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This beach on the South Indian coast is full of activity. By day you can see fishermen bring in the catch, women selling fish, people and animals going about their business... but then, when the sun starts to set, the beach becomes a different place - now it's time for everyone to play, talk, sit around, eat and have fun... until the fisherfolk go to sleep, and all the others go home. French artist Joëlle Jolivet takes you through a day - and night - on an Indian beach. Have fun exploring, colouring, and adding to this never-ending book surrounded by the sea!
The Treasure Coast of Florida had been inhabited by indigenous peoples for many centuries when pioneer settlers began arriving from other parts of the United States in the late 1800s. When the town of Vero was incorporated in 1919, it was one of several growing communities in the area. By 1925, when it became known as the city of Vero Beach and was designated the seat of the newly formed Indian River County, this small but prosperous coastal city was poised to become a thriving tropical destination that has managed to maintain a small-town atmosphere. In addition to its captivating natural beauty, Vero Beach has been home to a world-renowned citrus industry, a World War II naval air station, the Dodgers major-league baseball organization, the Piper Aircraft Company, and a vibrant cultural life.
A young Native American woman remembers her volatile childhood as she searches for her lost brother in the Canadian wilds in an extraordinary, critically acclaimed debut novel As she races along Canada’s Douglas Channel in her speedboat—heading toward the place where her younger brother Jimmy, presumed drowned, was last seen—twenty-year-old Lisamarie Hill recalls her younger days. A volatile and precocious Native girl growing up in Kitamaat, the Haisla Indian reservation located five hundred miles north of Vancouver, Lisa came of age standing with her feet firmly planted in two different worlds: the spiritual realm of the Haisla and the sobering “real” world with its dangerous temptations of violence, drugs, and despair. From her beloved grandmother, Ma-ma-oo, she learned of tradition and magic; from her adored, Elvis-loving uncle Mick, a Native rights activist on a perilous course, she learned to see clearly, to speak her mind, and never to bow down. But the tragedies that have scarred her life and ultimately led her to these frigid waters cannot destroy her indomitable spirit, even though the ghosts that speak to her in the night warn her that the worst may be yet to come. Easily one of the most admired debut novels to appear in many a decade, Eden Robinson’s Monkey Beach was immediately greeted with universal acclaim—called “gripping” by the San Diego Union-Tribune, “wonderful” by the Milwaukee Journal Sentinel, and “glorious” by the Globe and Mail, earning nominations for numerous literary awards before receiving the Ethel Wilson Fiction Prize. Evocative, moving, haunting, and devastatingly funny, it is an extraordinary read from a brilliant literary voice that must be heard.
CORETTA SCOTT KING AWARD WINNER • CALDECOTT HONOR BOOK • A NEW YORK TIMES BEST ILLUSTRATED BOOK Acclaimed artist Faith Ringgold seamless weaves fiction, autobiography, and African American history into a magical story that resonates with the universal wish for freedom, and will be cherished for generations. Cassie Louise Lightfoot has a dream: to be free to go wherever she wants for the rest of her life. One night, up on “tar beach,” the rooftop of her family’s Harlem apartment building, her dreams come true. The stars lift her up, and she flies over the city, claiming the buildings and the city as her own. As Cassie learns, anyone can fly. “All you need is somewhere to go you can’t get to any other way. The next thing you know, you’re flying among the stars.”
In the 1920s, the young J. R. Ackerley spent several months in India as the personal secretary to the maharajah of a small Indian principality. In his journals, Ackerley recorded the Maharajah’s fantastically eccentric habits and riddling conversations, and the odd shambling day-to-day life of his court. Hindoo Holiday is an intimate and very funny account of an exceedingly strange place, and one of the masterpieces of twentieth-century travel literature.
