published on the wide range of martial arts disciplines practiced in cultures around the world. ABC-CLIO's Martial Arts of the World: An Encyclopedia of History and Innovation is the most authoritative reference ever published on combat disciplines from around the world and across history. Coverage includes Shaolin monks, jousting knights, Roman gladiators, Westerner gunfighters, samurai warriors, and heavyweight boxers. These iconic figures and many more are featured in this title, as well as representatives of less well known but no less fascinating systems, all vividly characterized by expert contributors from around the world who are themselves martial arts practitioners. Martial Arts of the World comprises 120 entries in two volumes. The first volume is organized geographically to explore the historic development of martial arts styles in Asia, Africa, Europe, and the Americas. The second volume looks at martial arts thematically, with coverage of belief systems, modern martial arts competitions, and a wide range of such topics as folklore, women in martial arts, martial arts and the military, and martial arts and the media.
A needle may draw a thread through printed pages to bind a book. In this little memoir, I feel like a needle that drew a common thread though a segment of martial art history. This book details three interrelated activities: (1) martial art studies, (2) involvement as founder of Via Media Publishing, producing a quarterly journal and books, and (3) teaching martial arts. Publishers, writers, researchers and serious martial art practitioners will benefit with the detailed overview of Via Media and its publications. Via Media produced the Journal of Asian Martial Arts, known for its high academic and aesthetic standards. Its contents reflect the history of two decades and provides rich information for practitioners and scholars, making The Best Fighta valuable reference work. In addition to reading, the primary way to learn a martial art is through instruction. In reading about my studies and teaching experience, readers can relate to their own involvement in martial arts. What is important here is the portrayal of my instructors, their teaching methods, and reasons for being involved in martial arts. Their accounts should offer insights and inspiration for others who study and practice any martial art.
THIS IS THE 2nd EDITION OF THE ORIGINAL BOOK. It has been retitled from: An Indo-Malay Martial Art: Pencak Silat Pertempuran Volume 1 to Pencak Silat Pertempuran: Vol. 1. There is also a new cover. About The Book: This is a Perfect bound soft cover book over 350 pp. It is specifically created for those who study the martial art of pencak silat known as Pencak Silat Pertempuran and contains many photos and detailed explanations of the material. An excellent resource about the ferocious art of pencak silat. Pencak Silat is probably best known worldwide for its use of weapons, specifically, bladed weapons of all types, sizes, and variations. That said it is also a martial art that is rich in culture and artistic elements. The first book of a series to address this particular style of Pencak Silat and detail some of its physical manifestations, theories, and principles. It is also one of a few books written in English to address pencak silat at all.
The effort O'ong Maryono has made to compile a book on the development of pencak silat, is, in itself, commendable. This integrated presentation provides for a better and more comprehensive understanding of the various aspects of pencak silat. As well as discussing the historical aspects of pencak silat, O'ong Maryono also examines current issues in pencak silat. In other words, a retrospective and prospective view of pencak silat. I hope that this book will be widely read, and provide a 'lively' and substantial critical analysis that will improve the quality of discourse on pencak silat as a whole. Edy Sedyawati Director General of Culture Department of Education and Culture This book is quite unique. Unique in the literal sense: there is no other like it. It is quite a remarkable fact that although frequent reference is made to pencak silat in various contexts, and it even constitutes a specific type of literature and category of film that relate the heroic stories of its masters, never before has a writer attempted to gather comprehensive information about this 'art of self defence'. Therefore, this book by O'ong Maryono could be said to be uncontested. And herein lies its second uniqueness: this encyclopedic book was written not by a graduate in the peace and quiet of his study, but by an expert in silat in the frenzy of the contest arena. Henri Chambert-Loir Director Ecole Fran9ais D'Extreme-Orient
Filipino Combat Systems chronicles the creation, evolution and core concepts of one of the fastest growing martial arts in the world. It overcomes the shortcomings inherent in martial art instruction manuals by focusing not on technique, but on the strategy and philosophy of movement behind the technique. Written by a first generation student under the authority and supervision of the system’s Founder and Grand Master, this work is an excellent introduction to the system. FCS is one of the most practical combat oriented martial systems in existence, bridging the gap between the ancient fighting arts and the modern world.
This is the first in-depth study of the Malay martial art, silat, and the first ethnographic account of the Haqqani Islamic Sufi Order. Drawing on 12 years of research and practice, the author provides a major contribution to the study of Malay culture.