An intimate and poignant memoir about the family of Alan Kurdi—the young Syrian boy who became the global emblem for the desperate plight of millions of Syrian refugees—and of the many extraordinary journeys the Kurdis have taken, spanning countries and continents. Alan Kurdi’s body washed up on the shore of the Mediterranean Sea on September 2, 2015, and overnight, the political became personal, as the world awoke to the reality of the Syrian refugee crisis. Tima Kurdi first saw the shocking photo of her nephew in her home in Vancouver, Canada. But Tima did not need a photo to understand the truth—she and her family had already been living it. In The Boy on the Beach, Tima recounts her idyllic childhood in Syria, where she grew up with her brother Abdullah and other siblings in a tight‑knit family. A strong‑willed, independent woman, Tima studied to be a hairdresser and had dreams of seeing the world. At twenty‑two, she emigrated to Canada, but much of her family remained in Damascus. Life as a single mother and immigrant in a new country wasn’t always easy, and Tima recounts with heart‑wrenching honesty the anguish of being torn between a new home and the world she’d left behind. As Tima struggled to adapt to life in a new land, war overtook her homeland. Caught in the crosshairs of civil war, her family risked everything and fled their homes. Tima worked tirelessly to help them find safety, but their journey was far from easy. Although thwarted by politics, hounded by violence, and separated by vast distances, the Kurdis encountered setbacks at every turn, they never gave up hope. And when tragedy struck, Tima suddenly found herself thrust onto the world stage as an advocate for refugees everywhere, a role for which she had never prepared but that allowed her to give voice to those who didn’t have an opportunity to speak for themselves. From the jasmine‑scented neighbourhoods of Damascus before the war to the streets of Aleppo during it, to the refugee camps of Europe and the leafy suburbs of Vancouver, The Boy on the Beach is one family’s story of love, loss, and the persistent search for safe harbour in a devastating time of war.
Abbey and Money Singh are better known as The Modern Singhs, Kiwi social media celebrities with a rich and tangled love story to tell. Shared through the eyes of this inspiring duo, The Modern Singhs reveals their experiences as migrants to New Zealand as they struggled to find footing in new surroundings. They describe how they met and pursued a relationship that was forbidden by Money's culture, where he felt he had to choose between his family and the love of his life. The couple opens up about the difficult birth of their son, their journeys with mental health, a complicated sense of home, and what it's like to raise bilingual children across three cultures. The rest is history - or at least uploaded to YouTube, where Abbey and Money's joyful outlook and celebration of tradition unites 1.3 million viewers from all over the world, encouraging others to embrace difference with open hearts.
The author is a direct descendent of the adventurous Baron Jean-Vincent d'Abbadie de Saint-Castin (immortalized by Longfellow) and Pidianiske, daughter of Penobscot Chief Madockawando. Feted as a veteran of the liberation of Europe, Charles Shay unexpectedly finds himself in the footsteps of his French ancestry, being received in Basque villages, in the region of Castine (184 illustrations). "Charles Norman Shay is a Penobscot Indian elder at Indian Island, Maine. Born in 1924, he enjoyed his childhood years living on this small island in the Penobscot River, opposite Old Town. He is the grandson of the author of The Life and Traditions of the Red Man (1893), Joseph Nicolar, and proud of his heritage. Reviewing his own long life, he decided to share his personal story as a result of a pilgrimage he made to Omaha Beach in 2007, more than sixty years after he waded ashore as a nineteen-year-old combat medic in a 1st Division assault platoon in the first wave of D-Day. He has received much recognition for his contribution to the war effort, including the Legion of Honor from the French president. In this memoir, the author offers us a window into his personal life so full of unexpected twists and turns that took him across the globe." -Dr. Harald E.L. Prins, University Distinguished Prof. of Anthropology, Kansas State University
The New Guide to North Carolina Beaches is an invaluable resource for every coastal traveler in the Tar Heel State. This descriptive guide to North Carolina's coastal counties goes far beyond the basics to showcase all that the seaside has to offer, from beach access points and camping options to aquariums, museums, and other attractions. Glenn Morris also shares informative and entertaining histories of each county, insights into the maritime environment and its wildlife, and useful tips on subjects like the dos and don'ts of beach driving. *A beach-by-beach tour of more than 300 miles of coastline *Highlights public access points for beachgoers *Offers practical guidance for trip planning, whether day trips or weeklong vacations *Includes detailed maps, contact information, hours of operation, and much more
One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.